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27008-1 -d 


fnrcwsm 


PRESIDIO OF MONTEREY, CALIFOR 


PyCCKHM 


mfapc: 


CPIICK O XPB ATCKM 


_CESKY_ 

EAAHMKA 


SHQIP 


MAGYAR 


ESPANO] 


TURKgE 


AIDS 


TO RUS5BAN FILMS 


FRAN^AIS 


PORTUGUES 


SLOVENStlNA 


ROMANA 


YKPAIHCbKA 


TSCH 


ITALIANO 


BAHASA INDONESIA 


yniWtvm 


LIETUVIt 




























































































































































































































































































































































































































































































































































































































































































































































































































































































































































































































































































































27008 ~I-a 


RUSSIAN 


Aids to Russian Films 


November 1956 
Revised May 1956 
Revised August 1959 


Ujai-ted States Army Language School 
Presidio of Monterey, California 






TABLE OF CONTENTS 



6 ' 


Page; 


Introduction.. l 

Film Unit I A GIRL OF CHARACTER . 3 

Film Unit II THE BOXERS .. 20 

Film Unit III TWO SOLDIERS . 33 

Film Unit IV A MUSICAL STORY . 45 

Film Unit V LUCKY BRIDE . % 

Film Unit VI RUSSIAN BALLERINA . 65 

Film Unit VII GENERAL SUVOROV . 79 

Film Unit VIII SPRING . 90 

Film Unit IX TANYA . 104 

Film Unit X VILLAGE TEACHER . 116 

Film Unit XI VOLGA-VOLGA . 127 

Film Unit XII ADVENTURE IN BOKHARA . 140 

Film Unit XIII THEY MET IN MOSCOW .157 

Film Unit XIV THEY HAVE THEIR OWN COUNTRY ... 166 

Film Unit XV USSR . SIMPLIFIED VERSION. 181 

Film Unit XVI USSR . ..185 

Film Unit XVII MEDICAL SERVICE OF THE 

AIRBORN DIVISION . 199 

Film Unit XVIII HAPPY SAILING l . 204 









































INTRODUCTION, 


1* This book contains commentaries to and summaries of, the 
Soviet films which are shown to the students taking the Russian language 
course* Students start attending these films approximately in the middle 
of the course* This book has been prepared in language which can be under¬ 
stood by the students at the time they are shown the film to which the 
commentary or summary pertains* Difficult words and phrases are trans¬ 
lated* Students are expected to prepare for each film in accordance with 
the instructions below* 

2* The first part of the film unit is an English commentary in 
which the background of the film is given* This material includes the 
following: when and where the picture was made, who the performers are, 
where the action takes place, a description of Soviet customs or in¬ 
stitutions which are shown in the film and which might otherwise be un- 
intelligible to students, and comments on propaganda contained in the films* 
In addition, there are brief explanations of parts of the film which are 
of interest but which do not materially affect the plot and which can¬ 
not be included in the Russian synopses due to their length* 

3* The second part of each film unit is a list of key words and 
phrases* Each of these lists contains words and phrases from the film 
which are important to the action and plot and words of value to 
students* vocabularies which do not otherwise appear in the course* 

These words and phrases need not be memorized, but the student will 
find it much easier to understand the film if he thoroughly familiarizes 
himself with them* In this connection it should be noted that the English 
translations have been made, not literally, but according to the use 
of the word or the phrase in the film* Insofar as possible approximate 
English colloquial equivalents have been provided for colloquial Russian 
expressions* 

lu The third part of each film unit is a list of characters 
and a synopsis in Russian* Study of the synopsis is not scheduled as 
part of any lesson, but students should read the synopsis and be sura 
that they understand it before attending the film* If some parts are 
not clear, the student should ask an instructor for assistance* 

5* The fourth part of each film unit is a list of questions* This 
list has been prepared as a guide for the discussion of the film* The 
answers to some of the questions are contained in the Russian synopsis, 
but to answer some of them it is necessary to see the film* The student 
should familiarize himself with these questions before seeing the film* 


.1 



INTRODUCTION (Cont'd) 


6* The fifth and sixth parts of the film unit have been included 
as material for those students who desire and are able to devote extra 
effort to the film# They include excerpts from the dialogue and the 
words of some of the more popular songs which are sung in the film# 
Those students who desire may study these dialogues and songs prior 
to attending the film* 





FILM UNIT !• 


A GIRL OF CHARACTER 

/ ^ebyihka c xapaktepom / 




(Film Unit l) 



I 


COMMENTS TO THE FIIM, 


1) In the late thirties the Soviet Government# being worried 
about the occupation of Manchuria by Japan# began developing remote 
regions in the Far East in order to create a rear-area for an eventual 
military conflict with Japan® Young men were sent to these areas#Being 
only human# these young "Builders of the Communist State" soon became 
lonely for their sweethearts and tried to sneak away# 

To keep the men on the job the Government appealed to young 
women to go to the Far East® A full scale propaganda campaign was 
launched# of which this film# made in Moscow# is typical® 

2) Several social and political events are reflected in the film* 
There was considerable tension between Russia and Japan* This explains 
the scene in the film where a Japanese diplomat# who speaks Russian with 
a heavy accent, comes to the diner on the train but loses his appetite 
because all available meals have names connected with the Soviet Army 

and Navy or have connotations of military defeat® It was also the time when 
papers were full of reports about foreign spies being caught by border 
guards or by ordinary Soviet citizens® It became a mania, unofficially 
sponsored by the Government# to look for spies or sabotage everywhere# 

3) The situation of Soviet managers and directors in places 
where female labor was used was more serious than shown in the film* 
underpaid girls lured by good conditions in the Far East left their Jobs# 
with the result that the directors# since they were held responsible 

for the fulfillment of their production plan# were continually forced 
to train new personnel® Since "Girls to the Far East" campaign was 
sponsored by the Government# it was difficult for the directors to take 
strict measures# Thus, in the film# the director of the phonograph 
record factory yields quite meekly when the secretary of the local 
Young Communist cell demands that he let the girls go® The man who 
is drinking beer on the train is in a more serious predicaments he can¬ 
not account for 300 men at his Siberian lumber camp* The reason is not 
specified# but the man obviously expects trouble in Moscow# where he is 
going to report to his superiors# 

fc) There is a great deal in the film about complaints® 

Katya is going to Moscow to complain about her director at the Central 
Bureau of Complaints, thus taking a short-cut instead of going through 
channels# Many public places, especially restaurants# had huge complaint 
books for customers# installed in corners « The diner on the train has 
one, too® It is characteristic of the Soviet social atmosphere, however# 
that the man in charge of the diner does not serve food himself although 
he is critically short of waiters* he is a "director^ 

5) A part of the story takes place in Moscow* notice the Kremlin 
and Moscow River during the scene where Katya tries to ©scape the police* 
man® 




(Fila Unit I) 



Comments to ih® film. (Coni f d) 


6) During the episode at the factory, where girls are checking 
phonograph records, a series of current hits is shown* the "Overture 
to Carmen," Glinka's famous song "I Remember the Wonderful Moment," 
"Tachanka," a popular song about the Civil War) arias from "Rigoletto* 
and "The Barber of Seville") an old Russian concert song "The Nigh tin* 
gale") a hit song from the movie "Circus" sung by Orlova *)) 

"Suliko," Stalin's favorite Georgian song and sane march music* 

1 little later they play an aria from "Carmen" and the Mexican song 
"La Cucaracha*" 

7) In her speech to the girls at the end of the film the "second" 
Ivanova mentions three women-pilots at that time glorified in the 
Soviet press as heroines after their forced landing in the Siberian 
"taiga*" 

8) The hero of the film, Berioskin, is a Sailor-of-the-Month 
(otjuh^hkk boeBoft no pro tobkm) and , therefore, Katya has seen 

his picture in the local paper before their meeting* 


*) The star of H Tanya, rt N Yolga-*Volga," "Spring." 



II, KEY WORDS AMD PHRASES. 


3BepOCOBX63 

- State fur ranch 

peneT^poBaTB 

• to rehearse 

flaB&TB pacn§T 

• to release, to give leave 

pjrKH BBepx! 

- hands up I 

no rpaH&HHHK 

y M6HH flOJIO CpOtJHO© 

• border guard 

• I have an urgent matter 

norpaHfinHan saoT&Ba 

• border post 

AMBepcdHT 

• saboteur, foreign agent, spy 

aft i*a bcmhtky 

- soft boiled eggs 

©pyH^a 

- fiddlesticks 

noflaB^-sBipiisa (o^jmnaHTKa) 

• waitress 

zajodnaa KHMra 

• complaint bock 

a to 6e3o6pa3ue 

- this is disgusting 

K&flpH 

• working force, personnel, staff 

jiecosaroTOBKK 

- lumber oarap 

»y ue h 6 6ea 6^j[47a 6Jioxa 

He npocK6nHT”* 

• "I wouldnH even let a flea by 
without a ticket* 11 

■IIpefl^HBftTe 6 kJi6tI" 

• "Show your ticketl n 

"Hto' bhJ * 

• "Oh, come nowj What are you 
talking about?!" 

otju&hhhk doeBoft 
no^roT6BKH 

• (here) "Sailor of the Month" 

samscHda KHtfzKa 

• note-book 


4 


(Film Unit I) 



Key Words and Phrases (Cont*d) 


pa&6HHHii ijeHTp 

uex 

MexT6pr 

w OTBepHfiTecB f noxdoiyJIcTal ■ 
®s£hi*« (slang) - (lit# "hare") 

neoen; 

OTnycKiTfc, oTnycT^TB 

Happiest 3a uoiuKy 
flHBepC^LHTa 

b *0 K CtVMVMt 


• district seat 

- fur 

• Fur Trade Administration 

- "Turn away, please 4" 

- A person who tries to ride on a 
train without a ticket* 

- polar fox 

• to let go 

- award for catching a 
spy 

• that brings luck 


-7- 


(Fila Unit I) 


Ill* JlEftCTBypmME JTOA 


K£th MBaH6Ba - fleBymKa, KOTopan paCoTaeT B 

coBXoa© Ha ^eJiBHeu Boctoko 


EKaTe'pftHa KBaH6Ba - *©Ha ocfamepa, KOTopaa 

3aHHMa©T0fl opraHK3aijHe ft 
ABMX6HHH A0Byni©K Ha 
£a.*BH«ft Boctok 

BepSaKHH - iiopaK ( sailor ) Auypcicoft 

O TJW^HHK 6 OBBOft 

no ATOTOBKH 


^HpeKTop 3B©pocoBX03a Ha ^ajiBHeu Boctok©. 


^wpeKTop UexTopra b Mockbq. 

^wpeKTop MooKOBOKoft <£a6pHKK rpaMo$OHHHX njacTHHOK • 
CenpeTapB KomoomoJ iBCKoft opraHnaamiM Ha Toft xe $a6pHK8# 
^HpeKTop BaroHa - pecTopaHa, 

/[npeKTop jrecoaaroTOBOK. (lumber camp) 

^HpeKTop Biopo aajio6* 

Mhjihd;hoh©p # 

PenopTgp* 


MaTB p©68HKa* 


-a - 


(Film Unit I) 






KPATKOE COilEPKAHME 


3BepocoBXoa ( State Fur Ranch ) rfle-TO Ha ^aJiBHeu 
Bootok©* 

Pa6oTHHi^i KaTH MBaHOBa h©#oboJ iBHa flHpeKTopou m 
xoh©t htth b pafton sajioBaTBCB Ha Hero. OHa peneTiipy©T 
obok) *ajio6y nepefl Ji6caun ( foxes ) « ^HpeKTop h© xoh©t ot- 
nyoKaTB ©g h roBopMT, hto b©ph§t eg c iijuumH©#, ©ojih 
OHa yiiflgT oaMOBDJiBHol without permission ) . KaTH BCgTaKH 

yxo^HT. Kor^a ona codapaeT Bemn roi& f OHa HaxoflHT Ha 
Heptane ( attic ) flHB©pcaHTa. OHa nopeflaST ero no- 
rpaHHHHHKan* 

Ms BjiaflHBocTOKa b MocKBy MfleT cKopjfi noeafl* B 
BaroH©-pecTopaH© 6ecnopHflOK: wajio o^umwaHTOB ♦ ^iipeKTOp 
Barona xajiyeTCH, hto noflaBajiBmHipi e^yT Bcerfla tojtbko 
na Boctok, a o6paTHo He bo 3 BpamaioTOH * ^wpeKTop 

uaraaHHa moxob h flwpeKTop #a6pHKH rpaMO(J)OHHHX njiaoTHHOK 9 
KOTopne aflyT 3 A©cb 3aBTpaKa, Tose sajuyioTOH, trro mx fle- 
ByniKH - pa6oTHHi^i yeaaaroT Ha ^ajiBHHft Boot ok t - h y hhx 
h© XBaTaeT pa6o*ieii cmjih. 

OflHH nacoaxHp o.ay*iaiiHO ( by accident ) ooTaHaBJiff— 
Ba©T noeafl. KaTH otoht nan pa 3 TaM, rfle ooTanaBJHBaeTCH 
no©3^* KaTH caflHTca b noeafl; hmkto h© bmaht, nan ona 
oe« • 

Ha OTaHijHH Twxan flwpeKTop aBepocoBXoaa wm©T KaT»: 
norpaHH^Han aaoTaBa xo^eT, hto6h ee npHCJiaaric k hum, a 
flupeKTOp 6 ohtoh xaJio^H h xo^iot BepnyTB KaT» Ha pa6oTy # 


9 


(Film Unit I) 



KpaTKoe coflepxsiHHe (npofloJizeHH©) 

Oh He 3 HaeT, htq KaT© xotht flaTB opfleH { medal) aa to 9 
hto ona noftuajia flHBepcaHTa* 

Ha to ft le cTa hijmm ca^HTca b noesfl EnaTepiaHa IfBaHOBa 
(to e© huh, htq h y KaTw) - H3B©cTHHft opraHH3aTop flBHse- 
hhh fl©Bym©K Ha ^ajiBHHft Boctok • B noesfl© ona TepneT 
KomejiSK ( wallet ) o SnjieTOU. Mojiofloft uopHK Bep83KHH 
HaxoflHT KomejgK. Oh 3 hhkomh tch o KaTeft m, Kor^a yaHaST e§ 
huh, flyuaeT, hto ©to ona noTepnoia KomeJieK. B koih©jibk© 
ecTB Taicxe 3anHCHan khmskh c $auHJiHHMH fleBynieK b Mockb©, 
KOTOPHX "H3BeCTHafl" EKa T©pHHa HBaHOBa X0H6T yrOBOpHTB 
noexaTB Ha ^ajiBHHft Boctok* 

Ha CTaHijHH Pas^ojiBHaH, rfl© KaTH xoTQJia za JioBaTBCH 
na ^apeKTopa, CKopnft noeafl He ocTaHOBHJioH• UopHK co- 
BeTyeT KaT© ©xaTB npnuo b MocKBy h zajsoBaTBCH xau» 

Ha flpyroe yTpo awpeKTopa npe^jiaraioT KaT© pa6oTy B 
Uockb©; b BaroH©“P© ct opaH© tok© npe^JiaraiOT ©ft paCoTyv 
B no©3fle nojiynaiOT TejierpaMMy, hto KaTH ©fl©T h© no OBoeuy 
6Hj©Ty. Hto6h floexaTt ao Mockbh, oHa nocTynaeT Ha patfosy 
b pecTopan. 

KaTH o6BHCHH©T MOpHKy f KTO OHa TaKaH H HTO OHa H© 
EKaTepMHa MBaHOBa , ko Topan noTepnjia koiuojiSk. Ho OHa pe- 
na©T octhbiitb y o©6h samicHyBo KHHZKy, hto6h no Heft bh- 
nojiHHTB see aejia* 

Ha B0K3aji© b Uockb© KaTH y6era©T ot fleBymeK, ko- 
Topne flyuaroT, hto ona flpyran HsaaoBa* OHa TepneT uopanaS 

- 10 - 


(Film Unit I) 


KpaTKoe coflepsaHiie (npoflOJiseHM©) 

^HpeKTop MQXOBoro MaraaHHa B63gT eg b Biopo Hajio6, a 
no tom yroBapnBa©T eg nocTynwTB k HeMy na padoTy* B mq- 
xobom Mara3MH© ©My Beg bpqmh npiixoflHTCfl yHHTB ( to train ) 
hobhx npoflaBUjnij, noTOMy uto fl©Bynn<M ^acTO yea&aioT na 
^ajiBHnft Boctok* Mophk BepgaKMH HB$©T KaTK) tjepea mhjihij;hk>* 
OHa Toss xotier HaftTM BepgsKHHa nepes MWJnmHio, ho ysHaeT, 
hto ©g MmyT, nyraeTCfl n yxowr* 

Tenept ona nona^aoT Ha $a6pMKy naT©(|)OHHHX nJiacTK- 
hok, rfl© irpofloJisaeT yroBapuBaTB flesymeK, MM©Ha kotophx 
©OTB B SanMCHOH KHH2KK© EKaT©pHHH HBaHOBOft© 

Bepg3KHHa b mh cjiy*iaftHo <$oTorpa^wpyioT pnflOM 
o seHnjiiHoft, KOTopan Hanuia cBoero pedgHKa* $oTorpa$Hs 
HfleT b ra3©Ty« Pa3©Ta no omndK© HaaHBaeT BepgsKMHa 
otijom p©6gHKa # 

Kor^a KaTH paocKaaxjBaeT b o6ih©jkiitmh o ^ajiBHQM 
Bootok© m o tom, nan OHa noftMajia a mb ape aHTa , oflHa #e- 
ByniKa eft h© b©pht. KaTH roBopuT, mto OHa cnopo HaftflgT 
B©pg3KHHa, M OH AOKa® 0 T, HTO OHa C ^aJIBHePO BOGTOKa* 

Eft no Ka3HBaioT ra3©Ty c ^oTorpa^iieft Eepg3KMHa k flpy- 
roft ac©HmnHH* KaTH p©BHy©T ( is jealous )« 

Ha $a6pHKy npnesscaeT flpyran HBanoBa. Eg npocHT 
paocKaaaTB o /{ajiBH©M Boctoko, OHa pa cc keshbeot o tom, 
nan oflHa flOByinKa noftMajia pBepcaHra* Bee y3HaioT b aToft 
fl©ByniK© KaTB3 n bh^ht, hto ona, roBopmia npaB^y. /[bo 

41- 


(Film Unit I) 


KpaTKoo coflepjsaiiHQ (npoflooistoHH©) 


MBaHOBHX BGTpe^iaiOTOH , H KaTH B03Bpama©T SanMCHyK) KHMJKKy* 
Bop^skmh, HaKOHen;, HaxoflMT KaTK>, ho oHa h© xovlqt 
ero bhagtb m yderaoT, ho BCTpenaeTca c MHJiimHOHepoM. 
HaKOHen;, ona y3HagT, hto mh Jumna ncKaJia ee, ^jto6h #aT£ 

©ft opflen, a h© ajih Toro, hto6h B©pHy tb flOMoft* MmumnoHep 
o6^aona©T KaT© KOTOpnio o <$oTorpa$H©ft Bep§3KHHa• 

$HJIBM K0HHa©TCH 0T£©3fl0M fl©Byni9K Ha /(ajiBHHft Boctok# 

XV* BOnPQCH K <l>OBMy. 

I. Kan 30ByT fl©BymKy b (Imjibm©? 

2* r^© OHa pa6oTa©T? 

3* Tfl© HaXOflHTCH 3T0T C0BX03? 

4* ^0M HeflOBOJIBHa KaTH B C0BX03©? 

5* Koro OHa naxoflHT na Heptane flOMa? 

6 • ^to OHa c hum flejiaoT? 

7. ^to npowoxoAMT no flopore? 

8* Ky^a no© 3 £? 

9* IIoHeMy b BaroH©“p©cTopaH© Cecnopa^oK? 

I0 # noaeuy flnp©KTop coBxo3a nm©T KaTio? 

II* KaKaa seHipiHa cejra Ha noes# na CTaHijHH Tuxaa? 

12 # Kto ona h qeji 3 aHHMa ©tch ? 

13* Utoo ojrytiHJiocB c eg Ghjistom? 

14* Kto TaKoft Eepe3KHH? 

15* ^to oh Haiueji? 

16* ^to 6hjio b koihqjibk©? 


- 12 . 


(Film Unit I) 



BonpOOH K (fiHJIBMy ( npO^OJIS 0 HM© ) 


17. IIotieMy oh oTflagT KomeJiSK KaTe? 

18 ® IIo^eMy Kara hg Morjia bh#th Ha cTaHijHH 
Pas^ojiBHaa? 

19. Ky&a 0Ha pemaeT ©xaTB H saneii? 

80. ^to flHpeKTopa npeflJiaraBOT KaT©? 

81* IIoHeMy Kara nocTynaeT Ha pa6oTy b 
saroH© - pecTopan©? 

88. PaconaaMT© o 3anwcHO$ khmsk© EKaTepHHH MsaHOBofi. 
83* ^to Kara flejraeT b Biopo 2Lajio6? 

84« Pfl© OHa HanjiHaeT pa6oTaTB b Mockbq? 

85* Kan BepesKHH mhj©t KaTio? 

86* IIoH©My KaTH y6era©T ot mmjimi^moh© pa? 

87* Kanyu BTOpyio pa6oTy nojiynaeT Kara? 

88. Hto OHa fl©aia©T Ha $a6pnK©, KpoM© padoTH? 

89* IIoH©My fl©ByiUKM ©flyT Ha ^ajiBHHfl Boctok? 

30. HOHQMy 3TO H© HpaBMTCH flHp© KT OpaM? 

31. IIoHeMy Kara flywaeT, hto Bepe3 kmh s©HaT? 

38. Kto npHe3sa©T Ha (£a6piiKy pa3roBapwBaTB o 
flQByniKaMH? 

33. 0 h©m OHa paccKaaHBaeT fleByinKau? 

34. IIoHQMy KaTH He xoh©t bha©tb BepesKHHa? 

35* IIoH©My mmj!ihd;hoh©p hihqt KaTro? 

36. ^©M KOHHa ©TCH (£JSJIB1I? 


13 


(Film Unit I) 


v. jHHAJOm M3 -MUBMA 


ilMPEKTOP C0BX03A: 

I. B 3B0POOOBXO3© . 

PeneTMpyeinB? IIpeflCTaBJieHMe ycTpaH- 
Baemfc? 

KATE* 

PeneTMpyio ... A np©floTaBJi©HHe 
dyfleT Torfla, norfla Kommccmh npjf©fl©T# 

IMP. COB.» 

A pa6oTa otomt? 

HATH: 

A h yx© y Bao 6oflBine h© pa6oTaio. 

H B paftoa sajioBaTBCH ©fly. 

OTP.COB.: 

IIoKa a h© oTnycTHJi, HHKyfla tk h© 
no©fl©mB! 

KATE* 

CTaHy a floxwflaTBca! ^ 

OTP.COB.* 

(3aBxoay) Caymaft-Ka, JyKa 
pacagTa ei1 h© flasaTB! 

jiyKA $omhe* 

_ s) 

Egtb h© laBaTL Dac^STa. 

HATH* 

H© yflepauT©, Bee paBHO no©flyI 

OTP.COB.* 

Hanyfla th h© noefleniB! 

KATE* 

Ceftaac z©, H©MeflJt©HHO noQflyl 

OTP.COB.* 

3) 

3aBX_oa! Ivna $omm! Ionian©# ©ft 

h© flaBaTB! IlycTB, ©cjim xo^©T„Ha 
OTaHmiK) HozKauH TonaeT • 

KATE* 

Hy, a noTonaD HOSKaiiH. 

OTP.COB.* 

^aji©Ko h© noTonaeniB! E T©6a Ha 3 afl o 
MMJIimMQft BepHy. 

KATE* 

C MMJHMDiM©ft!? OT a*ro a, yzpajia *ito jih? 
H© 6oiocb a mhjihijhh! 

/ 

OTP.COB.* 

Hy. noroflM! * 


1) Do you think I will wait for your order? 2) Tes, Sir, 


3) office manager 1*) i 

* nesiKOM 5) * nofloxflH 


-14- (Film mt I) 


(Film OHIt I) 




























flHajiorsi ms npoflOJiKeHHe) 


2„ 

B noeaae* 

nPOBOilHHK? 

np©A5>HBMTe 6 mJ50T! 

MBAHOBA? 

HoaajiyftcTa! /juh©t/ H, KaaeTCH, do- 
Tepnjia 6 mji©t • 

BPO B04HMK? 

Ara! noTepa-HM? Bh c©^m afleoB, 

na TMXoft? 

MBAHOBA: 

» 

HPOBOjlHHK: 

Baina (JaMMjma MBaHOBa? 

MBAHOBA? 

4a, fla. 

IIPOBO jHIMK l 

Bog hcho « Ha ojieflyiomeft QCTaHOBK© 
bh coftfleT©* 

MBAHOBA? 

Kan cofiMV? y m©hh cosemaHH©^ m©hh 
aflyT b Mockb©! 

HPOBOJIHMK? 

Koro-HM6yflB h a^yT b Mockb©, a Bao 
»flyT flOMa* npoMflSMT© b cjiyae6Moe Kyn© 

MBAHOBA? 

4a, ho 6mji©t 6hjj y mqhh. 

HPOBO.ZIHMK? 

Ohohb mo i©t , hto m 6uji , a TonepB h©T♦ 
A pas h©t, to y m©hh 6©3 GiixeTa m 
6jioxa h© npocKo^MT* noaajiyftcTa, csofla* 


l) meeting 


3. 

B no©3Ae # 

HATH: 

Oft! 

BEPE3KMH? 

Hto Tanoe? Hto ojiy^HJiiocfc? 

HATH? 

Korfla h oaflMJiacB a..* 

EEPfi3KMHl 

Bh noTepaJiH 6 mji©t? 

HAT Hi 

4a • 

BEPfi3KHHt 

Bam 6 vuiqt y m©hh« 


15 


(Film Unit I) 























^waoiorH M3 (npoflOJiateHM©) 


HATH* 

He MOseT 6 htb! 

BEPfi3KHH: 

Bh EKaTepMHa WBaHOBa^ 

HATH J 

OTKyfla BH M0Hfl 3Ha0T0? 

BEPfi3KHHt 

Bac bch AMypoKan $jiothjimh 3Ha©Tl 

KATfl: 

Mqhh?! 

BEPE3KMH: 

Bac ♦ 

KATflt 

^TO bh! 

Bep£3KHH: 

KaTepMHy MBaHOBy 3HaioT bc© KOMaHflHpa m 

KpaCHO$JIO TIJH o 

KATHs 

4a 6po cbtq bh! 1 ^ 

/bxo#mt npo bo ahmk/ 

nPOBOOTHK? 

/k KaT©/ npOCTMT©, BH C©JIM Ha OTaHI^MH 
TMxan? npeflBHBHT© 6 mji©t! 

BEPE3KMHJ 

/flaeT ripoBOAHMKy 6mjj©t Ena t©pmhh 
MBaHOBofi/ IIoaajryiicTa. 

IIP0B04HHK5 

CnoKoftHoft hohh! /yxo^MT/* 

HATH: 

CnacHOo, TOBapMin Bep§3KHH! 

BEPE3KMH: 

OTKy^a bh mqhh 3Ha©T©? 

KATff: 

H Bam nopTpeT HQflaBH o b ra3©T© BM4©Jia # 
B©flB BH OTJTMMHMK 6o©BOft nOflrOTOBKH? 

BEPg3KHHs 

BepHo* 3HatiMT, im c BaiiM flaBHO 3 Ha- 
komh. 4a, KCTaTM, nojiy^MT© Bamy 
3anMCHyio KHMiny* 

HATH: 

CnacMOo, tojibko h 


1) Oh, you 1 *© kidding m$J 

-ad* 


(Film Unit I) 





















^HajIOPM M3 (|)MJ3[BMa (npOAOJK«©HMe ) 


EEPE3KHH« 

Bh, HaBepnoe, ycTajia. Hy, 6yfl©M Ha 
homb ycToaMBaTBCfl ft TeneoB bh otaoxhSt© 
Kan cjre/iyeT 2 ; Ro yTpa HHKaKHX CTaHijuft 
6oJiBm© h© 6yfl©T • 

KATES 

Kan flo yTpa? •.• 

EEPE3KHH: 

E 3^©cb b flopore see pacnHcaHH© MayMHJi# 


KATE | /BHXOflMT B KOpMflOp/? TOBapUII? npOBOflHHK, CKOpO 6yfl©T 


nPOBOAHMK: 

Pa3flOJIBHafl OTaHI^MH? 

A bot oHa . Tojibko mh he H©ft h© ooia- 
HOBMMCfl* Mh - 3KCnp©CC» 

KATfls 

A KOPfla le 6y#e t cjneflyiomaH? 

HPOBOilHMKl 

_ 3) 

Eh©jim no-HanxeMy „ no-flajiBH©BOOTOMHOuy, 
to yTpoii• A ©aeon* no-Bameiiy, ho-mockob- 
CKoiiy, to 6jikh© k B©H©py # 

BEPE3KMHJ 

ToBapMn^ KBanoBa, Ky/ja me bh nponajiM? 
HflMT©, Bam© iieoTO potobo* 

KATE: 

CnacM6oS Oft, Pas^oJiBHyK) npoexajiH, a 

MH© s Taw bhxoahtb HyHHO 6 hjio« 

EEPE3KMHJ 

A mto y Bac TaM # - poactb©hhmkh? 

KATES 

£a h©t, y Hac Tau paftoHHHft b;©htp* 

Mh© npo Hamero #MpeKTOpa paconasaTB 
Hy®HO * 

EEPE3KHHS 

A b Mockb© pasB© npo Hero hojibsh 
paocnasaTB ? 

KATES 

B©pho *Eqjim npo Tanoro ^wpeKTopa b 
Mockb© paccnasaTB ••• 9 to #©jff 0 „ 4 ' 
Otb©phmt©cb , noaajryftcTa* 

CnoKoftHoft homm! 


2) You 1 11 have a good rest. 3) - ©cjjk 

!*) That’s a good idea* 


17 


(Film Unit l) 



















/JuajiorH M3 (npofloxseHM©) 


4. 

MHIHIIMOHEPl 

EEPfi3KHHt 
MMJMUHOHEP t 


BEPfi3KHHt 

MKJHgKOHEPi 

EEP£3KHHl 

MKJHgKOHEPt 

EEPS3KMH: 

MOHMOHEPt 

BEPfi3KMHl 

MHIKgMOHBPl 


B 

/ roBopMT no T 0 Ji©$oHy/ CmymaKu.. CUymai>.« # 
Kan $aiiMJiWH Bameii TeTH? 

/flyiian, ^jto tot o6pama©Tca k h euy/ 

A OHa MH© OOBOQM h© tSt«* 

/npoflomaaa pa3roBop no T©Jie<£oHy/ 

Aral B Kanoii ro^y nponajia Bama tSth? 
B flecHTOM? Oti©HB xopomo! 

UpocTMTe, a roBopio xopomo h© to, 

*ito nponama, a xopomo to, mto 6y^eu 
HCKaTb• /K B©pg3KMHy/ TaK KaK 30ByT 
Bamy tStjo? • u - u.. # 3HaKouyio? 

KaTepMHa* 

Ot^iqctbo? 

n©TpOBHa<> 

Bo3pacT? 

J©t flBa^aTt# 

Mqcto po»fleHMa? 

H© 3Haio* HasepHO, rfl©-HM6yflb Ha 
^ambH©M Boctok©* Ona ceja Ha 
cTaHijMM Twxaa* 

IIpHcaflbT© Ha MMHyTo^Ky! 


- 1$ m 


(Film Unit I) 














VX« IIECHH HATH ♦ 


Ecjhm h ymjia ms flowa, 
HeJierK 6 mbhh HaiiTM* 

S o^Ha Mory nojroBeTa 
JgrKMM raaroM o6oMth* 

u > I) 

Hk npocTQp p) He wcnyraeT, 
Hh nperpiflH ^ ' na nyTHS 
y M9HH TaKoM xapaKTep - 
Th OO MHOIO He myTM! 


H hh c kgm He nonpQya^aci>, 
Tojtbko BHmJia aa nopor ^ ' 

A yx mh e 6eryT HaBCTpe^iy 
no©3^a co scex flopor* 


He coBeTyio t©6© h 
HoBCTpenaTBCH Ha nyTHi 
y M 9 HH TaKO# xapaKTep - 
Th co mhobo h0 iny th ! 


1) The wide world 2) obstacles 


3) threshold 


~l9m 


(Film Unit I) 







Fill! UNIT II 


THE BOXERS 


/ BOKCEPH / 


• 20 * 


(FIla Unit n) 



COMMENTS TO THE FILM# 


I® 


1) **The Boxers” is a run^f-th®«mill postwar Soviet film® Froa 
the technical point of view it is very weak, especially at the end# 

Thera are no stars in the cast* 

2) The primary aim of the film is to glorify Soviet sports* A 
quotation from the Soviet poet laureate, V* Mayakovsky, at the beginning 
of the film, states the main objectives of tha official philosophy of 
sports* "Study English and French boxing not to dislocate other 
peoples jaws, but in order to be able, without fear of bayonets or 
bullets, to disarm single « handedly an enemy patrol*® Thus, purpose¬ 
fulness, morality, and patriotism make the Soviet sports what they are* 
Later on in the film, the hero, Kochevanov, emphasises the "intellectual** 
qualities of boxing, the ability to think correctly in a split-second* 

On the other hand, capitalistic boxing is put in as bad a light ao 
possiblo* The country, although not named, is obviously Franco* There 
boxing is pictured as based on cruel competition, completely lacking 

in human qualities® Boxers are used by the managers as long as they last, 
and then cruelly cast aside* 

3) The organization of sports activities in the USSR is peculiar 

to that country# Although there are professional athlete3, officially all 
sports in the USSR are amateur and all athletes must also have another 
job (in many cases a sinecure)* In the film the hero is in military 
service, while the professions of the other athletes are not specified# 

b) The terminology of Russian boxing is taken almost entirely 
from English* Examples t m&tw , HOKayT, ho K^ayii , pHHr , payHfl • 

The French boxer. Lane©, is played by the Russian middleweight champion, 
Grad&polwr (it was obviously difficult for him to pronounce French, and 
therefore the director reduced his spoken part to the minimum)# 

The villainous French manager is made to appear even more villainous 
by his confession that he took part in anti-Soviet foreign intervention 
in the South of Russia in 1919, during the Civil VJar* 

5) At the beginning of the film, the boxers parachute from a plena* 
This is part of the Soviet Preparation for Labor and Defense Program 

( OfO - roTOB k Tpy^y m odopoHoKxrtiich is sponsored by the 
government as part of the unofficial "militarisation” of the country® 

A3 part of tills program c^any levels of requirements or "norms” have been 
set# Persons meeting these requirements receive a GTO badge 

6) Tha custom of exchanging kisses between men is an accepted 
Russian form of expressing feeling between friends under certain cir¬ 
cumstances* e«g* a meeting after a long separation, to express congra¬ 
tulations after a victory or success, or when bidding farewell before 
a journey* 


21 


(Film Unit II) 



II# KEY WORDS AND PHRASES 


rpom ijeHa 
aaTHEH^M (hphxk 6 m) 
noAroT 6 BKa k ot 66 po^hhm 

COp©BHOB&HMHM 
oawoyBepeHHHfl 
TH«©J5Hft B@C 
JE^rKHil B©0 

sa oboM xapaKTep h oTBe^aio 

OCTaBBT© M@HH B BOKO© 

noaajj©TB 

ynpHMc TBO 

pasra^TB njsan npo tmbhkk& 

na piiHr© th sjyaot 
ynacTM© 

KowaKfla 

no ro parados 

KOMMCCHH 

3a oflHoro dMToro £Byx 
h©6hthx AaioT / a prolife/ 

TO^HOOTB 
no oahoJI KpjraK© 

Kpenno patfoTaioT 


• not worth two cent* 

• using a delay jump 

« preparation for selective 
competitions 

• cocksure 

« heavy weight 

• light weight 

• My character is my 

business 

- leave me alone 

« to give sympathy 

- stubborn©ss 

« to anticipate the movement 
of the emmy 

» in the ring you’re a stranger 
to me 

- participation 
» team 

• lost my temper 

• board 

*■ One who’s beaten is worth 
two who never were 

• accuracy 

« one glass each 

Aits rally "one mug") 

• they’re doing a good Job 


- 22 


(Film Unit n) 



Key words and phrases (Cont’d) 


HatfpajEH flexe# b KouaHfly 

H36m6hh 0 MJiafl6Hi*e© 

Oh xoneT Ka3aTBCH chjibh©©, 

*1911 ©CTB 

ncHXHHeoKaH aTaKa 

BH30B JIK>66uy OOB©XOKOMy 
doKCgpy 

KoiiaHfla npHHMMaex bhsob 

KanoA-TO Ko^eBiao©! 
KOTJieTy cfl©jia©T 

<$IIHTH0 0 

MM0HHO B 3TOM HiaHC 

npo^epsdTBCH 

yxoflMiB b rjiyxyio aam$Ty 

HQ Cym©CTBy©T 

MaTH Ha nepBQHCTBO 


• they sent us a bunch of boys 

• a massacre of innocents 

• He wants to seem stronger 
than he is 

• psychological attack 

• a challenge to any Soviet 
boxer 

• The team accepts the challenge 

• Who is this /unknown/ Kochevanov? 

• He’ll make a beefsteak 
out of you 

• more experienced 

- that’s where the chance is 

- to hold on 

• to cover up 

• does not exist 

• championship match 


~ 23 ~ 


(Film Unit II) 


HI, ilEfiCTByiOIIIME JKHA, 


Ko^©b£hOB 

- 

o$Hu;ep f donoep nojiyTHso^oro 
B0ca 

Wp#Ha 

- 

jieTHHi^a 

JXo POXOB 

- 

^©MIIHOH B nOjyTHHBJIOM B0O0 

ilHJIH BOJIOflH 

- 

Tp© H©p 

JaHO 

- 

HeMIIHOH EBponH B HOjyTHHSJIOM 
B0O© 

MunpeccaPMo JaHca 


( Lancet manager) 

Xp6m^©hko 

- 

waccaKMOT( masseur ) 

Ujxa 

- 

6okc©p JigrKoro B©oa 

Bojiiinofi 4xex 

- 

(j)paHD;y3 # dHBmHft doKcep 

^ePHHft IIb©tok 

- 

H©rp - doKoep 


KPATKOE COilEPJBtAHKE 

$HJIBli nOKa3HBaeT «M 3 HB 6oKC©POB MOOKOBCKOrO onopTHB- 
Horo o6mecTBa« Boncop Ko^eBaHOB m MpuHa jib odas 

flpyr flpyra, ^©mhhoh .iHopoxoB - xopoiimft doKcep, ho oh o^ohb 
ropHU h ojihuikom jiiodHT cedn m oboJ} ycnex* Ko*z©BaBOB - 
odpasen ( a modal) oobotckoto *z©jioB©Ka h cnopTOueHa,KaKKM 
©ro XOTHT BHfl©TB B CCCP , OH CKpOMQH ( »od©St ) f MHOTO 
padoTaeT h Ha koh©j^ fl©jja©T M3 oedn obqhb xopom©ro donoepa# 
Oh JiiodMT done h© paflu ( for the sake of ) cauoro doKoa, a 
flJiH Toro, tjToda BHpadoTaTB K&tjeoTBa ( qualities ) f HyxHHo 
odopdHH ( defense ) OTpaHH« Oh Tana© cHHTaeT, hto 
dOKO - n MHT©JrJI0KTydjlBHIift M OnopT, Tfl© Hy»HO dHOTpO K 


-2i*< 


(Film Unit II) 












KpaTKo© coA©p®aHM 0 (npoAOJixeHJi©) 

xopomo AYMaTB b a©chtn© aojbh ceKyHAH* 

B Hana.se $HJi£Ma 6oKcepH Haxo ahtch Ha aapoAPOM©. 

Ohm oflaBDT hopmh Ha 3 Han ok PTO no npnsKau c napam»TOM 
(See comments § 5) « CaMOJ&©T BeA@T ji© THsma HpMHa * 

HeMnHQH J\0 pOXOB XOH©T HOKasaTB ©ft G BO© repoftCTBO H 
npnrHyTB saTHXHHM npnsKOM, ho GTapniHft rpynim, KoneBanoB, 
^anpesja©* ^opoxomy npnraTB ©©bc©m« 

HaHHHaHDTOH OTdoponHH© OOp©BHOBaHMH RAX JX 0 © 3 AKH B 
EBpony * Tpenep ahah Bojioah mhopo aanKMa ©t ch c 6okc8- 

paMJS K CMOTpHT 3 a HX BQCOM • KQH©Ba HOB CTaHOBHTQH XO~ 
ponHM 60 ko© poM• B tp©hhp6bo^hom 6qk> ^0poxoB nojiynaeT 
OT Hero HOK£dyH» 

MpHHa h© jik>6ht 6onoa n ^a»© peBH^eT ( ie jealous ) 

K H©uy f noTOMy htq bo bp©mh 6qh Kon©Ba hob naxeTCH ©ft 
nyxHM* Oh flax© depeT oTnyoK y csoero KOMaHAnpa ajih 
T p©HMpOBKM f a H© #JIH TOTO, HTo6h XipOBOAHTB Bp©MH O 
MpHHOft« 

Ha oTdoponHHX copeBHOBaHMflx ^ 0 poxos nodexflaeT 
( defeats ) KoneBaHOBa* ho komhoomh BC©-TaKn KonesaHOB hu 
AOBOABH a. HpnHa npMxo amt k newy nocie 6 oh m xohgt no- 
xajreTB ero b HecnacTB^, ho bmaht, hto oh h© cHMTaeT 
cedn h© c nacT hhm• Qna pasonapoBaHa ( disappointed ) # 
/(OPOXOB XOH0T HCHOAB3 0BETB 3T0T CJiynaft, HO y H©TO 
HMHerO HQ BUXOAMT* 

EoKcepn ©AyT bo $paHD;nK>. Ha nepBoft BCTpene c $paH- 


2 $ 


(Film Unit II) 


KpaTKoe coflepataHHe (npo ROJimenne ) 

n;y3aMH cobgtckmm 6oKc&paM TpyflHO* Ohm h© iipmbhkjih k 
” KaiiMTajiMCTPi^ecKOMy ” Coney* Ha 3Ty BCTpeny npnxoflMT 
$paHn;y3CKK:ft hgmiimoh 6onca JIaHC co cbomm MMnpeccapMO# 
MMnp©ccapMO JIaHca ynacTBOBaji b MHTepBGHijMM npoTUB CCCP 
BO BpGMH rpaEflaHOKOM BO&HH M II0 3T0My HGMHOTO TOBOpHT 
no-pyocKM* Ohm Ha6juoflaioT, nan #ep©TCH ( fights ) .AopoxoB* 
HOC JIG 6oa flpy3BH n 03 flpaBJ!HK)T ^OpOXOBa, HO KOMGBaHOB KpM- 
THKyGT GPO M TOBOpMT, HTO ^OpOXOB no6©#HJI 60 JIBIE© nCM- 
XOJIOPMHGCKH 9 HGM TGXHM^GCKM, M HTO yMHH# npOTHBHHK, 

KO TOpHii 6yflGT 3HBTB GPO MGTOfl, JIGPKO IIo6©flftT ©rO • 

PiMnpGecapMo laHca npMrjiamaGT bogx cobgtckmx 6oKc«fpoB b 
KJ tiyd ’Tojrydaa jighT a*, mto6bi noKa3aTB, Kan fl©p©TCH JIaHC# 
IIpOTHBHHKa laHOa ~ MGJIB^MKM M CTapMKH , H OH JIGTKO H 
rpy6o 6 bgt mx# KonesaHOB 3aM©gaeT, hto JIaHC xo^gt Ka- 
3aTBCH CM JIBHGG f HGM OH GCTB* IIOCJrG 6ofl JIaHC flGJiaeT 
BH30B JHOdOMy COBGTCKOMy 60 KC©py* COBGTCKaa KOMaH^a npM- 
HMMa ©t BH3 0B, ho o6em;a©T o6bhbmtb npoTHBH mkr Jlanoa Ha 
cjieflyioijuwft aghb• Be© KflyT, hto stmm bpotmbhhkom 6y#©T 
/lopOXOB i HO BojIOflH HQOHMflaHHO Ha 3Ha MelGT KOHGBaHOBa, 

kotopopo aarpaHHn;©# hmkto hg 3Ha©T» ^opoxoB ohghb hg- 

flOBOJIGH, HO BOJIOflH O^BHCHHQT ©My OBOft MaHGBpj 

JIaHC BMflGJr, KaK fl©p©TCH ^OpOXOB, M MayHMJI GPO HGflOCTdTKH 
(weak point© ), a KoHGBaHOBa oh h© 3 na gt » 

IljiaH flflflM BojIOflM: JIaHC 6oJI©e CHJTBHHft M OnHTHHii 


- 26 


(Film Unit II) 


KpaTKoe coflepsaHHQ (npoflojiaceHM©) 


doncep, *i©m KotieBaHOB® HoaTowy b nepBHX p&yHflax Ha/jo 
TO JIB KO 3amwmaTBCH M 6MTB BCG Bp©MH B C ©pm© • KoPfla 

Jlano yoT^HeT, Torfla Haflo HacTynaTB* 

Ha^MHaeTOH MaT*i, KOTopuft cjiyniaroT m b Moo kb© • laHC 
odenjaji b ra3©Tax HonayT Ha h©tb©ptom payHfl©. Boft rjlk 
Ko^eBanoBa oh©hb thkSji, ho oh cji©#y©T coB©Ty 
Bojtoah h nodexfldeT* 

B cboqm OTejie oobqtckpi© doKcepn np&3flHy»T ( celebrate) 
node^y. KoneBaHOB roBopwT no T©jiec£oHy o MocKBoii. B 
Mookb© ^opoxoBa m KoHeBaHOBa sc#eT uaT^ Ha ne pbqhotbo 
CCCP. 

$hjibm KOH^aeTOH neoHeii n OTteaflOM cob©tckhx 

dOKCgpOB flOMOft. 

IV* BOnPOGH K SKJLMy 

I* JIo^reMy doKc&pH npnraioT o napamroTOM? 

2# Kto Tanas HpnHa? 

3* Koro ona jnodwT? 

4, Kto ^©mhhoh no doncy? 

5* Kano# xapaKT©p y /^opoxoBa? 

6 # Kto thko Vi KoneBaHOB? 

7 # rioneMy oh h© noaBOJin^ ^opoxosy 
npnraTB o napannoTow? 

8* K H©My potobstoh qobqtckm© doKcSpn? 

9. Hto ^ywaeT MpHHa o doKoe? 


27 


(Film Unit II) 



Bonpoon K (npOAOJUEGHM©) 


10# Kto no6esflaeT na oTdopo^HHX copeBHOBaHMHX? 

II. noueMy MpMHa noo-ae 6oa hq#obo jib Ha Kos©BaHOBHM? 
18. Kto ©me yxaswBaeT sa KpwHoii? 

13. Kan npoxo^MT nepBaa BGTp©na oobqtokmx K 
$paHi*y3CKMX 6 okoS poB? 

14. 3a^©M Ha 3Ty BCTpony iiphxoakt $paHBty30KHil 

HQMnHOH? 

15. Ky^a nparoianiaeT qobqtokkx doKoepoB 
nynp©ccapno JEaHoa. 

16. Hto KoaeBaHQB Ay**a©T o laHC©? 

17. ^to JaHo od’BHBjuaeT noos© dos? 

18. Kan npuHHMaoT ooB©TQKaa KOMaHfla stot BH3 0B? 

19. noa©My ahah Bojioah BHdHpa©T ash dos 

o Janoowt Koti©BaHOBa? * s 

80. ^TO TOBOPHT O6 3T0M bh6op© AopOXOB? 

81. Hto rosopiiT od 3tom HMnpeocapno JaHoa? 

88. Kano# naiaH aha* Bojjoam? 

83. *Ito 4aHo odomaji b ra3©Tax? 

84. Kan haSt CHa^iajia doft? 

85. MtO npOHCXOAHT B 3T0 Bp©MH B MOO KBQ? 

86. *I©M KOH^aeTOH do#? 

87. hto roBopHT HMnpeooapno o Janos noojie 60s? 

88. C k©m Ko^ieBaHOB roBopHT no T©se$OHy? 

89. ^to saSt KoH©BaHOBa h 4opoxosa B UoOKBe? 

30. Hqu KQH^aeTCH $hjibm? 

31* Ectb 4H> no-Bameny, pa3HHija M©»Ay aiiepuKaHOKHM 
H pyCOKHM dOKOOM? 

- 28 - (Film Unit II) 


v« 

flOPOXOB t 

HPHHAs 

JOPOXOB: 

JfPMHAl 

flOPOXOBi 

KPHHAt 
KO^EBAHOB t 

flOPOXOB: 
KQ^EBAHOB l 

1) to adapt himself 


KPMHA t 
KO^EBAHOB l 

KPKHAs 


1) lotto 2) public 


OTAJTOrH M3 mihUA. 


I. B caMOJigTe « 

3flpaBCTBy|lTe, MpMHa! 

3flpaBCTByftTe • A a Bac He 3HaB0* 

3to hb BaxHO • SaTO a Bac 3Haio # 
BOKOgp, 3Ha©T© JIM , flOJIXeH MPHO- 
B© HHO OPM©HTMPOBaTBCH I' 

b jho6ow oficTaHOBKe. MHaae ©My 
rpom ©Ha# 

A BOT IIOCMOTPHM, KaK BN B 
B03flyxe cpM0HTMpy©T©OI» • 

IIpO B©p MM * 

A BH H© 6oftT©CB, XOTMT© # Oefi^iaO 
SaTHSHHM npHPHy? 

H©t, h© xoay. 

3to kto *© 3 aTHSHHM npHraTB 
XO*J©T? 

A MTO? 

MhT©P©OHO # BXOflMT© f TOBapMO^M m 


2 * ITooJie 6oa Ha QTdopoaHHX 

C OP0BH OBaHMHX♦ 

^TO c Toboil? 

Tan a s t©6© pobopmji? 6oko - 

3 TO H© JTOTO ^ A ^TO 0 T06oft? 
Te6a BOJiHy©T odmeoTBeHHoe 
MH0HM© ? 

A T©6a,Boodm© # Kas©Toa f HM^ero 
He boJ iHy ©t * 


opinion 


29 


(Film Unit II) 
























^MajorM ms $51 JiBiuta (npoflo.aseHHe) 


KOHEBAHOB % 


Hy Hero th cepflHniBCH? Th flyuaoia, 
h easy 3 #eQB OAMHOKMit, paoGTp 6 ©H- 
hh&. Tk npMflgmfc h no*aJneeniB 
M9HH • A a B3Hd M HOn6pTKJf */ 

secB TBot jfSIaaoear 


3 ) I went and spoiled h) plan 


.gOPOXOB i 

KOHEBAHQB l 

^OPQXOBj, 

KOHEBAHOBI 

mss. sum 

KOHEBAHOB j 

ilOPOXOB I 

KOHEBAHOB i 


JOPOXOBj 

BOIOflgl 


3 « KoaesaHOB m itopoxoa^ 

Ho noihiH, KhpIijiji | a to rayno# 

Th BeflB naBQpHHKd npoarpaoKB# 

Mo»0T 6htb® 

BefiB a to 6y#eT noa£pl) fl 4 a 
Beef! KOMaHflH. l/l H© tojibko 
flJKH KO MaH#E2 « 

A th h© nyraft* 

Hy cnasH hqotho, kto ohjibh©©, 

th mjim a? 

H© anaio* 

A nopa 6u sh&tb• OTKasuoB t 
nona He noa^HO* 

U©TH p Hy HTQ .TH BOtt 
XBacTaemB? H, a, 

BXOflKT BOJIO^H* 

BOJIOflH, JIaHO BH3BaJK M6HH| 
a h© KoH©BaHOBa! 

-SaHO BMgejs t©6h Ha pnare, 
Eo^oBa! 53 ' Ho hmuhtb Ha#o! 

KpoM© topo, th ropau is too to 
flejiaeniB raynooTH* 


1) disgrace 2) boast 
3) • you fool! 


30 


(Fila Unit II) 





















^najiorn M3 (npoflojnseHHe) 


£0P0X0B : 

Ho noi^MMTe , laHc M 3 Hero kotji ©Ty 
c AejraoT! 

£H,ZIH BOJOilHt 

IIpOTMBHMKOM laHCa o 6 'BflB^ 0 H 
KOHQBaHOB e 

BOJIOUHl 

4. Ile-pea 6ogm c JaHCOM. 

HaHc TexHM^ecKM cjuiBHee Teda K 
onHTHee, M Bcg-TaKM th mosqihb 
BBiuirpaTB do ft* 

KOHEBAHOB* 

Xony BUMrpaTB# 

MM BOJTOjlHi 

JIaHc OTapme TedH, m y Hero 
cepflii;© xy&e TBoero* Mmqhho 

B 3 TOM niaHC* 

KOHEBAHOB* 

OdpadaTHBaTB odjracTB cepzma?!) 


yflapaMM m ducTpoToft TQMna* 


1) Work on the region of the heart 


31 


(Film Unit II) 













IIECHfl HA CRAME^HE, 


V# 


CHfleJlH flBa MQflBdflH 

Ha b4tk 9 aojioTdft, 

Oahh cm flex Kan oJidflyeT i) 
.Apyroft 6oJtTaar s ^ Horo## 

CaieTeaiM^^.UBa 
C B9TKM 30JI0T0ft # 

G$MH JSL9T9JI KaK OJie^yeT, 
$pyroit dojtTaji hoto#* 


X) the normal way 2) was swinging 3) fell down from 


#*HHHHBHH** 


32 


(Film Unit XI) 





FILM UNIT III, 


TWO SOLDIERS 
/ £BA BO ftnX / 


*33 


(Film Unit III) 



I* COMMENTS TO THE FILM, 


1) This film was made in Tashkent, Soviet Central A3la, during the 
last war, and a few views of Leningrad were added from newsreels. The film 
contains surprisingly little Communist propaganda. At that time, the 
Communist party temporarily withdrew its familiar slogans and soft-pedaled 
the glorification of Stalin (his name is not mentioned once in the entire 
film). The story is about the friendship and courage of two simple soldiers 

2) In the film, one may see many of the better-known sights of 
Leningrad: St Isaac*a Cathedral, the banks of the Neva River. The Fortress 
of St Peter and Paul, the Nevsky Prospect, etc* The front is located in 
the suburbs of Leningrad , an area of luxurious palaces, beautiful parks 
and statues, which was one of the former residences of the Czars* 

3) The soldier, Sasha, is a blacksmith from a plant in the Ural 
Mountain Region* His friend, Arkady, is a welder from Odessa* Odessa is 
a port on the Black Sea, the Marseille of Russia* The inhabitants are 
noted for their city patriotism and their love of misic and poetry* 

(Not© Arkady 8 s answer to Tasya*s question “Are you an artist?” 

“No, I*m from Odessa,”) Many people from Odessa speak a peculiar dialect 
of Russian, full of charming irregularities in grammar and usage* 

Arkady's speech is a mixture of slang, proverbs, poetical clichds, puna, 
quotations, and expressions coined on the spur of the moment; it is highly 
ornamental and humorous; moving abruptly from one topic to another* 

Examples of his grammar are: sa Oflecey ( instead of 06 0#©cce), 
flo flepesa ( instead of Ha Aepeso ) * 

At the time the film was made, Odessa was under si©ga and bom¬ 
bardment by the Germans. Among the soldiers there i 3 a Ukrainian who 
speaks his own language (e.g* lie mohho ( instead of h©JIB3h) $ 

( instead of bm ) « 

4) Arkady very often makes fun of Sasha. In the first long scene 
in the dugout, he tells a long story in which he describes how Sasha 
practiced shooting a captured German Mauser, by firing at a flower and 
how the Germans mistook that for Russian artillery and opened fire on 
him* A little later in the film, Arkady receives a letter describing the 
result of a German bombardment of his dear city of Odessa* When Sasha 
fails to distinguish between the damage done in Odessa and in other places 
by the Germans, the patriotic Arkady gets angry and accuses Sasha of being 
insensitive and of lacking appreciation of Odessa, “the finest city in the 
world.” 

5) Tasya is an engineer and, therefore, is treated with respect 
by the two friend®. In her room, Arcady says, looking at her slide rule, 

"An intellectual girl3 15 

6) The only deviation from realism is in the last scene of the film 
where dozens of Germans try to seize the pill-box from the two Russian 
machine-gunners, regardless of the cost. This type of attack was typical 
of Russian, rather than of German, tactics* 


-34« 


(Film Unit III) 



II. KEY WORDS AND PHRASES, 


onepoflfiTB aTaKy 
npOTIIBH MKa 

rJiaBHa« qacTB Kai^oro 
opy*HH ecTb ro^OBa ero 
BJiafl© JIBUTI 

nojiMTrpdMora 

np6rrycK 

yracKa 

colloq* for $yrdoHaa 6oM6a) 
3©MJIHh6k 

( dimin. of 3 ©m^k) 
naSK 

B03A^nraH Tp©B<5ra 
E© TH o6ftfl©JI 
nocHJiKa 
BH o66fl©JIMCB? 
npOA©P» 6 T 0 CI> HGMHOrO 
naTpoHH na hcx6^© 


- to anticipate the attack of tho 
enemy (to beat the enemy to the draw) 

« the main part of each weapon is 
the head of its owner 

- political indoctrination 

- password 

- demolition bomb 

buddy 

individual ration 
air raid alert 
It*s her you insulted 

package 

Are you offended? 

Hold on a little longer 
we*re running out of ammo 


III. ^EftCTByiOHME «HA » 


Apk&jhm 


nyjieMgTtiMK f nepBHii nowep 
( machine - gunner ) 


C&ma Cbhhu6b 

T&on 


ny^©M^TtiHK, BTopof: hom©p 
( machine « gunner*3 assistant ) 
JieHJiHrpaflcKaH fleayniKa, 

3 na koM a h Cara 


Mafto t? 


KOMaH^Hp no ,zj;pa3AeJi©HHH 


Anyji^Ta 


ynpaMHon; - rryjieMeTtisiK 


’34«A" 


(Film Unit III) 














' j.'uW Y£.II 




0 .:.. %C ■ •• ’ :■ .!v •!- j 

(v or^ o ;./w.v . U . 


■'{> '<T d - r ‘ v "’ 


•. !MT!n,: O 






■ : ;i 'T' 1 "4 






a- 




f • ' : ■ ■ v *. • • >Hoo > 




> l < V * r . W ;£. 

U > to .flint*) 













ft HK.no on 


; * « a 


. ..... W ■ . ■ !*? ■ <?«f-^n 


C 


5 -rr ~ 


q.--4 OH >T ^ HHl'T . )C - 

t &nviW'A *•. ■ ! -"‘-So 









• wt • r .X - 























$e#cTByK>mP!0 jnma (npoflojiKeHM© ) 


w CTyj[QHT * ” nyJIGMSTtIHK 

ApTHJIJiepHO T 
npo^eccop MaTQMaTHKH 

Men cqgt m 

KPATKOE CQilEPJKAHME . 

B 1941 r # OCGHBK), BO Bp0MH BTOpOM MM pOBQ Ji BO&HH, Ha 
$poHTe no# leHMHrpafiOM cjiyaaT pa coji#aTa-nyjieM8THMKa» 
ApKaflM# m Gama# 0 6a ohm xopomM© cojiflaTH m 6ojibhim© 
flpysBH* ApxaflMft - cB&pmMK { welder ) ms ropofla 0 a©coh; 
oh jhd6mt nryTMTB m Mrpaey Ha rHTape . Cama-KysHei; 

( blacksmith ) c YpaJia, cepBe 3 HN&, cmjiBHH ii 9 h© oh©hb 
3 TMHHM, ho flo6pH$* Apica^M# nacTO myTMT Ha^ Cameft, ho h© 
no 3 bo jihgt 3Toro fl©.iaTB HMKOuy flpyroMy ® 

^pyseft nocHJiaioT Ha cy tkm b JeHMHPpafl. TaM ohm p©~ 
masoT aa^TM k Tace, £©ByniK©, c KOTopoft Gama no3Ha kommjich 
pan Lie b OHep©#H aa JiMMOHaflOM ( lemon soda ). C t©x nop 
oh ©e h© bvl&qm • Tacn yac© 3a6njia 3Ty BCTpeny, ho Bce-TaKM 
npMPJiaraaeT apyseft k o© 6© Ha natf. Korfla ohm cmaht y ne£ f 
HanHHaeTCH Boaflynman Tpesora. Ohm 6hctpo MflyT b 6om6o- 
y6©sMip ( shelter ). Canra hgaobojioh tgm , hto ApnaAM# 

CJIMfflKOM MHOTO TOBOpMT O C©6© C ©TO fleByillKOft, M yXOflMT 
Ha yjiMny® Ha Kpiwry flOMa naflaioT aasnraT gjibhh© 6om6h 
( incendiary bombs ). HanMHa©TCH nosap, Gama ji©3©t Ha 


-3 5- 


(Film Unit III) 







KpaTKoe coflopsciHMQ (npoflOJiseHHQ ) 

KpHuiy m TvniHT noKap* Kor^a flpy3B« ©AyT obpaTHO na $poHT, 
Canra pacoKa 3 HBaeT ApKaflMK) ( :ko to pnM c itht ) o cbogJi jiio6bm 
k Tace. Ha <$)poHT© , noKa ApysBH HaxoAMJiMCB b ropoA© f 6Hjra 
6 ojiB inaH aTaKa HOMijeB. MHoro cojiAa T B mx nOApaa a©jighmm 
ytfftTO mjih p^hgho. ApKaAM^ xom©t pa3B©c©JiMTB ( cheer up ) 
cojia^t m paccKasNBaeT mm c k>m opoM o Cara© h ©ro a©"* 

Bynm©. Oh roBopuT, hto A©BymKa ho om©hb KpacMBaa h 
Camy OHa h© jiio6ht# Apy3Bfl ccophtch ( quarrel ) # Gama 
MA^T K KOMaHAMpy M TOBOpMT, MTO OH 60 JIBIH© H© XOM 0 T 
6htb b oahom ota©JI0Hmm c Apna am©m • KoMaHAWp n©p©BOAMT 
©ro b Apyroo otaqjighmo . Cobgtckm© Mac tm sayt aTaKH npo- 
TMBH MKa • HeMIJH A©-«aJOT CTpaHHM^ MaHiJBp: TaHKM MAYT B 
cobgtckm© on 6 nH ( trenches ), a no tom BApyr noBO pa MMBaiOT 
m mayt odpaTHO. Mafiop nocHJiaeT ApnaAMH y3Ha tb, mto xotht 
CA©JiaTB hqmijh* ApnaAMfr bmamt, mt o TaHKM no a bo 3 ht n©X0Ty f 
KOTopan Ao«fl»na npoAOjnsaTB aTany.. Oh Aa © T 3 HaT b o 6 a tom 
cbomm MacTHM. Hgmijn HaMMHaioT cTp©jiHTB no ApKaAMK). Maftop 
nocHJiaeT ©My Ha homoihb Camy* PyccKM© oTKpHBaioT opohl no 
npOTHBH MKy f M HQUUfil OTCTynaiOT* 

PaHeHHii Cairn jigjkmt b rocnMTaji© * Oh bc© 011*8 cepAMTcn 
( ia aiu?ry ! aa ApKaAMH m ho xomgt ©ro bma©tb« 

H©p©3 TpM MGCHi^a, KOPAa Cam bhxoamt ms rocnMTajiH, 
OH BCTp9Ma©T Ha yJiMi;© Tacso* Taca 6jiaroAapwT ero a no- 
chjikm m 3 a jiio6obhh o nMCBMa « Cama HMuero H© rioHiUAa©T # 


"36- 


(Film Unit III) 


KpaTKoe co^epscaHMe (npoAOJuteiiHe ) 


nO TO My MTG OH H© nOCHJiaJI ©ft HMKaKMl nHCGM. HaKOH©r^,OH 
noHHmet, hto ApKaA*$ noctuiaji nocHJiKM n niictMa Tace 
n noflnHCNBajicH ero mm©h©m. 3a oto bp©mh Tacn otj©Hi> no- 
jno6njia Cany. Caia bmamt, ^to ApKa A*ift cobcgm h© yxasnnaeT 
3 a ero a© Byrnnoft h bc© bp©mh 6hji xoponiMM Apyroii, 

Korfla Cana bo 3BpamaeT ch Ha $poHT, homdih OKpyskjiH 
ApKaAHH . y Apna^MH He t naTpo hob« Maftop nocHJiaeT Caiuy 
c na TponaMH k ApKaAHio. $mjibm ko Hna ©t ch aTanoft pyccKHX, 
KOTOpH© OKpyKaiOT H© M E[© B . 

IV. BOnPOCH K SKJLMy. 

I. Kan 3 onyT AByx coJiAaT? 

8. Ma Kanoro ropOAa ApKaAMft m OTKyAa Carna? 

3. Ta© HaxoAHTCH cfpo ht y koT opuft nonasHBaioT 
B £mjibm© ? 

4. ^Ito roBopHT ApnaAnft apTMJiJiepMCTy t KOTOpuft 
nonpo6oBaji nryTMTB HaA Came ft v 

5. rioneMy ApKaAMft He nnmeT hhcom aomo^V 

6 . 0 h©m no Jiy m. ji nncBMO ApKaAMft? 

7. IIoneMy Apyskfl noexajiM b JleHMHrpaA? 

8 * K KOMy ohm aaxoAHT? 

9# Kan Cama no 3HaK0MHjrcH c A©ByniKoft? 

10 . iJto cJiyMM jiocb, KOFAa ohm 6hjim y h©© b 
focthx? 

11. KyAa ohm rr> ihjim Torfla? 

IS. IIotieMy Gama ynieji Ha yjiMrsy M3 
6 oM6oy6escMu$a ? 


-37- 


(Film Unit III) 



BonpocH k JUbMy (rrpoAo jihghmq ) 


13. Hto 6hjio Ha $poHTe, nona flpy3BH 
6 hjim b J[0iiHHrpa4o? 

14. noHQMy ApnaAM^ paccKaaHBaeT HenpaBAy 
o Cana h ero fle BymKe ? 

15. 3aqeM Cania haSt k kq MaHAwpy ? 

16. Kano# 6wi otbqt KOMaHAwpa? 

17. KyAa MaJiop nocHJiaeT Api<aAKH , norAa TaHKH 
MAyT Ha HHX? 

18. lion© My Maiiop noTOM nocHJiaeT Garay k ApKaA^io? 

19. Hto cjiytiMJiocB o Caraeii? 

50. noHQMy Caraa h© xoh©t bmaotb ApnaAnn b 
roonwTaji©? 

51. *Ito AeJiaeT ApnaAMii o 6yi<6TOM? 

SS. PacoKaswe o bctpqh© Caraw h Tacn. 

53. Kto nMoaji nMCBMa Tace? 

54. noH©My Caraa Tan odpaAOBajr m ? 

55. *Ito b 3to Bp©MH AejiaeT ApKaAM# ? 

56. non©My hhkto h© mosgt ©wy no mohb? 

57. Kto ha^t Cara© Ha no Month 4 ? 

88. H©m KOHHaeTCfi $hjibm? 


-38 


(FiJju Unit III) 


v. flKAJOni M3 TKJLMA 


I • 3eMJi HHi<a_( dugou t ) * Hqhb* 

Bee enHT,KpOMG ApKaflMH H 
CaniM* 

APKAilMS : Canxa! 


CAIUA: 

APKA^Hgl 

CACIAt 
APKAflHft: 


ff* 

Th Ha MQHH ocepqaj ? 

p 1 

C Hero a to ? B ot. toxq .,, ' 

A th h© ceptiaft. Th k© 3HaenrB # *ito 
h j um xo-pomero cJiOBa nanamy He 

no aa jiqku d > 


GAMA? 
APKAilMft ; 

CAIUA: 
APKAHJf#: 


CAHIAg 
APKAilHB ? 

CAHIAt 

rojoc: 


3Haio e 

Mesfly npouHU, HanpacHQ th Tan 
AynaemB , 4 ' A ©cjih h myn^r, Tan 

TH r i JHOHb H - HO J B BHHMaHMH* 5 * 

A H H nJIIOK)* 

Bot 3to Toxe, Meafly rrpOHMii, 
Hanpacno. fl a t©6h KaK po#Horo 
jho6jip. Ckojibko mh c to6x>& HexqeB 
noKJiajiH okojibko HaTepneJHCB 7 ) 

~ 3 TO K KOlgMap 8 nO AVMaT B I 

3to npaBfla♦ 

TaKoii flpym6H, KaK Hama, Ha Bcew 
c b©t© h©t • Th rfl© 6 hji? 

M©hh noBeJiH k KOMaHflMpy* 

Pe6&Ta, xopomo 6 h nocnaTBl 


APKAil: /mono tom/? K Kano uy KonaHAupy? Th hto, h© 

MomeaiB OncTpee roBopMT? 


I) e paccepflMJiCH 2) Why should it be? Of all thingsJ 


3) I wouldn't spare my own father for the sake of pretty phrase* 


4) You shouldn't think so 5) (lit.) spit on it and - zero of attention* 
, . . ignore it and pay mo attention 

6) (slangy - y on JIM 7) endured 8) nightmare 


- 39 - 


(Film Unit III) 































AMaJIOrH M3 $MJIBMa (npOflO JISGHM0 ) 


CAHIAt 

APKA.Mll 

CAMAs 
APKAilH# S 

CAMAS 

APKAJMflt 

CAMAS 

APKAJHftl 

CAMAS 
APKAilMfl S 

CAMAS 

APKAflHfts 

rojocs 

9) you*re a good 
ll)no kidding? 

APKAflJffts 

CAMAS 


1) undertake 

2) - Apyr 


K KOMaHAMpy nojiKa* 

3aq©M? 

Oh XOT 0 JI M 0 HH BMfleTLo 

3aM0M? Th noHMMaeniB pyccKM# 

H3HK r 3aqeM? 

CnacHbo, roBopMT. TOBapum Cbhhijob! 

XOPQUIO BO IQBIIIB « 9 ' 

A mto th Tanoe yse caeJiaJ!? 

A a noKJiaji HGMHoro HeimeB b 
pyKonaniHoft a I0 ' 

Ckojibko ? 

A floeMB nnryK noKJiaar* 

Kpomg nrvTQK? 11 ) 

A tj©ro? Tomho. 

Bot a to gal 12 ) 

Bot a to Cauia c ypajinama! 

.ZJaftT© cnaTB, TOBapHnjHl 

soldier 10) hand-to-hand combat 

12) (exclamation of admiration) 

2 • B JeHMHrpaii e > 

3HatIHT MH , MM00M 0^6 IjeJINX TIHTB 
xiacoB^ v HTO s MH mo sen npeanpH-* 

HHTB -U 

«A a ys He 3Haio* ♦ . Ectb y mqha 
3 fl 0C B npHftTejii, 2 ) oahh • •. Haflo 6 
_©My no TGJie&oHy 3B6KHyTB 3) 

3) (slang) 3 no a bohmtb 


“40 « 


(Film Unit III) 




























/UiaJiom M3 (npo#o jnaenm ) 


APKA^hK : 

IIpMHT G JZB? 

CABIA t 

Hy, h© npjiHTejiB, a tsk 3gmjihh6k • • • 
Bpon© KaK 6h otvaght, mto jih.*. 

APKA/lMii: 

Th mg ha, ko He mho, M3BMHM Cama* 

TBOK SeMJIHTOK H© B K)6h@? 

CAIHA* 

Hy. .. 

APKAflHHt 

Hy, Bee flCHo. A hto, ©cjih uh noftflSu 

no Toro 6 ' 3eujumm? 

CABIA* 

Aa yac h© 3Haso.*. Ona-TO, boo 6m© , 
KOHeMHO, M©Hfl npwrJia ma .ffa , Kor#a 

MH C H©M DO 3 Ha KO MM JIM C B * • • 

APKA^Hii s 

Cmotpmtg m Horol y Hero ©otb 
fleBynma! Ona b Hero tfea^MHO 7 ) 
bjiio6ji©hAI A oh 3to ckphbAgt! 8 ) 

Hy, roBopn me, Ky#a matm! 

4) something like 

5) skirt 6) (ofleccK.) - k TOMy 

7) madly 

8) conceals 

CABIA t 

3. y abgpm b KBapTMpy Tacw. 

Ona OTKpHBaeT pepB, 

0h&* 

TACJT* 

BaM koto? 

CABIA s 

SflpaBCTByiiT©, Tacrf 

TACH* 

3flpaBCTByMT© . ** A BH,npOCTMT©|KTO? 

apka^hSj 

Th hg onmdcfi ? 

CABIA t 

Hgt , ona, 

apka^hMj 

Bh ~ Tacn? 

TACHj 

Tacn* 

apkamRs 

A oh Cama*Cama c ypajuiama » Bh x 
ero 3 Ha gtg * 


-41- 


(Film Unit III) 


























^MajiorH M3 c£MJiBMa (npo^oJi^oHKe ) 


CAM*. 

APICAifflft * 

TACHi 


APKAHHft s 


TT since 


J \a mh c BaMH b oqepe^M Ha JiHMOHaa 
no 3 Ha ko mhjihcb . H ©me cnpaniMBaji, Ka K 
Bac 30ByT , a bh CKa3aJiM - Taca* 

4a, mh cnenwaji bho c $poHTa npw- 
exaJiH, hto6n Bac noBHflaTB. A bh 
H ac B #B©pHX AepSCHT ©0 

Hy, a to », 3axo^HT©! 3axoflHT© f 
paa i) bh yse Bflect./npoxoflflT 
B KOMHaTy/o A BH 3Ha©T© f ce- 
ro^HH b aoonapK© $yracKa yna^a• 
ToBopaT, ydwjia cjiOHa. 

Afr-aft-aft! Th cjiHiiiMraB^Caina, hto 
flQjiaeTCH b THJi f 2) Hy Tan a Bac 
cnpamHBaio: aojimqh 6uji tot cjioh 
yeasaTB H3 cBoeii poflHoft m joo6m- 
uoti naTaroHMH, hto6h TyT noT©paTB 
cbo Pi xo6ot? Heyflana! 

B ) rear area 


TACH: 


CAM? 

TACH: 

CAM: 

TACH* 


CAM: 

TACH: /o(5mh©hho/ 

CAM: 


4• B JlQHHHrr>aje« 

Cama! Cam! Bh iom ko mh©? 4a? 

Bh non©My Ha mqhh Tan cmotpht©? 

Bh, tiro, h© ysHajiM Mena? 

H©t, ysnaji, Taca«, 

Bh, HaB©pHo, npHMO ms rocmiTajia? 

W3 rocnHTajiH-TO a flaBHo BHnHcaJtoa* 

yjK© H©THp© flHfl* 

3HaHHT, BH dHJIH y M0HH? Bh npWHIJIH f 
nocTyaajm, Bay hmkto h© otkphji 
h bh ymjiH? 

Hot, h© CTyaaji. H© 6 hji a* 

Ho 6 hjim? A a Bac a^ajia! ,,, 

A bh ht o, odfifl ©jihcb , Taca? 


-48- 


(Film Unit III) 

















^Majiorjl H3 fyliJlhMS. (npOflOJIHGHM© ) 


TAC5I? 

Bh, no^aJiywcm 9 h© nyu&%Te 9 hto mh© 
Hy&HH 6hjim ea raw nocnjiKM. 3 tm 
npo^yKTH I) Qjm soe. boh KBapTMpa. 

CAHIAJ 

KaKM© nocHJiKH? 

TACfls 

Bara. H kr ajia mx h© M3-aa rrpoflyKTOB, 
a M3 -aa nwcoM. Ma-sa Baninx nnceM* 

CAMA i 

MO MX nMCQM? 

TACHt 

4a! H mx 6©per^i 8 ^ Homy c co6o# - 
Bee BamH h© TnpHaflijaTB nMC©M! 

BOT OHM,BO3B^T0 ! 

CAHIAs 

noroflftT©. 3 ) Taofl. KVJia bh? Haao 
pa30 6pdTBCH 4) B 3 TOM aejie. 

/BepgT nMCBMa/o 

TACHS 

A BH ©me CTMXM nMCaJIMl 

Kor/ja mh© 6HBa©T»Tyro 5) 

B ropHMeM jikx6m° / 6oid, 

H noMHio t©6h, no&pyra , 

H no MHio jik>6obb cbok>* 

CAIHA: 

Apna^Mfi I 

TACHs 

q T0 ? 

CAMA t 

Api<aflMM , roBopio. 4pyr y m©hh ©cts. 

4a bh ero 3Hae t© * IIghtm TpM Meonr^a 

H© bmagjihcb. A BH 3 HRQT© TaM Kan?I 
riOBM^aTB mh© ©ro na^o, ceftnac xe, 
H 0 M©flJI©HHO. 40 C BM flaHBfl , Tacfl I 

TACtfS 

IlocToftT©, Kyfla x bh? 

CAI1IA l 

A HMCBMa BO3BMHT© ,TaCH! B HMX BCe 
BepHO HanMcaHO. Mosqt , ko h©hho f h© 

TaK KpaCMBO, HO BCS BepHO M TO^HO* 

/y6era©T/« 


1) food 2) keep 

4) straighten out 

3) - nOflOKflMT© 

5) difficult 6) spirited 


-43- 


(Film Unit III) 



















VI, 


IIECH5T "TEMHAfl HO Hh* 


TeMHaH Hotrb, tojibko ) cbh ct^t^Iio CTenft* 

TO JIBKD B0T0P ryflftT B npOH3M x3) TyCK JTO 3 B& 3ffH 

Mepn,S.K>T .4] 

B TeMHyiO HOtJB TH , JHOdHMafl, 3HaiO, He cnMIB 

M y flQTCKOft KPOBaTKi TaMK6M 5)TH CJT03y YTPipaeiUBe ^ ) 

Kan h jiio6jiio rJiy^HH^ tbohx jsk cko bhx 7 ) rjiaa! 

KaK h xony k hmm npwxtiTBCH xotb paa ry6aMH!.« # 
TSuHaa Hota, paafleJiHeT , jnobMMaa , na e, 

M TpeBC?K H afl 9 / qepHan ctgiib rrpojierjia Mexflv HauH, IO) 

Bepio b t©6h, floporyio noflpyry mok>, 

3ya Bepa ot nyjin m© hh TeMHow hqxjbio xpaH&Jia. 
PaflocTHo MHe, h cnoK6©H b cm©pt6jibhom 6ofb, 

3HaiO j BCTpOTMEIB C JU 060 BBX) MQHH, qTO 6 CO MHO^ 

HH C JiyHMJIOCB# ~irr 

Cm© pTB He cTpamna: mh m pa3 c Hoft^ BCTpe^ajiHCB 

b cTenn; 

Bot m TenepB Haflo mhoio OHa Kpyg faTcg ) 

TH X MGHfl XflSl&B M y fleTCKOfi KpOBaTK H H© CnHniB, 

M noaTOMy, anaio, co mhoA HJmero h© cJiy^HTCH* 


1) bullets 2) to whistle 

4) 8tars twinkle dimly 
6) wipe a tear 7) kind 

9) full of anxiety 10) stretches 
11) whatever happens to me 


3) hums in the wires 

5) stealthily 

8) to press my lips at 
least once 

(lies) between us 

12) is circling 


•5HHHHHHHBf* 


-44* 


(Film Unit III) 

















FILM UNIT IV, 


A MUSICAL STOR Y 

/ MY3UKA1LHAH HCTOPHH / 


*45- 


(Film Unit IV) 



I 


COMMENTS TO THE FILM, 


1) This film was released in 1940 in Leningrad* It was the first real 
Soviet musical-comedy, released as an answer to the "capitalistic" musical 
“1000 Men and a Girl" starring Deanna Durbin, which was a great hit in the 
USSR* The part of the hero in this Soviet-style rags-to-riches story is 
played by the still famous Russian tenor, Lemeshev, of the Bolshoi Theatre 
in Moscow* 

2) The film contains little propaganda and even presents quite 
realistically a Soviet “communal apartment" - i*e« an apartment in which 
many families live together due to the permanent living-space shortage in 
the USSR* The apartment shown in the film has one kitchen and only one 
bathroom for a dozen families* (One of the characters, Tarakanov, wooing 
the heroine, tries to attract her with the prospect of living in a less 
“overpopulated" apartment with a “private" telephone in the corridor and 
a bathroom “where one could do one*s laundry*") 

3) There are many scenes of Leningrad which show the famous 
"white nights," St* Isaac Cathedral, the monument to Nicholas I, and the 
Palace Square with the Winter Palace, the former residence of the Russian 
czar* 

4) Lemeshev sings many numbers during the film* In the taxi, he sings 
excerpts from the operas "Prince Igor", "A May Night" and "The Queen of 
Spades"* The whistle of a policeman trying to stop them for violation of 
traffic rules, is jokingly considered as an insult to the singer, since 
whistling in Russian theaters is the equivalent of American booing* 

In the bathroom, while shaving, he sings the popular folksong "Snowstorm" 
(see the text), and in the park he sings another folksong "Ah, you, ny 
darling girl." At the examination at the Conservatory her performs the 
well-known aria from Flo tow* s "Martha." 

5) Love scenes are presented in the modem Soviet "Victorian" style* 
Scenes of kisses and embraces such as are usually shown in American films 
are avoided* 

6) The garage shown in the film is a taxi terminal. Notice how the 
employees hang their metal numbers on the board to show that they are 

at work* This is common practice in Soviet institutions* 

Like all institutions in the USSR, the garage has its local 
union ("mestkom")* Its head is the bald fellow who likes to give speeches. 
Here,the "mestkom" is presented as favorably as possiblejit arranges 
a year of study at the Conservatory for the hero* 

7) Some scones take place at the Auto Workers* Union Club* Such a 
club has reading rooms, a room for playing chess, political indoctrination 
lectures and amateur theatrical productions. In the film a production of 
the most popular Russian opera, Tchaikovsky*s "Eugene Onegin," is being 
rehearsed. The hero sings in that opera the part of Lensky, a romantic 
poet who dies in his youth* 


-46- 


(Film Unit IV) 




Comments to the film (Cont'd) 


The most famous aria of that opera is ” Ky#a*Ky£a” (Where to* 

Where to)* which practically everyone in Russia knows by heart. During the 
rehearsals* there is a conflict between Soviet "longhairs” and ”jazz-lovers*” 
The Polar Ball at the club (complete with snow confetti and a freshly 
painted white bear) is probably boing held in connection with a Soviet 
Arctic Expedition which took place at that time. 

B) The Russian custom* shown here, of throwing a person in the air 
and catching him is commonly used to show affection for the person or to 
j congratulate him# (The Russian word for this is ” KaqdTB ” which means 

literally* ”t© shake*”) 

9) For an explanation of the custom of kissing among men see the comments 
| to the film ”The Boxer a*” § 6# 

10) The hero 1 s debut in opera is in the part of Levko in Rimsky«K©rsakov*s 
! "A May Night*” an opera with a Ukrainian background, the plot of which is 

I taken from a story by Gogol* 

11) Tarakanov is the villain of the story. He is stupid, likes money (at 
the end he gets a job in another garage where they pay more money) * and is 

a liar (part of the plot depends on his lie to the hero during the performance 
of th© opera at the club.) It is typical Soviet propaganda that he is also 
shown as being pro^westem* (He changed his Russian name to Alfred). 

His speech is filled with mi ©usages of language , boorish expression© and 
newspaper cliches j sometimes it sounds almost like gibberish* thinly dis¬ 
guised as intellectual speech* 


- 47 - 


(Film Unit IV) 




II 


KEY WORDS AND PHRASES, 


HHTepeoHH# maT^H 
pa3TOBOp H© OKOHM0H 

fl&pOM AOBeay 

© C JIM 6 BN 3HaJIM # KaK BH 
MH© HaflO ©JIM 1 

nojiyM^T© Hap^A 

r<5p© th mo©! 

p©n©Tfen;MH 

peneT^poBaT b 

flxas 

a ©seflH^BHO paCoTaio 
Ha a co6o^ 

3&HaB©C 

nBOBdJIMBaT BCH ) 

npoiaJlTBCH ) 

AaBaii MMpftTBCH 

TpaKAaHKa B©ji km Ha b 
J!©HMH rpaA© h© npo*MB&eT 


- handsome man with brown hair 

- the conversation is not 
over yet 

- I*IX take you without charge 

- If you only knew how you 
bore meI 

- take this call (the dispatcher says 
it to the taxi-driver) 

- you 1 re my bur deni 

- rehearsal 

- to rehearse 

- Jazz 

- I work on myself daily 

- curtain 

- to flop, to fail (as a theatrical 

production) 

- let*s make up 

- citizen Belkina is not a resident 
of Leningrad 


III. ilEftCTByiOIIIME 11U1A . 

II&TH (n&TBKa) rOBOPKdB, mO(£Sp TaKCll 

Kji£ Ba (Kji&bamh BacfeJiBeBHa B^JiKHHa) , AweneTMep rapa*a 

TaKClf 

Ta-paK^HOB. Ajib^vSr Tep6HTB©BMq , moQ)Sp Ta kcm 

MaK© A 6HOKM^« BacftjiKft §QMh, 6HBmMft onepHNft neBfcij 

( a former opera singer ) 


•48- 


(Film Unit IV) 









^oiicTByiomiiG Jiima (npoflojniceHK© ) 


HaqaJiBHMK KJiyda. 

Rut piisgp A sasa . 

Met b II©th• 

CecTpa n©T m• 
IIp©AoeflaT0jr b mqctio vb. * 
PadoTHMKM rapasa. 


KPATKOE COilEPJKAHME * 

nio^gp Ta kcm n©Tfl ToBopK^B ohghb jik)6mt onepy* y 
Hero XOpOIUHM rOJIOC , HO OH H© flyHaGW, tJTO MOS0T CTaTB 
n©Bc;oM (singer )• OflHas/SH, b TeaTp©, na onep© "Kapi^n", 
OH 3HaKO MHTCfl C 6HBIHMM OIiepHBIM n© BIJOM MaK 0 flOHCKMM» 

no flopor© flOMoii MaKeflOHCKwii OTKpHBaeT , wr o y n© f rw ©ctb 
roJiocjH roBopuT ©My, hto nepes rofl Tobopk6b 6y^@T n©TB 
b onep© . 

n©TH h Rjiasa BejiKHiKi, flncn©TH©p rapaia, rfl© n©TH 
padoTaeT, jiio6ht Apyr flpyra. Ho n© th 6omtch CKaaaTB o 
CBoeii juoObh,, B HJiasy Ta kuq bjuo6ji&h mo$gp Tapan&HOB* 

Oh flyp&K k srofiCT • Kjiasa ero h© jik>6mt. 

HaKOHeu; n©T a CKasaji KJiaBe o cBoeft jiio6bm • Ohm 

CHaCTJIMBH, HO 3fl©CB HE HMHa ©TCH KOH&JI&KT MGSCAY JOOSOBBIO 
M JK© Jia HM©M n©TM CTaTB OnepHHM IieBI^CM . n©T H xohgt 
cHanajia ch©tb napTMK? Ighckopo b KJtytfnoft nocTanoBKO 
( production )on©pH w E bpghmm Oii©rMH n , a no tom hghmtbch 
na IOiase. KJiaBa ho b©pmt, hto n©TH 6yfl©T apTfocTO u f 


~ 49 ~ 


(Film Unit IV) 



KpaTKoe coflep&aHHe (npoflo jukghh© ) 

H efr H© HpaBMTCH, tIT O OH npOBOflHT MHOrO Bp© M© HH H© 
c Heft, a Ha poneTHDiHHX. 

Korfla oh ono3flaji Ha 6a ji , r/je ohm aojishh 6hjim 
bct peTMTBca, KoiaBa ccopMTCH ( quarrels )c hmm m HaqMHaeT 
TaHi^eBa tl c TapaKanoBHM • 

IIpmxoamt fleHB npeMBepa ( opening night ) . IIgth noST 
JeHCKoro o 6 ojibiiihm ycnexoM. KJiaBa xom©t yBM/jeTB ero b 
aHTpa kt© m noMHpiiTBCH (to make up ) , ho eg h© nycnaiOT 

k n©T© . TapanaHOBy y/jagTCH nonacTB k n©T©,H oh roBopMT 
©My, qTO KJiaBa ero 6oJiBme h© xo^igt bmagtb m npocMT H© 
nMCaTB nMCQMo 

Ilocjie 3Toro pa3roBopa Tobopkob h© mdhgt ne tb« 

Ha flpyrofi a©hb flpyaBH npMxo^HT k h©M y h iipmhooht xo- 
pomyio hoboctb: a#MMHKCTp£ e;mh rapaaa nocHJiaeT ©ro b 

KO HO©pBaT6pMI0 yMHTBCH II©T B« 

KJiaBa nepoxoflMT Ha pa6oTy b flpyroft ropofl, HeflaJieKO 
ot JleHMHrpafla, m IIoth h© mojkqt HaftTM ©g. 

IIoth KOHtiaeT ko Ho©pBaTopM» m no 8 t b TeaTpe b 
nopBHft pas. KJiaBa cjiniuht no pa^Mo ©ro rojioo m ©a©t b 
J leHMHrpafl* IIoth mm©qt gojiBinoft ycnex. IIooji© cneKTaKJiH 
KJiaBa BCTp©tia©TOH o hmm, m bc© ko H*ia ©tch xopomo. 


•50- 


(Film Unit IV) 


IV. BOIIPOCH K SHJLMy. 

I. Tfl© pa6oTaeT IIoth Tobopkob? 

8. KTO TaKO# MaKGAOHCKM^? 

3. Kan IIoth b c t p©*ia ©tch c MaKeflOHCKMM? 

4. KaKyro fleBynmy jho6ht Tobopkob? 

5. Kto Tanafl KjiaBa? 

6 • Kto ©m§ BJiio6jigH b KjiaBy? 

7. Oiimhikt© xapaKTep TapanaHOBa. 

8 • B KaKoft KBapTMp© jrhbSt II©th? 

9. PaccKasHTe o ko MMynaJiBHofi KBapTMpe . 

10* 0 tieM II©th Me^TaeT nocjie pa3roBopa c 

MaKGflOHCKHM? 

11. ^to TapanaHOB noflapwji KJiaB© Ha fl©HB ©6 
pOBCflQHMH ? 

12. noti©My neTfl flojiro h© roBopMT KJiaB© o cBoeft 

JXS90BH? 

13* Korfla oh xon©T »©hhtbch na Kjia b©? 

14* Kanyx) onepy ro tobht b kji y6& vl kto 
b h© Pl yqacTBy©T? 

15. IIoqQMy KjraB© h© HpaBHTCH, nTO n©Tfl iioSt 
b onep©? 

16. notiewy npoHoxoAHT ccopa Men/jy MaK©flOHCKHM 
H ^masoM? 

17. Kto no tfo&flaer (wins) b otom onope? 

18. IIoqOMy n©T si ona3flHBa©T Ha 6aji? 

19. ^to Tor.ua ^©JiaeT KjiaBa? 

2G. y^aeTCH jm KJiaB© noroBopwTB o n©T©fi? 

SI. AJta tiero TapanaHOB npuxofliiT k IIgt© 

BO BpQMfl one pH? 


•51- 


(Fila Unit IV) 



BonpocN k 

$HJi£My (npoflo jmeHH© ) 

22. 

^to nocjie 9Toro npowcxoAWT? 

23. 

Kan IIgth qyBCTByeT c©6h nocJie ©Toro? 

24. 

Kto npwxoAHT k H©My Ha cJiGAyiomH^ a©hb? 

25. 

KanyK) hoboctb npHH©cJiH ©My padoTHHKW 
rapaaca? 

26. 

riOHQMy II©T© HO yflaeTCH IIOMHpHTBCH 

o KjiaBoft? 

27. 

HpaBHTOH JIM OCT 3.JI BHNM SHJIBIjaM IlGT M HOil 

KBa pTHptl f HTO n©TH yHHTCH n©T B? 

28. 

noH©My IIgth h© M3S9T Ha^TH KjiaBy? 

29. 

^TO IIGTH ROJl&QT XIOOJIG OKOHHaHHH KOHCepsa’ 
TOpiMf? 

30. 

KaKHM o6paaoM KJiaBa y3HaST, hto IIgth 
no St b on©p© ? 

31. 

^to 0Ha Tor^a A©-na©T? 

38. 

nOHGMy n©TH H 0 C0B06M CHaCTJIHB IIOCJIG 
yon©xa b onepa? 

• 

CO 

CO 

Kto mo<$Sp TaKcn, b kotopom ©AyT IIgth 
h KJiaBa? 


MAKEilOHCKMfls 

rOBOPKOB: 

make/iohgkhM : 

rOBOPKOBt 


^MAJIOrM M3 $IQBMA. 

I • Ilocjre one p H f 
3 to tjTo - Bama? 

TaKcw! EyflB oho itp 6 kjhtoI I ) 

Tan bn mo$8p? H AywaJi, bn 
MyaHKa ht• 

ByfleiEB TyT My3NKa htom I . • * 

A BaM Ky^a exaTB? 


1) a curs© upon itj 


•52. 


(Film Unit IV) 











J\m\Jiovn M3 $MJiBMa 

(npOflOJI2K0HM9 ) 

MAKE£OHCKHii J 

£a MHe HeflajieKO . 

H Ha ^Byx TpaMBanx floafly. 

TOBOPKOB s 

CaflMTecB, a Bac flapoM flOB©3y. 

KaK JIK>6 hT©JIH My3HKM * 

makebohckhKs 

H* MMO^T© BBMflV .loHOEia . 2 ) 

6jiaroTBO p^tojibhocth h© jno6jiio. 

A BOT y M 0 HH 0 CTB HHTB py^JIQfi - 
B03MT0 M©Hfl nOKa OHM H© KOHHaTOH 
A noTOii a Ha t pa mb ae floe^y* 

MAKEflOHCKMiit 

Ca^HTCH b ManiMHy m ©ayr 0 

Hy hto a, lOHoma, /QaBaiiTe noaHa- 
KOMMMCa. Mon $aMMJIMH MaKQflOHCKM# 
BaCHJIM^ $OMMM # 

TOBOPKOB: 

A MOH - TOBOpKOB# 3Ha©T©, OM0HB 
npMHTHO no 3Ha KO MMTBCH C TaKHM 
jik)6mt©ji©m41 . 

MAKEJIOHCKHft t 

Haflo, lOHonia, flyMaTB npeafl© h©m 
TOBOpMTB. H MHJIHft MO#, H© 
JIIq6mT©JIB. 4 T K - aBTMOT. 

H TpMflijaTB jiqt neji b onepnou 
TeaTpe. TeHopoM# 

TOBOPKOB: 

H b nopBHft paa BCTpoMaio HacToa" 
mero onopHoro apTMOTa* 

2) young man /youth/ 

3) charity 


4) a pun upon two meanings of the word M joo6ht©jib* ; 

a fan and an amateur# _ „ 

8• Ccoua MaKeflQHCKoro c 


MAKEilOHGKHii: 

^MP© KT opoM fl&asa# 

y Bac ©CTB COB© CTB? l) 

.toipmEpi 

*lTO 3 Ha^M T , y MQHH ©CTB COB© C TB? 

MAKEZtOHCKHJi * 

IIOtlGMy BH H© XOTHT0 p©neTM~ 
pOBaTB B TMMHa CTMH0CKOM 3aJI©? 

OTPMHfiPt 

A no^eMy 3 to a «ojix©h pen©TM~ 
POBaTB B TMMHa CTMM0CKOM 3aJI0? 

1) conscience 



53 


(Film Unit IV) 






















^.MajiorM ms (jMJiBMa (npoflojiaeHMe) 


MAKEJOHCKM^ t 

4 KPKftfiP» 

MAKE40HCKMft» 

4HPKKfiPt 
makejiohckhM ! 

2) disturb 

rOBOPKOB t 

EEJIKKHA : 

rOBO PKOB > 

EEIKHHAl 

rOBOPKOBt 

EEIKMHA1 


IIOTOMy tiTO bh Ha u MemaeTe, g ) 

Mh Ban uemaeu! A bh Hay He 
MenraeT©?! 

Xopomaa My3HKa hhko r^a HMKOMy 
h© MemaeT# 

TaK noaeMy Bay yemaeT Moft flaas? 
IIOTOMy xrro y b&o mioxoft #sa3* 


3« Ha 6ajy« 

KJiaBa, h Tan cnennfjil I) 

Th flaBHo npjnmra? cKopee 

TaH 1^6 Ba TB ! 

— 8 ^ HanpaoHQ Tan ToponHJiitoB 3 \ 

He cepflHOB, KJiaBa. 4a, ©cjih 6h 
TH 3HaJ», KaK BCS XOpOHIO. H Kax 
H CtjaOTJIHB! 

4axe caacTJWBH? 

OneHB. 4a tiTO c to6oJ 5 ojiytm jioob? 

Hwaero h© cjiyinurooB. npooTO a 
He jno6juo s^aTB* 


1) I was in such a hurry! 2) 

3) You shouldn't have 
hurried so* 


Klava, being hurt,use8 the polite 
fora, H bh " # 


- 54 


(Film Unit IV) 



















VI* nSCHfl "METEIMA" 

3roJ ih no yjiHD ;0 m©t6ji Him MeTgT« 8 ) 
3a M 0 T© JIHIJ©^ MO# M^JIGHBKHft Hfl<*T 0 


npMn©B* 
(refrain ) 


Th no ct6A , 3 ^ nocToiijKpacaBima moh* 
J1Q8BO JIB 4 ) HarJtHflQTBQH . 5 ! paflOCTB, Ea 

T©6a* 


Ha TBOK) jim Ha npMHTHy KpaooTjr, 

Ha tboS jim tjTO jib Ha 6 ©jio© jimu;6. 


KpacoTa tboh o vm& m ©h a OB©Jid« 6 ) 
Mocym^jaa 9 MCTOMftjia a ksbqji&» 7 ' 


1) blizzard 2) sweeps 3) » OGTaHOBMCB 

4) - no 3 BO jib 5) take a long look 6) drove me out of my mind 

7) shrivelled me* exhausted me. 


> 55 « 


(Film Unit IV) 











FILM UNIT V« 


LUCKY BRIDE 

/ A3 K $EPT / 


*•56°"* 


(Film Uiiifc V) 



I 


COMMENTS TO THE FILM,, 


1) This is a post-war musical whose plot is taken from an old short 
comedy* Such short comedies wore performed in theaters at the beginning 

of tho 19th century accompanying and complementing a serious production* 

They were called "vaudevilles 19 (as used here, the term does not have the 
meaning which it customarily conveys in English)* Such "vaudevilles 11 always 
contained songs and dances * This particular "vaudeville" wa3 revived be¬ 
cause of its patriotic overtones and its similarity to the situation in 
the postwar period* In 1945* as in 1814, Russian troops were returning, 
victorious, from abroad and were enthusiastically received by the populace* 

The happy ending is also patriotic* No one inherits the money, which is 
used instead for the reconstruction of Moscow, which was burnt by the enemy* 
One scene of the film shows a view of the Red Square and St Basil's Cathedral* 

2) The whole plot is constructed around a misunderstanding in which 
several letters of the Old Russian alphabet play an important part* Some of 
these letters wore changed or abolished in the alphabet reform of the 

20th century*, At that time the modem letter "A" was called "As" and 
two letters, § called " $©pT " and 9 called " « were pro¬ 

nounced the same as the modem letter # * Thus the name of the hero, 

Fadeyev was pronounced with an "F", but did not meet the requirements 
of the aunt's will, since it was spelled with 0 rather than 

3) It is very difficult to understand the speech of the characters 

in this film, since it is highly stylized and many old expressions are used. 
The speech of the character, Mordashov, is particularly hard to under¬ 
stand, as he uses the ancient Russian bureaucratic language and super¬ 
latives of his own construction, which are sometimes fantastic 
(e*g* Haif$epT0Hum# as; naMsaKO JiQTtfiTB bco oKia) « 

4) Tho songs of the films are often stylizations of sentimental 
songs of the period* Luba's first song tells of the Moscow fire in 1812 
and of their first meeting with Fadeyev® The hero's orderly sings a patrio¬ 
tic song relating the heroic deods of his master* Fadeyev's song with 
guitar accompaniment compares Russian and French beauties, to the ad¬ 
vantage, of course,of the former* Most of the remaining songs are love 
songs® 

5) The custom of throwing a person in th© air is explained in the 
Comments to the Film "A Musical Story," § 8* 

6) "Gor'k©" (It's bitter) is a customary exclamation of guests 
at wedding party* Upon hearing th© word, the newlyweds are required to 
kiss each other® 


•57- 


(Film Unit V) 



II. KEY WORDS AND PHRASES, 


a3 

T^TymKa 
no k 6 ft Han 
DaBQm^EMe 
3aB0K$ Th 
npiiA&Hoe 

B0H30 Jl!ik (plur.) 

aenfix 

"^yp M 0 HH 1 1 

Tpy c 

Bame 6jiarop6flH0 
"IIocTdft Ham©Jt" 
BJIIOdMTBCil 
64pHmna 

"Bhtb mhq aaMyaeM" 
®AeJio waoTopa 6 omtch 9 

6&pMH 

6&pHH£ 

ryc&p 
"Kapa fji* 

3 a ED JIOT$Th OKHa 


- the old Russian name for the letter "A" 

- the old Russian name for the letter " 

- aunty 

- deceased 

- last will 

• to will, to bequeath 

- dowry 

- property 

- initials (obs.) 

- niece 

- bridegroom, fiancft 

- (a magic expression used to ward off 
evil spirits) 

- coward 

• (the way of addressing nobility used by 
common people) 

• I*ve found a billet 

- to fall in love 

- master^ daughter (unmarried) 

- I'm destined to marry (him) 

- (proverb) lit.? "Work is afraid of a 
master",i.e# In the hands of a master any 
work goes smoothly, 

- master 

- mistress 

- hussar 

- Helpl Police! 

- to board up the windows 


-58- 


(Film Unit V) 



Key words and Phrases (Cont J d) 


hji6thmk 
6&TioniKa 
BGKGQX& (plur.) 
w BpHCB!» 

cea ABda 

yB©3TH 


- carpenter 

- daddy 

- promissory notes 

- Scat! 

- the name for the letter M 9 n 
(now abolished) 

- wedding 

- to elope with 


XIX. ilEftCTByiOmME JMIIA . 

MBaH Mopjam6B < HMTeJiB Moc kbh (an inhabitant of 

Moscow) 

Jib 6y urea. ero Aoq b 

AK#JiBKa . ee c jays anna (her servant) 

Aht6h n©T p6BHq $afl6©B« rycapcKwfr o$im;ep (an officer of the 

hussars) 

» ©ro a©hbjAk (his orderly) 

EBirpaKo6fl SfipcHKOBa» 6oraTan seniUMHa 
Abbyci 8 $Kig . homqi; 

MaJt.gp /n jio thmk / 

K6ji©BBKa, o$»mep 

^©THp© TgTymKH #KpCHKOBOft 


KPATKOE COilEPJ&AHJIE ♦ 

1814 rofl e BoHHa c HanojieoHOM ko h^ih jxa cb * PyccKne Boficna 
B 0 3 Bpain;aioTCfl M3-3a rpaHMEp • Bch MocKsa pa^ocTHo BCTpenaeT 

no 6eRfaT®JiQ% • Mhoth© co^aTH a: e hh t ch • Tojibko rocnoAHH 
MopflamOB ne seceji* y Hero AOMamnne npo6jie wh * 


59' 


(Film Unit V) 












KpaTKoe coAepxaHH© ( npoflOjrxeHKa ) . 

T^TyniKa ero Aotiepii JIio6h 6njia oyMaan©AiEaH ( crazy ) 

xeHmwHa. Ona 6njia BJiK)6jieHa b oahopo qejroBexa, 
kotoph# yaiep paHBme , q©M ona yoneoia bh#th 
3a Hero sa^ya* Ho T^Tymna , ©m£ ko r^a 3tot 
tieJioBeK 6biji ssib, nooTaBHJia HHsmmw ero hmqhm Ha Boex 
cbohx BemaXo 

9th HHJmKaJIH “ A (KOTopoe HaOHBa JIOC B B CTapOM 
pycoKOM aji^aBMTe "a3") h $ (KOTopoe Ha3HBa jioob "^epT")* 
IIotom TSTyuma toe© yMepaa. Ona saBema^a bc8 
cbo8 HMymeoTBp JjoGymxe* Ho ona nocTaBM^a oaho 

yoJiOBMet IrodyniKa AOJixna bh^th saMy* sa qeJiOBeKa o hhh- 
miaJiaMK "as" h "^epT"* Unane ( otherwis© ) bc§ HMymecTBO 
no^A^T h@ .SK^yniKe, a ropoAy Moo kb© • 

MopAamoB xoaht no MocxBe u am ©t qeJiOBexa o HyxHHMK 
HHHE;naJiaMH 9 vto6u xqhmtb ero he cBoeii AO^epn* Oh HaA*~ 
©tch HaftTH Taxoro neJiOBeKa op©AH ooJiAaT, KOTopne BOSBpa** 
thjihob TonepB b MocKBy. Oh Been paccxasHBaeT HOTOpHio 
TSTymrai, h jik>ak AywaioT, trro oh oyMaomaAnM#• 

Ahtoh $aA©eB f MOJioAoii o^nniep, BepHyji oh b MooKB y• 

Oh nojioH naTpwoTfttieoKHX ^ryBOTB , ho oAHa mhojtb A^JiaeT ero 
ne^iaji bhbim♦ Asa roAa Touy HaaaA, xorAa pyooKHe boHoksl 
OTOTynaJiH ms Mookbh, oh botp©thh Ha Aopore AasyuiKy, ko - * 
TOpan HasBajia ero TpyooM* Oh ao chx nop h© mos©t sa6HTB 
3Ty A©ByniKy h xoh©t you a©tb ©6* MopAamoB cjnmnr, hto 
o(|)Hn;©pa 3ob yT Ahtoh $aA©eB t n AywaeT f ht o Ham©* nyxHoro 
tieji ob ©xa , ho t©ph©t ero b to^ibS ( crowd )« 


60 


(Film Unit V) 


KpaT ko o co o psa ime (np ofl o ji sen m© ) 

^enymKa, KDTOpan TQPfla HaaBajia $afl©©Ea Tpycow h 
©ctb flox-iB MopflamoBa, lK)6yiiiKa • Ona tozzo He moiot 3a- 
6htb Toro o<pm;epa m h 0 mosgt ce6e rrpocr htb, ^to OHa 
odfiflejia ( insulted ) ero* Torfla $afle©B naxoflMT KBapTMpy 
("nocTd#") b flOM© 6oraToft j&eHUjMHH $MpcMKOBoft. Rou $npcH- 

KOBO& H flOM Mop^aiHOBa MMGIOT 6 6viy& flBOp* $afl©©B BMflHT 
B okh© JlK>6yniKy, y3Ha§T ©6 m BuGnpaeT b aom© KOMHaTy, 

M3 KOTopoM MOK9T ©S CJiyataHKa ( servant girl ) 

JlK)6ymKH, AnyjiBKa , BJiioOjifleT ch b flenmMKa (orderly) 
ocj^imepa, 

3?npcMKOB& saiieqaeT, mto $afle©B m JK)6ymKa jiioOht 
# pyr flpyra, m xqtigt STOwy noMeuiaTB. Ona paccKa3HBa ©t 
M op^anroBy, mto ero aomb jik>6mt m©ji ob ©Ka c MHHijHAjiaMH, 

KOTOpBI© H© IIOflXOflHT* 

MopflamoB npnKa3HBa©T 3ano jiotmtb oKHa b KOMHaT© 
lio6ymKM m HHKoro He nycnaTB b aom h bo flBOp. ^to6h yBH" 
#©tb lio6ynrKy # ^aA©©B n©p©o&@BaeT ch wa jih pou , ho ero bms&t 
KOH qaeTCH ho y^atsio ( unsuccessfully ) Ero r6 paoctb ( pride ) 
o^imepa H© MO&GT BHH6CTH, HTO otoi; fla^T ©My,KaK Ma« 
JiHpy # w na BOAKy" ( tip money ), h oh ro bo pMT p kt o oh Taicoii. 
Otgij; h© y3Ha§T ero h rrpocHT yViTU M3 . 

$HpCMKOBa HaXOflMT flJSfl MopflaBIOBa M0JIOB©Ka C HySHHMM MHH"* 
B,Haj<iaMH« 3to neMei* ABry ct $hhi* Oh AOJiateH ©it 150 py6ji©ii 
M H 0 moscot aarniaTHTB* CpoK (deadline ) - ceroflHH, 

$MpcMKOBa OTfla^T bokcqjiA Heinja MopaainoBy* TenepB Mopfla- 
ittob md K8T aacTaBMTR ( to force ) Hems* ieHHTi>CH Ra ^K)6ymK©* 


- 01 - 


(Film Unit V) 



KpaTKO© coflepacaHH© (npoflOJiKGHHe ) 

$HpCHKOBa OH 0 HB flOBOJIBHa X TGIiepB 0$HIjep , KOTQpNft Hpa- 
BHTCH ©ft CaMOft t H© K8HMT 0H m llofiyiUK© • 

$afle©B yojiHinaJi o 6 3tom h xiphxoaht b &om MopflaraoBa, 
rfle bo© yace sflyT xeHHxa -H©Mi$a « MopaamoB TenepB ysHaST 
$afle©Ba h pemaeT b3htb b x©hhxh ero, a h© Hein^a* $afle©B 
nJiaTHT 150 pytfjieft 3a H©MHa M3 cBoero KapMana ( bcS ©ro 
saJioBaHB© ) « MopflamoB om©hb pafl : pihm tsj/l ajrn noflxOflHT (fit), 
sc ©rmx 6oraT ( oh Ta k JierKO 3aiuiaTM.a aa H©Mxja 6o^Bmyx) 
cyMuy), ho $MpoMKOBa npoaoJisaeT M©nta tb« OHa npMBO3MT 
no p t p ©t Jr>6yiiiKH, KOTOpift $afl©©B HanMoajt y h©8 b floue. 

Ha no pTpeT© otoht MHMn;Ma^H "as" m , a h© s aa 

m $©pT*« MopflamoB bmamt oboio onnitfKy* $a&©©B HMMero 

H© MO EOT HOHHTBS OH H9 3 HaJX MCT OpMM C HHHXpiaJStaMJf« 

^qh^hk po ina ©t nonpaBMTB flejro. Oh snaei*, *ito $HpoH- 
KOBa o^ghb xoueT BHftTM sauyx, m npefljiaraeT eft uyaa f - 
caMor6 MopflamoBa. $npeHKOBa Be xoxigt, ho &e hiumk yroBa- 
pHBaOT ( persuades ) JiobymKa yse nep©o £©JiacB b miaTBe 

AKyjIBKM M XO^GT y6©SaTB C 0$MU;©P0M. Ho BC§ KOHtiaeTOH 
xopomo: $MpcMK0Ba bhxoaht aaMys aa MopaamoBa m flaST 
MHoro fl©Her Ha npnflaHo© JIioOymK©; JioOyniKa bhxoaht aauy» 
aa o$Mn;©pa, a AKyjiBKa - sa ©ro flemuMKa,. ^©HBrn oyuia- 
cnre^moft t 8 tv unci MflyT ropo^y Mocks©* 


~62 


(Film Unit V) 


IV, 


BonPocTi k <mihw . 

I. B KaKOM rope a© n b Kano© Bpeuin see a to 

npOHCXOAMJIO? 

2 • OTKy^a EO QBpaTHJIMCB B Moo KBy COJIAaTH? 

3* Kanan Boiinsv KDHMMJxacB b »to bp©mh? 

4 • lion© My AeByiiiKH 6eraioT aa otfiiijepaMM? 

5 * Mto A©Jia9T Mopflamos Ha yjum;ax Mockbh? 

6® Kan soByr ©ro A©nB? 

7* Kano© aaBemaniia ocTaBJuna TeTynma? 

8* IIotieMy oHa ocTaBH® Ta Koe 3a B©m;aHM@ ? 

9. Kto TaKoft Ahtoh -l>aAe©B? 

10® KorAa oh bot peTMJicH b nepBHfi pa3 c 
iiodyinicofi h ta© ? 

II. Mto ©My TorAa Hio6ynH<a cKaaajia? 

IS. 3to 6hjio npaBHJiBHO? 

13. Mere TenepB xoner 4aA©©B? 

14. IIotieMy MopAainoB saMHTepecoB ajicn $aA©©BHM? 

15. IIomhht Mi J»6yDiKa o^imepa m wo oh a 
AyMa©T o H&M? 

16. B hb£m aom© $aA©©B Haxo amt KBapTMpy? 

17. OmmuTe xoaafsKy a'roro fiOMa. 

18. IIoqeMy $aA©©B andpaji KOMHaTy, pa© Maxo 
CO JIHUa ? 

19. Kai< 3 QByT cjiyEanny HiobyuiKM h b kopo OHa 

B JIK)6 JI HOT CH ? 

20. XIonGMy $npcMKOBa MeniaeT jho6bh f 

21. Kai< OHa noiieuiaJia BCTpone mojioahx juioao^? 

88. HaKoro BcoHitxa oaa np©AJiaraeT OTi;y 

Ji io 6 yin km? 


-* 63 - 


(Film Unit V) 



BonpOCH K $KJI£My (lipOflO JIH0HH0 } 

83* noqewy ona flyMaeT, uto HeMeu; xohhtch m 

JliodymK©? 

84. noqe^ lio6yniKa m rycap 6ojn,ni9 He Mory* 
bhaqtb flpyr flpyra? 

85. Kan $afleeBy yfla^TCH bot p©T htbgh o Heii? 

86. Hto oh flejraeT, Korfla npwxoflicr otqh? 

87. Kan qtox* HaxoflMT ero? 

88. noqewy oh oTKpHBaeT OTijy, ht o oh o^nijep? 

89. noqewy J3o6ym:Ka Tan neqajrBHa? 

30. noq©My ot©a TenepB xopomo BCTpeqaeT $afleeBa? 

31. noqewy TenepB OTJjy He HyxeH HeMeR? 

38. Kto noiaTHT aa flojrrfe ( debts) Heima? 

33. Kan $MpoHKOBa BTopoft pas MemaeT cqacTBio 

MOJtOflHX JDOfle#? 

34. Kanaa pasHwna Meatfly n $epTOM» » 

35. UoriQuy TenepB otou; HeoorflaoeR Ha 6pa* 
rycapa h floqepw? 

36. ^to ®HpcnKOBa ooBeTyeT o^wnepy TenepB 

GfleJiaTB? 

37. Hanoi* nJiaH y fleinnHKa? 

38. Kanoro My&a oh HauiSfl $wpoHK 030 ii? 

39. Hto pennuia fle«naTB JlK>6yniKa? 

40. Kto flaST JIioCyinKe flener w noneMy? 

41. Kaniie TpH napH sqhhtch b kohh;©? 

48. Kyfla noiiflyT fleHBrss T^TyniKH? 


— 64 *» 


(Film Unit V) 


FILM UNIT VI 


RUSSIAN BALLERINA 

/ COJIflCTKA RAJETA / 


65 ' 


(Film Unit VI) 



I. COMMENTS TO THE) FILM,, 


1) This film was produced in 1947» It star3 several young dancers and 
a young singer, othenri.se completely unknown. It vividly and realistically 
shov;s the life of students of music and ballet in modem Russia® 

2) All Russian theaters are federal institutions. All of them are 
repertory theaters - i.e®, they show one or two dozen different shows 
a year® The actors are permanent employees® The best theaters also have 
their own academies where they prepare young actors • The relations between 
thater and school are symbolized in the film by the old usher and the 

old ballet school janitor® While at school, the young singers and dancers 
ar© discouraged by their teachers from performing in public because they 
are "not yet ready" and may develop "bad taste"® 

The pupils, however, seldom follow this advice, being in need of 
money or wishing to build a reputation. Therefore, they seek a chance to 
participate in the numerous concerts in worker^ 1 clubs ( 4 om& KyjdBT^pH) 
which ar© often presented on Communist holidays. Because of such per¬ 
formances the students are often criticized in the school wall newspaper 
(as is the case with Olya in the film). 

3) At the beginning of the film Alyosha cannot get a ticket because 
the performance is already sold out* His friends help him by taking his 
overcoat with them® Cloak room in Russian theaters are located inside® 

Tickets are checked before the people check their coats® After that many go 
out again to smoke® In winter and fall people without coats ar© readmitted 
without checking tickets, as it is presumed that they have already entered 
once & checked their coats® 

4) The ballet performed on the stage at the beginning of the film is 
"The Swan Lake" by Tchaikovsky. The ballerina is Ulanova, recognized by many 
as the greatest classic dancer in the world at the present time® At the end 
of the film is another of Tchaikovsky*s ballets "The Sleeping Beauty," 

a fairy tale in which the heroine of the film, Natasha, dances the part of 
Princess Aurora® 

5) The conflict between Natasha and her teacher arises out of the 
fact that Natasha, while preparing her part, is dissatisfied with the 
accepted dance pattern created by the famous 19th century choreographer 
M® Petipas and changes the end of the dance® After that her teacher 
vetoes her selection for the part in the concert. Later she explains that 
she punished Natasha not for her "rebelliousness" but for her "half-measures" 
in changing only the ending and not the entire dance® 

6) The melody which serves as a signal for Natasha and Alyosha is 
from the opera "The Barber of Seville" by Rossini* 


- 66 - 


(Film Unit VI) 



Comments to the film (Cont*d) 


7) The professor at the Conservatory criticizes Alyosha for just 
singing brilliantly without trying to put his soul in his song. He men¬ 
tions as an example worthy of imitation by Alyosha the work of a 
Stakhanovite bricklayer whom he saw at work on the reconstruction of 
a house which was destroyed by German bombs | that bricklayer *s work, says 
the professor, has rhythm and purposefulness which Alyosha*s singing 
do©3 not have. 

3) Several views of Leningrad are shown, among them the banks 
of the Neva River and St. lsaae*s Cathedral* 


—67** 


(Film Unit VI) 


II 


Klflf WORDS AND PHRA3E3, 


“Hot Jiftnuiero dmioTa?" 

OOJlftOTKa (f) 

hpyo 

oneKTdKJiB 

homqp6k Ha naoiBT6 

"Kto t© 6h Tfmfx aa aaHK?" 

"H oq© hb xopomo pa3(>Hp£x>c& 

B H 0 OCTBfi"• 

Kapi>6pa 

BiinyoKH6ii a ks a Me h 

"CnHnjafl" a contraction of 

"Cnfonan Kpao&Bjma" 

rieB6i* 

Wl l0OTHOe ojiobo !" 

'Vloflejiaji 6ojn»inyio rjynooTB" 

T^0JIBKH 

paCCTp60HH 

"H Bac ceroflHH oflnoro h© 
ooTaBjn)" 

qyTB-^iyTB, caMyio m£jiootb 

"Cnitny flepKaTBl* 

OT66poqHan komhoohh 

irn nfxa 9 hh nep& ( idiom) 

w Du oyiiejiH nepeflaTB" 

"Taimy^T© no~CBoeMy" 

■llo ooTaBJiaJiTo mghh cero^Hg 

o/uiy " 


Do you have an extra ticket? 
3oloist 

tier in a theator 
a performance 
coat check 

Why didn’t you hold your tongue? 

I have an understanding of 
the arts. 

career 

final examination 

( M Sleeping Beauty 11 ) 
singer 
On my wordl 

I did something foolish 

slippers 

depressed 

1*11 keep you company all day- 

just a tiniest bit 
Hold your back straight1 
board of judges 
I wish you good luck 
You were able to express 
Dance your own way 
Don’t leave me today 




(Film Unit VI) 





Key Words and Phrases (Cont*d^ 
j a$fea 

"npOH30EIJIO H0flOpa3yM6HMe 
: BHCTyn ji6hm© 
w 3to bh ©§ flosejm* 
"nepenyr&jia Bcex" 
jcyMaom^ Aiimi* 
noptidTKM 

n 3at3en o^p4BAHBa0T©cI»? ,, 
"Bosbmk C©6h B pyKH 

III* 

kJieKG &% 03 epo B (Aagma) , 

HaTama Cy666i*H Ha 
Ojibp& BevS fe <sia 10 ji e g Ka ) 


hand bill 

There 1 s been a misunderstanding 
public appearance,performance 
You drove her to it 
You alarmed everybody 


madman, lunatic; crazy fool 
gloves 

Why do you make excuses? 

„ - Take hold of yourself 

■aEficTBypmHE jhiia. . 

CTyflQHT KOHC©pBaT opMM» 

yt|©H^H 6aJi©THoro (students of the 

yxiMJiMma Academy of Ballet) 


Be-pa r©(5prM ©BHa* nperD flaB&TeJiBHHXja ( a teacher at the Academy 
6aJi©THoro ytiMJiMiBa 0 f Ballet) 

Anojuid e ...teojgggg, a k ko u na h wa t o p 

Bepe&CKM# « MHseHep-nJJaHOB^K, otgu Ojie^KM 

Ero »©Ha 

£©#yniKa m 6a6yniKa HaTanm 

C Topo m 6aJi©THOro ymtJlxw ( the janitor of the Academy of Ballet) 
CifH©JiB HH KOBa . 3HaM©H MTafl 6aJiepMHa 

KPATKOB OOflEPKAHME 

CTy^eHT KOHcepBaTopMM AJi©Kceft OsepoB (AJienia) 
nocji© bo$hh BepHyjic^ b cbo$ ropofl, - leHHHrpafl, h 

npoAOJisaaT 3aHMMaT bch neHMeu { singing). 

- 69 - 


(Film Unit VI) 












KpaTKO© coflepacaHH© (npoAo .oceHHe ) 

B TeaTpe, Ha fiameT©, oh 3HaKOMHTCH c yn©HHis©ii 6ax©T- 
hoto yHHJiMiip, HaTaineii Cy66oTHHoft . HaTama ehbSt c ^e^yniKO^ 
h 6a6ymKoft; eS fleflymna Kan©JiBA#H©p (usher ) b TeaTp© • 
Ilo^pyra HaTamn OmBra (Oxe^iKa) BepeftcnaH toe© y^HTCH b 
6aJi©THOM yqHJmiBS© • OHa Rovcb MHK©H©pa H S^Bmeii ( foraer ) 
aKTpftCH. ES MaTB BC6MK C#XaMH CTapaGT CH yCTpOMTB A-Hfl AO- 
©p k KapB©py; a*hh BToro ona nojiBsyeTCH MHTpHraMH* 

AJJ^ma h HaTama OTaHOBHTCH apY3Bhmh* OKasHBaoTCH, hto 
OHH K EMByT PH A OM • 

B K0H0©pBaT6pnH m b dameTHoft niKOJi© cTyAeHTH toto- 
bhtch k 6ojiBDiOMy KOHijepTy* CneiswAjiBHaH komhcchs 6yA©T 
BH6npaTB yxidoTHHKOB 3Toro KOHijepTa,, HaTama potobht TaHeij 
H3 6aH©Ta "Cnnuan KpacaBHn;a n • Ona h© xohgt TaHi;©BaTB ero 
no TpaA^HH H M0HHQT KOHeiJs 3 tO H© H pa BHTCH ©S yHHT©JIB“ 
hhd;© # KOTopan h© no 3 bo jm ©t eft ytiacTBOBaTB b kohh;©pt© ,xoth 
AP yrHM HJreHaM komhccmm HaTama oh©hb noHpaBHxacB. 

AxSma toe© no§T n©p©A kommochg^ h hmgqt dojiBmoft 
ycnex* 

HaTama theojio n©peKHB&eT (takes to heart )cboh) H©yA&Hy 
m npocHT Axgiay 6 htb b ©tot Benep c h©k>. Ho AxSma y»e 
odemax n©TB b KJiy6© b 3tot B©*iep bmgct© c OJi©HKoft (no-» 
•rouy hto AyMajff, hto HaTama toe© dyA©T Tan)« Oh roBopHT 
HaTam©, hto h© moeqt 6htb c Heft, ho h© roBopiiT noHQMy• 
HaTama b 3Ty hohb xoaht OAHa no yjmijaM ropoAa h h© npn- 
XOAMT AOMOfi# HHKTO H© 3Ea©T # HT O C H©ft CJtyHHJIOCB ,H BO© 


~ 70 ~ 


(Film Unit VI) 


KpaTKoe coflep&aHSie (npoAO jjs©hm© ) 


otieHB 6 ecnoKOHTca • AJiema nm;©T ee Bea^e m o 6 bmh&©t ©8 
yxci TejiBHKijy b tom, tit o c Jiy hh jioc b * HaTana naKOHen; npn~ 
xoamt k y*d t©jtbhhii;© m o 6 bhchh 0 T efi bc^. Rjisi BtinycKH oro 
3K3aMQHa HaTama nojiytiaeT rmasnyxo napTMK) b (5aJi©T© "Cnfluaa 
KpacaBMi^a w • Ho Apy^6a c Axemen y h ©8 ko H^aeTca nocji© 

Toro, nan OHa y3na§T, mo AJiema b tot b©h©p n©Ji b KJiy6e f 
BM9CT0 topo, mo6u 6htb c h©ku AJigma co6i*paeTCff yea&aTB 
b Cb©paji6bck (ypaji) ixgtb TaM b onepe* B otot b©h©p y HaTamH 
Biiny ckh 6m ciigkt&kjib "Cnam;©# KpacaBuu^j ffl ♦ Ona ysHaST^TO 
AJzgma yeasaeT m cnemfiT Ha bo Kaaji ♦ Ho AJiema roBopwT qPl 9 
*jto oh Bce-TaKM y©3aaeT , h ona b cjioaax (in tears ) B 03 - 
Bp am; a ©t oh b TeaTp* HecMOTpa Ha bto, HaTama ha^t Ha 
on;©Hy m c 6ojibiekm ycnexoM TanuyeT* AJiSma b noc jigahjoio 
MMH yTy pema©T H© exaTB b Cb©paji6bck m npne3saeT b TeaTp 
cmotpotb HaTarny® 


iv # BonpocR k siuLMy. 

I. Kto TaKoii AJieKeoft Osepos? 

2 „ C K0M OH 3Ha KOMMTCfl B T©aTpe? 

3« Ta© y^oiTCH HaTama? 

4 . KaK omy noMoraw nonacTB b TeaTp? 

5« Kto HaTanmn A©Aynn<a? 

6. Kanoft 6 am© t AmSina cmotpmt b TeaTp© ? 

7. Kai< soByr noAPyry HaTanra? 

8* Kto poAMTemn Ojighkm? 


- 71 - 


(Film Unit VI) 



Ik) ixpo CM 

9. 

10 . 

II. 

ISo 

13 . 

14 . 

15 . 

16. 

17 . 

18 . 
19 . 

8 ( 3 . 


21. 


88 . 

83. 

24. 

85. 

86 . 

87. 

88 . 
89. 


k <^MJiBi4y (npo^ojnseHMo ) 

Hero xoqeT MaTL Ometmi? 

Kto jkmbSt b aom© HanpoTMB AjiShih? 

K tiewy roTOBMTCH HaTama? 

Kan ona xotieT TaHijesaTB? 

IIotjeMy Ax&ma onosAam Ha ypoK neHiw? 

notieMy npo$occop n©H mh h© ao bojigh AjiSm©#? 

Kto b kommcchm 6hb npoTHB HaTamn? 

0 tjew Ha Tama npooHT AmUmy? 

noxiewy AmSma h© mokot bhiiojihmtb npoci>6y 
HaTaiaK? 

Hto Ae-naer HaTama ©to# ho^bio? 

Hto npoHoxoflHT Ha Apyroii fleHB? 

PaocKaaHT© o roBopHT ytiHT© mBHJma 

o HaTameft? 

noyewy HaTama 6omi»me h© xouqt Apy*HTB o 
AJiSmeii? 

Hto p©ma©T A©JiaT£ Amema noome ©Toro? 

B KaKou 6aji©T© Tam^yeT HaTama? 

Kan ona y©HaST, *ito AmUma yeaaaeT? 

Hto oaa flejiaoT Tcnr*Aa? 
y©3Ka©T jew AJi&ma? 

Kan HaTama y3Ha&T, t$r o AJiSraa h© yexam? 
Jio6ht© jeh bh 6am©T? 

KaKM© bateau BH BHAeJIW? 


-72- 


(Film Unit VI) 


V. JKAJOrM M3 


AJfifflAt 


KOJflt 

AJfiMAt 

KOJfll 

AJiSmA: 

KQJHl 

ajEihai 

OIgt 

HAT AULA t 

OAflS 

HATAHIAI 

AX EfflA: 

OJH? 

AJgHIAl 
HATAHIA % 

KOJtH* 


I• B TeaTpa* 

JlnniHero 6HJi©Ta hgt? H©t jmniHero 
6MJK0Ta? 

IIoflxo^flT Kojih, HaTanra m 0 jih ♦ 

OaepOB? SflpaBCTBywT©! T^e bu 
6hjim? BoS BpeMH bo $JOTe ? 

Hgt, hg boS BpeMfl* 

A c©ftnac? Oixhtb b ko Hc©pBaTopHM? 

OnaTB* 

^GByniKM, no 3 Ha kombtqcb* 3Haii©HA- 

THfl T<§ HOp AJIGKCGft OSGpOB* 

Kqjih, *it6 bhI 8) 

CojincTKa HaniGro t© aT pa HaTama 
Cy66oTMHa• 

H©npaBfla! 

BaJiGpwHa OjiBra BepeiicKaa./ omgx/, 

A B CaMOM fl©JI9 f nTO 3£©CB CM0IIIH6- 
ro? M 6y;*y 6ajr©pHHal 

Hy, nan a© o 6 mi 0 Taw[H? 

IIpHA^TCH MflTM flOMO#. 

3Ha©T© nTO? ^aBaftT© Bam© 
namBTo! 

To-qctb, Kan? 3) 

Kojih bosbmSt ©ro k c©6© b 
ybopHyio. 4) 

IIpaBHJiBHoS H BaM npMHGcy ©ro 
nocJiG cneKTaKJia* 


1) tho Navy 2) Oh, come now| 3) What for? 

4) dressing -room 


“73- 


(Film Unit VI) 






















^wajiorw M3 Cfruibua. (npoAojisenne) 


AJ filllA: 

HATAfflAS 

AJEMA: 

OJfll 


AJBSEIAi 


JWWWJUl t 

AJIEBIA i 

jragymKAt 

AJECIA t 

MMMMl 

ajShiai 


Hy, a AaJiBma? 

Hy, a flaJiBin© ... flajiBine yac 
Kan Hn6yflB caMM nt>ocKQ JiB3HgTe 5) 

HO H H 0 yM©K> CKOJIBaflTB. 

IIoct ofi t© t BeflB y HaTanrM b TeaTpe 
fleflymna. Oh 3aHUMaeT bhcokkA 6) 
nocT. CawHii bhookm#. Ha iihtou 
A pyce* 

Ha iihtom? •. . 

PaoxoAflTca* AJiSma 6 ©hmt Ha nwrafi apyc* 

nHTBiii apvo. AJiSma m AeflymKa HaTanrn - KaneJiB- 
AHH9t> * 7) 


Kan a© a to bh 6©s 6MJi©Ta? 

H • «» m©hh Banra bit# gna 8) 
npMOJiajia. 

Ar&l A bh onasflHBaeT© • AJUierpo 
y a© KOHtlMJIOOB* npMaMlIT©CB K 
CT0HK0, 9 ) 

ByflBT© £ 06 p& - H©JIB3fl «HM 6 mh6kjib? 

ByflBT© flodpn - HOMepoK Ha naJtBTO# 

Hom©p6k? Cefttiac • •« Bhaht© jim f 
h ©ro o^aji bm©ct© o najiBTO. 


HEuyniKA* 


HoMepoK Ha najiBTO c^aJiM bmqct© 
c najiBTO? 


AJfifflAl 


y m©hh ero hot* 


ffEflyillKA 1 najiBTO H©T? 

AlEEAi H©t, najiBTO 6 hjio • . , 

/JE^yillKA a, __ M#mt©, maht© , nOTOM paadeipgMCH 10 ) 

5) to sneak through ZJa puns Natasha speaks about her grandfather’s 

7) usher high position and actually refers to his being 

8) granddaughter an usher in the gallery* 

9) stand back against the wall. 10) straighten out 


-74- 


(Film Unit VI) 























J\na.jiorit na jibme (npo^o jraeHii© ) 


OJIflt 

2 « B 6ajiQTHOH yq^Jinm©. 

AnoJiJidH BjiaflfiMMpoBMti , bh 3Ha© t© 
TaKoro 09 bhA ~ 03epoBa? 

MBOJIHMH t 

K CO EaJI©HMK ) f 3HaJ0* 

OJIflt 

PaaB© oh njioxofi neBeij? 

MBOJirMH: 

K cosajieHMiD, npeKpacHH#. 

OJIHt 

A notj©My k© " k cosajieHHK)”? 

MBOJirMHt 

A noTOuy,trro HeJiOBeK, npoM© rooioca, 

o6^3aH HM6TB XOTB I) H©MHO*©HKO 

bot TyT /nonasHBaeT Ha jio6/ # 

0 JIHt 

H© 3aM©Tiura, H xony, hto6h bh npw~ 
rjracMJiH ©ro yiacTBOBaTB b Haraeu 
KOHn;©pTe TpMHaflmaToro tiHCJia. 

MBOJirMHt 

Becnojid3 ho? ) 6ji©HKa . H ©my n pea-* 
jiaraji kohusbth. oh©hb B6ronHH© 3). 
H© MflST* 0TKa 3HBR0TCfl« BHflHT© 
mi f "©My ©mg paHO BHCTynATB".. • 

OJTHt 

A BCg-TaKM, AnOJIJIOH BJiaAMMHpOBHtI f 
vroBOT)MT0 4) « H xohv noc JivniaTB 
©ro tojioc * 9to mom Kanpws* 

MBOJirMH* 

Bam KanpM3 ium m©hh sandH, 5) 

Mbo JirMH m AJiema . 

MBOJirMHt 

Ohqhb xopomo, hto bh sflecB. y 

MQHfl K BaM MHT©p©CHO© lip© flJIOJKeHHe . 

AJIEMA t 

3Haio h Banin np©AJioseHHfl ! 

MBOJirMHt 

HeT , h© 3na© t© • CeroflHa oco6©hho 
MHT©P©CHO 0 npeflJIOEeHM© ♦ 

AjrfimA t 

CnacMdo, h© MHTopacyrocB* 

1) at least 

2) useless 3) profitable U) convince 

5) law 


-75 


(Film Unit VI) 
























^MaJiom H3 (npo/jojiseHMe ) 

MBOJirMH: A a noroaftT© I 6) H k BaM ot oflHoft 

M3 TepncMx3p . 7) CaMoii nt>eJi6cTHoft * 8 

AJlfilHA! KaK, pa3Be oHa y^acTByeT b 

KOHD;epTax? 


MBOirMH! 

AlfiKAi 

KBOirHH? 


AJfifflA* 

MBCUrKHt 


KoH© mho! 

Hy, xopomo. Torfla h cor.ua c©h* 

3an6MHMT0 , MOJIOflOft M9JI0B©Kt 
I3-TO MMCJia, POBHO B flGBflTB 
MacoB, b £om© Kyji bt^ pH . 

Xopomo. 

Ho bh h© nojBefleTe 9) AnoJUioHa 
HBOJirMHa? Hqctho© cjiobo?..* 

A bo t m OHa ! 


OJHt 

AJfimAt 

OIHi 


AJfifflA! 

HATAIIIA i 

AJ£m : 


IIoflXOflHT OjiBra BepeftoKan. AJiSma yflHBJiSH* 

SflpaBCTBy^TO* A BH M 0 HH H© 
y3HaJ5H? 

Ko He MH o . 

A KOPO BH XflgT©?..* A | nOHMiiaiOt 
Pom6o afleT oboio ^ayjiBeTy. He 
6©cnoKO^T©cB, moJ i flpyr: OHa 
cefttiac nepeofl^HeToa h BHftfleT« 
/yXOflMT O MBOJirHHHM/ 

AJiSma m HaTama* 

3flpaBCTBy^T©l Hto s bh Tan flooiro! 
Me© Ta k xoTeJTocB Bac bm^gtb! 

H om©hb pa#a. 

HaTama, bh onoaflaJiM Ha oflHy 
MMHyTy | m h cflejiajr 6 ojiBmyio 
TJi^nocTB. 


6) noflostflHT© 7) (Greek mythology: Muse of Dance) 

8) charming here: a goddess of ballet 

9; you won't let me down# 


-76 


(Film Unit VI) 






















^waJiorH M3 $MJiBMa (npoaojiHGHH© ) 


HATA1HA t 


mMll 

HATA1IIA t 


Xoponio p mto h h© ono3flajia Ha 
£B© mm ny th• AJi^nra, bh mh© 

OHGHB Hy«IIH. 

A HT O Ta KO© ? 

MflewT©, h BaM paccnaxy b m§m 

fl©JIO* 


AJEBIAl 


HATAfflA t 

AJSEI1IA. i 


3 • IlOCJie KOMMCCMM. 

HaTarna, ycnoK6%TecB. I) Hy, j 
ko ro He 6HBa©T H©npnATHOcT©ii? 
Bot m>6ca 2) H6xoBa nv Lk MKa" 3) 
Ha nepBOM cneKTAKJi© irpoBajiM- 
jia cb »«♦ 4) HaTarna* flep&ftTGCBl 
Hy» i<a K Ban h q cthaho 5) 
CaaB^TBCH 6 )~paHBDI© Bp©M©HH. 

Mh ©m8 MM ♦ Ohm ©mS yBMflHT, 
Kto npas! 

AJiSma 9 He ocTaBJiaiiT© m©hh 
ceroflHH oflny • 

Hy, kohgmho, HaTaiua. Bh ace 6 hjih 
T orfla co MHoii, IlocJie KOHcepBa- 
TOpMM • nOMHHTO? /nOHBJIH©TCfl 
Mbojithh/ « 


HBOJirMHt 

ajEmai 

MBOJIFflHs 

ajlMai 

H BOJrHHt 


/monoTOM/ Ajigkc©# Aji©kc 0 ©bmm, Ha MMHy- 
tom Ky • 

IIpocTMTe, HaTaia , /Otxo#mt/ 

Bh h© sa6HJiM o ko HijepT e? 

Kano# KOHpepT? A bh He nojiyHHJiM 
Moefi sarnie km c otk! s qm? 7) 
Pa3B© HaTama BaM h© n©p©flajia? 

Ilepe^aJia, ho affiift ma 6HJia vac© 

Bfaymena, 8) 


1) calm yourself 2) play 3) "Seagull 1 ’ 4) was a flop 
5) aren*t you ashamed &) to surrender 7) refusal 

g;the hand bill was already printed 


- 77 - 


(Film Unit VI) 

























$najiorn M3 <£mjibm3i (npoflojuEeHMe) 


AJtEHA t 

a He Mory. 

MBOirifH: 

*lTO? 

AJfilA? 

To, mto bh cjihiumt© * h© mo ry! 
HeyseJiM bh h© bhaht©?! 

MBOJirMHj 

a BM&y, HTO BH MrpaeT© CJI0B0M 
AnojuioHa Hbo jivjrwl . Bh h© 

VBaxaeT© 9) rivSjiwKV ilOMa Kvjib- 
TypH. Mojioflo# apTMCT, a nanpft" 
3HM^a©T©, KaK cTapan npMMaflOHHa• 

ajEhia« 

Hy, noAOXflKT© mm HjfTKy /B03Bpa- 
maeToa k Ha Tame/. Bmamt© jim. 

HaTama, npOM3omjr6 H©flopa3yM©Hne* 

HATAIHA 1 

Hto TaKoe? 

AJfililA : 

fleJio b tom, wto a saHHT cerofiHa 

B©M©pOM• 

HATAffiA 1 

/x6jjoaho/ ripocTMT©, a h© 3Haaa, 

MTO BH 3aHHTH. 

ajEioa t 

a nocTapaiocB ... /otxoaht/. 

AnojuroH BjraaMMMO 0 BMa f oTny ct^t© 10) 
K6HH« 

MBOJirMHt 

a Bac oTnym^ cpaay nocJie Baiero 
BHOTynJi^HHa • 

AJIE1HA t 

H©t, eefttjao , 

HBO JirJfHt 

IIoGJie Bamero BHOTyn jiqhmh• 

AJH EUIA t 

Hy, 3Ha©T© . 

MBOirMH: 

Aji©ko6# Aji©kc6©bmM| mh onaaflH* 

Baeii • 


9) respect 


10) let me go, 





















FILM UNIT VII, 


GENERAL SUVOROV 
/ CyBOPOB / 


~79*. 


(Film Unit VII) 




I# COMMENTS TO THE FILM, 


1) The film was released shortly before World War II* It was directed 
by the famous director, Pudovkin. Tho music was written by Shaporin, a pupil 
of Rimsky-Korsakov. Suvorov is played by the Moscow actor Cherkassov,who 

is not to be confused with the famous movie star of the same name. 

2) Alexander Suvorov (1730 - 1800) was the greatest Russian troop 
leader and unquestionably the foremost military genius of his time. His 
troops were never defeated. Suvorov served under three Russian czars and 
during his brilliant career rose from a private to a generalissimo. 

He participated in wars against Prussia, Poland, Turkey and France. He is 
also the author of the famous book “The Art of Victory" (Hayna nooeJir* 
fla r fB )• Socially Suvorov often behaved eccentrically. The film starts 
in 1794 during the war against Poland when he is already the most popular 
Russian general. He is later shown during his vicissitudes after the Unperor 
Paul I ascended the throne. Paul I reorganized the army according to the 
Prussian pattern, with excessive parade drill and the treatment of soldiers 
as cogs in a machine. Suvorov did not conceal his disagreement with the 
new order and therefore was exiled to his village by the Czar* Russia^ 
allies, Austria in particular, persuaded Paul to give Suvorov the position 
of supreme commander in their war against the Napoleonic armies (Napoleon 
himself was at that time in Egypt, and thus Suvorov never met him in 
battle). Suvorov drove the French out of Italy. However, the Allies resented 
Suvorov*s popularity and even created obstacles in his path® Further pursuit 
of the French did not interest them, and they insisted instead that Suvorov 
march to Switzerland to rescue another Russian corps which had been 
abandoned there by Austrian troops that withdrew to winter quarters. 

Suvorov made a brilliant march over the Alps under extremely difficult con¬ 
ditions. When he arrived he found that the Russian corps had already been 
deserted by the French and that he himself was surrounded. The end of the 
film shows his escape from encirclement by means of his legendary crossing 
of the abyss on the Devil f s Bridge. 

3) Although in general the film follows historical facts very closely, 
the slanting and bias 3ometime3 distort the historical perspective. 

Thus, Suvorov, in his patriotic expressions, distinguishes between the 
Russian rulers and the Russian people. This is nonsense for the 18th century 
and is included in an attempt to show Suvorov as a hero of the Russian 
people rather than of the Russian Einpire. 

Paul I was not as antidemocratic as he is shown; indeed, his re¬ 
lations with the nobility were the worst in the history of Russia# 

Paul*s henchman. General Arakcheyev was a sinister figure; however, he was 
never a clown as portrayed in the film. 

4) The habit of men exchanging kisses is explained in the Comments 
to the Film "The Boxers" § 6. 


-80- 


(Film Unit VII) 



Comments to the film (Cont*d) 


5) In Suvorov* s village, the old veteran Platonych relates to the 
peasants Suvorov*s heroic deeds during the attack on the Turkish fortress 
Ismail (the most brilliant of Suvorov*s victories). The story is told 
like a fairy-tale with a predominance of legendary and even fantastic 
elements* 

6) The man who wears a patch over his eye, who is greeted by Suvorov 
at the Court as the only kindred soul among "flatterers, M is the famous 
Kutuzov, the future hero of the 1812 campaign against Napoleon# 

7) The dialogue i3 an imitation of the speech of the 18th century, 

both the common everyday speech and the military dialect. Examples are 
the words: noceMy m therefore, peJiHijHH z military report, 

flwpeKijHH • direction, TmeTHO ® in vain. 


~8L 


(Film Unit VII) 


II, 


KEY WORDS AND PHRASES» 


rep6# 

- hero 

cji&Ba 

- glory 

3H&MH 

- banner 

w noMMJiyii Bor!" 

- Merciful heavensJ(Suvorov 1 a favo¬ 
rite expression) 

MyHA^P (obs.) 

- formal military coat 

cpdHHaa 3 0 Ta$ 6 Ta (obs # ) 

- urgent dispatch 

no ycr^By 

- according to the book 

Hapyni^HM© ycT&Ba 

- violation of regulations 

"Boh! " 

- Get out! 

Kpe c t 6 

- crosses (medals) 

"Kowy noAHMHHeniBCH?" 

- Whom do you serve? 

Kp 6 nooTB 

- fortress 

mii. vvl 

- swords 

"OtaoxhA o floporn® 

- Rest from your journey 

Bam© Bqji 6 h©ctbo 

- Your Majesty 

nojiKOBd flea; 

- military leader 

rpa$ 

- count 

jiaK 6 # 

- lackey 

C0fo3HHKH 

- allies 

COB©pIff 6 HHHii M©XaH&3il 

« perfect machine 

6 oJIBdH 

- robot; fool 

MM©HH 6 ii yK&3 ( obs.) 

- a personal order (from Emperor) 

HlBeJfrj&pMfl 

- Switzerland 

36jioto 

- gold 


82 - 



strike from the rear 


y/ulpiiTb b thjx 

npwr6poqei< 

12 p^xeft, 6 © 3 cy^d 
"Mu OKpyHOH^® 
OTCTyndTB 
CJIOIKftTB Op^SH© 

npdnacTB 


- small hill 

- 12 guns, vdthout trial 

- We are surrounded 

- to retreat 

- to lay down (our)arms 

- chasm 


III. flEfiCTByPmME JHIIA. 
Ajie Koa H^p BacdjiBeBMti Cvb(5bob 
IIJtaT6HH^ . CTapHM COJI^aT 
Msan CMH^ixa . mojio^om c oji^aT 
nOJKOBHHIC Tfopil H 

n p6xop (np6ntKa). ^©HmiiK CyBopoBa (orderly) 

Mem^pCKHfi. afl*BiOTaHT niTada 

IlaBeJi I, MMnepdTop (emperor) 

Apartq^QB « ero $aBO pfiT 

Barpa,TM6H t renepa ji 

Abb. aBCTpM^GKHX noJiKOBHMica 


KPATKOE COHEPHAHME . 

Hanaro noKasnsaeT CyedpoBa bo Bpewn ndjiBCKO^i 

K^MniaHMn, b 1794 r. Ero qacTW tojibko ht o aaHHJiM nocji© 

6o h jrarepi, nenpUHT ©jih • CyBopoB xb&jiht ( praises ) o^hmx 
o^MHepOB u cojtflaT m HandaHsaeT ( punishes ) flpyrnx* 
npMos&aeT a^BioTaHT ns rjiaBiioro niTa6a * Oh npHBO sht npM- 
Kas CyBopoBy bmgct© c flpyrww renepajioM bshtb JiarepB ho- 


-83- 














KpuTKOO coflepsanwe (npoflOJi senna ) 


npMHTejia, Ho CysopoB yse bshji JiarepR. BTopofi reHepaJi bc8 
©m8 MfleT no xopouiPiM floporaM, a CyBopoB, 603 #opor, npo- 
nioji nepea Jieo h HooacHflaHHO Hanaji Ha HenpHHTeJra* CyBopoB 
CM0OTOH Hafl npMKa 30 M* 

MMn©paTpMH|a EKaTepftna II yMepjia.. HobhJi MMnepdTop, 
Ildseji I, He jiio6ht CyBopoBa. IlaBeji bbo^ht b apMMM HeMeijKHft 
nopa# ok• ApaKndeB, eaMuft Cjimskm# MMnepaTopy nejiOBeK, mh- 
•raeT naBJiy nwoBMO CyBopoBa, KOTopoe nonajio k HOMy b pyKH. 
B nwcBMe CyBopoB KpHTHKyeT hobho nopaflKM b apMMM # naB©.i 
npMKaaiiBaeT pacny ctmtb ( dissolve ) niTafi CyBopoBa. K MMne- 

paTopy npwexajiH c o^mndjiRHHM iihcbmom ot CysopoBa #Ba 

. 

no JiKOBHHKa. OflMH M3 hmx - jnodMMEift o$mij©p CyBopoBa M repofl 
no jikobhmk TfopnH• MwnepaTop rmoxo BCTpenaeT no jikobhmkob f 
npMKaaHBaeT apecTOBaTB mx 3a to, mto y hmx cTapaa cfiopMa. 
TKjpMH CTpeJIHOTCH. OflMH COJIflaT B 3 T 0 BpGMfl pOH^OT (drops) 
pyjKRg. 3 a 3 to IlaBeji noctuiaeT bqcr noJiK b CMdftpR* 

Kyp B©p npMB0 3 mt CyBopoBy nMCBMO• WMnepaTOp nnmeT, 

HTO OH OqeHB H© flOBOJI0H CyBOpOBHM * CyBOpOB C06Mpa©T 
o$nn;epoB m npom^oTCfl c hmmm: oh peuiMJi yilTM mb apiiMM» 

Ha nMCBMO MMnepaTOpa oh h© OTBeuaeT* noTOM oh npomaeTca 
c coji^aTawH m ocTaBJiaeT mm cbom opfleHd ( KpecTft) • 

CyBopoB MBeT TenepB b cboqm flepesH©* K HGMy npM- 
XO/U3T ero cTapn© cojiflaTH, KOTopn© kohhmjim cjiyswTR b 
ajJMMM • njraT6HUH Tose npMXo^MT b 3 Ty flepeBino. Oh paccKa- 


” 84 -’ 


(FiLm Unit VII) 





KpaTKoe co^epsaHMe (npo#o jrxeHM©) 


3 HBa© T KpeCTLHHaM, KaK CyBOpOB BOeBgCjI C T^pKaMM • CyBOpOB 
b AepeBHQ nwmeT cbojo KHiiry* PeHepaji BarpaTM6H t£#ho 
( secretly ) npM© 3 aa©r k He My b tooth. Oh npHB 03 HT CyBopoBy 
nopTp^T ©ro AonepH h paocKa 3 HBa©T ©My o6 ycnexax Hano- 
Ji©6Ha b Esp6na ♦ CyBopoB noHMMaeT, hto miaH HanoJieoHa - 
httii Ha Pocc$no• 

MMnepaTop IlaBeji BH3HBaeT CyBO poBa k c©6e . HanoJieoH 
yrpoaaeT (threatens ) coio3Hoft Abctphh, h IlaBeJi xoneT, 
hto6h CyBopoB ko MaHflOBaji oiihtb bo Vic KaMH • Ho CyBopos h© 
XOHOT KOMaHflOBaTB apMH©ft # ©CJIH TaM 6yfl©T h© M©u;Kafl M©xa- 

H^ocKafl flUdjumiftHa. 

H©p ©3 rofl MMnepaTop bo8“*t aid nocmiaeT CyBopoBa 
C pyCOKHMH BOftCKaMM B Mt£jIHK> XIOMOTaTB ABCT pMH. CyBOpOB 
ocBo6osfla©T MTa jimio ot ^paHUjf 30 b h flyMaer mttm bo $paHD;Hio f 
ho Abctphh h© xoh©t 3toto h nocHJiaeT CyBopoBa b DlBoi'mA^ 
pHio noworaTB BoficnaM r©Hepajia P^mcK oro"H6pcaKOBa• 

^.Ba aBCTpnJicKHx otfHijepa * <£pam];y 3ckh© ihhkohbi. Ohm 
coo6m;aioT (^pannysaM Q ruranax CyBopoBa. OflHoro H3 hhx 
paocTp^ jTHBaiOT (execute ). 

CyBopos A©jra©T ohqhb cm^jih^i ( bold ) h TpyflHH# 

ManSBp. Ero coji^aTH HflyT nepes caMH© bhcokh© ropH h 
aTaKyioT <$pani(y 30 B Taw, r^e ohm He oxHAaioT. Kor^a HaKOHer* 
pyOOKH© npHXOflHT Ha nOMOIHB CBOHM, TO y 3 HaiOT, HTO ($paHH;y 3 H 
yx© pa3 6 hjih Pmmckd ro-KopcaKOBa. ApMHH caMoro CyBopoBa 


85 " 


(Film Unit VII) 



KpaTKoe coflepsaHH© (npoflOJi aeHHe) 

B OKpys6HHM • COJIflaTH M^p3HyT K TOJIOfldlOT. OHM XOTHT OT- 
CTynaTB* Ho CyBOpoB #©JiaeT em;8 oflMH cMeJiH# ManSBp *■* 

n©poxofl qep©3 H6pTOB moot. Oh oC’bhohhgt coJttflaTaM Ma~ 
hSbp. #mjibm KOHnaeTCH ycn^MHHM ( successful ) nepexo^OM 
qep©3 HopTOB moot • 

iy. BOIIPOCH K gMJLlflT. 

I• Kto 6 uji CyBopoB h icr^a oh hmx? 

8* C k© m oh BoeBaJi? 

3. Ilotiewy cojiflaTH ero jhoGhjih? 

4. Tfl© HaxoflWTca CyBopoB b Hanajie $HJiBMa? 

5. IIOHewy oh Ha3HBa©T Mojiofloro coJiflaTa repoeM? 

6 • Kan oh HarpaxflaeT Matfopa TiopKHa? 

7. Kanofe npnicas npuBoara* sgotBioTaHT ? 

8. noneMy CyBopoB He moe©t bhhojihmtb otot npwKas? 

9. IIoneMy CyBopoB npHmeji ciofla paHBme,H©u 
flpyroii reHepax? 

10. 3at|0M oh npooHT npMH©CTH ©My JHOKKy? 

II* Kto cTaji pyccKHU ijapeM nocjie Ena tgpmhh? 

18. Kan IlaBeji peopraHW3y©T apMHio? 

13. Kto TaKOtt ApKaneeB? 

14* IIotieMy HMnepaTOpy IlaBJiy h© Hpa bhtoh CyBopoB? 

15. Hto npHB©3 jim HMnepaTOpy cyBopoBOKH© no jikobhhkh 7 

16. Ka« BCTpenaeT hx HMnepaTOp? 

17. Hto flejaeT no jikobhhk TiopHH? 


86 


(Film Unit VII) 



BonpocH k $MJiL>My (npo^oJiKOHJie ) 


18. IIo^eMy ITaBeJi nocHJiaeT nojiK b ChOhpb? 

19. *Ito 6bui o b riwcBMe, KOTopo© nyptep 
npMB§3 Cyeo poBy? 

80. Hto ^ejiaeT CyBopoB nocjie Toro»KaK 
oh rrpoHM Ta.n nw cjb mo ? 

21. *Ito oh roBopHT cojiflaTaw, kq r$a nponjaeTOH 

C HHMM? 

22. Ky/ja oh yeajsaeT? 

83. Kanofi cojiflaT npwxoflWT b # 0 p©bhk> k CyBopoBy? 
24. 0 neii co^aT paccKasHBaGT KpecTBHHaM? 

85. ^0M saHHMaeTCfl CypopoB B flepGBHG? 

26. ^TO OH ITMIH0T B KH HP©? 

27. Kto npwe3xtaeT k CyBopoey b flepeBHio? 

28. ^Ito npHBe3 CyBopoBy Bar paTHOH? 

89. 0 kom ohm pasroBapMBaiOT? 

30. Hto CyBopoB .nyMaeT o HanojiGone? 

31. rionewcy MMnepaTOp BH3KBa©T CyBopoBa? 

32* 0 qeM MMnepaTOp roBOpMT c CyBopOBNM? 

33. Kan KOHtjaeTCH MX paarosop? 

34. Hto npowcxo^HT *i©pe3 ro#? 

35. Kto xomgt, hto6h CyBopoB KOMaHflOEaJi BoficKaMH? 

36. Kan HTajitHHCKan Kawnan mh CyBopoBa? 

37. Kyfla nocji© 3Toro xotj©T mttm CyBopoB? 

38. notieMy OH h© MO&eT mttm Ha napn«? 

39. Ky^a nocHJiaior ero TenepB? 

40. 3an©M oh flojiaen mttm b IIlBeMi;apHK>? 


-87- 


(Film Unit VII) 


BonpocH k (npofloJUKOHii©) 

41» Kto 6hji hihhqh? 

43» KaK CyBopoB ysnaeT ero? 

43 ^to co hmimohom Ae^aioT? 

44* IIOMeMy CyBopoB ho moiqt noMOMR P m m c k o wy - K o p c a' *■ 
Kouy? 

45 • IIotieMy CysopoB TenepR b Tpy^HOw noJiosceHHH? 

46. IIOtlOMy E8AOB0JIRHEI COJIAaTH? 

47o ^to ohm coB©TyxoT CyBO posy AeJiaTB? 

48 • KanoH nJian y CyBoposa? 

49* PaccKaMTe o nepexo#© Mepea ^opTOB moot* 


CYBOPOB t 


niATOHH T l t 

CYBOPOB $ 

COJMTl 

nJATOHHqs 

CYBOPOB: 

nJIATOHOTs 


AMAJorii m svLibUko 

I o nocjiQ 6on no a COKQJIKO&* 

qfflO-6oraTH-p&! I) riTeii n,6 mo if 1 8) 
PepdM! CJislBa bemI 
/noAXOAm 1 k MOJiOAOiviy cojiflaiy/ 

Hef 1TO 3) TH 3 H&MH B3HJI? 

On, Banie CHjf tqjirctbo ! 4) 

Kan 3BaTh t©6h? 

CmhA up. • 

HBaH CMHMna • IlepBHft pas b 606* 
TboS , IljraTOHHM? 

Moft* Bame CiiflTeji rctbo ! 


1) wondrous warriors 2) my flock 3) Hey&ejin 
4) Your Excellency 


-“88- 


(Film Unit VII) 
















$maoPM Ma cl'MjiBMa ( npo^oJi kghmg) 


cyBOPOB 8 GMHMii;a 9 roBOpiniiB? Kanan ice a to 

nTHita-efSHM 3 %aS ) Hgt , hot: cm irnpa 
He roflHTCHl Th - repo^i, ope^l 6) 

Bot Tan opjioM m oct asaw ch • Cna- 
cm6o t© 60 , IlJiaTOHOT, 3 a hobopo 

.__ p ep oh! 

t>) titmousi -- ’ST’ eagle 

2• UpomaHHe CyBopoBa c 
coJiflaTaMH b 

cyB OPOB t COJ^aTH* BTOT Kp&CT BH flaJIM MHO 

3 a J&filPJISL 9 1 ) 3 TOT - 3 a HDMFXHJt Z ) 

3T3, 3 B 03 #a CBO TflJa B) MH6 Ha 11060 

Bapiid bckom o^VCpHBaeT KpecTu/* 

C BaMM 3a cjiym mji , 3 ) BaM m ocTaBJUHEO* 
CopOK JieT bo^mji h Bac ot nob^&H 
K no 64^8 » 4) C Bami h h© 3Hai 
nojoaKeHigT.5) He OTCTynaji kmkqp/p « 
PepoM! /{©TH mom I XIpona^Te! 

IIomhmt© CyBoposa - $ejn»#Mapm ja 
m eoji&aTa ! Xtohmtq 6 ) 6 qqbjio 
cjcaBy Bamy! XpaHMT© ©e b cep^pdx! 
Hocht© ee Ha htthkIx 7 ) Bamwx - 
Bnep^A? Bcer^a Bnepe#! 


1) Names of battles 2) shone 


3) earned 4) victory 


5) defeats 6) guard 


7) bayonets 


-89' 


(Film Unit VII) 

















PIm UNIT VIII 


SPRING 
/ BECHA / 


- 90 - 


(Fila Unit Till) 



I* COMMENTS TO THE FILM* 


1) This is a post-war musical comedy directed by Alexandrov, the 
director of "Volga-Volga," "Tanya, M etc* As always, the star is his wife, 
Liubov Orlova, who plays two parts in this film* The music is by Isaac Du~ 
nayevsky, the Soviet Irving Berlin® Besides Orlova, there are other big 
names of the Soviet movie industry; Cherkassov as the movie director, 
Kanevskaya as the scientist’s companion, and Zelyonaya as the make-up girl* 

2) The film tries to combine science-fiction (a research institute 
studying the possibility of the practical use of solar energy) and what is 
called in the USSR "lyrical n motIves - i*e*, praise of love and spring, 
Soviet style* It is interesting to note that the mythical Sun Institute 
is a secret place surrounded by a high fence and that there is a careful 
check of papers at the entrance* 

3) A heroine of the film, Verochka, is like many young actresses in 
soviet theater© (always government institutions)* She receives a salary, 
but she works very little* The boss has not noticed her for six years, and 
she has little hope of receiving a break * When she gets, by accident, a 
starring part in a film, the boss refuses to give her a leave* He is 
afraid of being accused of not discovering her earlier if she is a success* 
Instead he gives her the title role in an operetta (the primadonna re¬ 
fuses to sing, anyway) and later publicizes her as his "discovery*" 

4) The film shows several views of Moscow* The background at the be¬ 
ginning, is the Bolshoi Theater; while during the "night of love" scene 
the banks of the Moscow River can be seen* Notice also the ubiquitous 
street loudspeakers® At the beginning of the film they announce the exact 
time j during the love-scene they play music* Two makes of Soviet cars 
are shown in the films Nikitina drives a "ZIS" and uncle Lyonya has a 
"Pobeda" ("Victory") which often gives him trouble® 

5) Whan Nikitina and the director cross the studio, they witness 
various movie scene© either in rehearsal, or being filmed* All of them are 
about love* First the great Russian poet,Pushkin, on Petersburg street is 
shown reciting an excerpt about love and spring from his "Eugene Onegin," 
with a musical background by Tchaikovsky* Then the Russian classical 
composer, Glinka, sings his famous song "I remember the wonderful moment*" 
After the Mazurka for Glinka's opera "Life for the Czar," an example of 
Soviet collective love is shown* a group marching with flags, singing the 
song "Comrade, Comrade®" 

6) Two morals are stated in the film* In the scene at the movie 
studio, where two actors , trying out for the part of the famous writer, 
Gogol, ask the director about the correct pronunciation of the word 

« no deiceHK£i " (fancies, dreams, phantasies), the director reads an 
excerpt from Gogol which states that fantasies and fairy-tales play an 
important part in human life, that they live forever and drive men to 
action® At the end, the meaning of the film is stated in more modest terms; 
it is about some dry scientists and superficial moviemen, and the moral 
is, "It is bad to deny spring and song." 


-91- 


(Film Unit VIII) 



II, 


KEY WORDS AND PHRASES, 


"BoS BOcnpemaQTCfl 11 

*Py km BBepx!® 

"Pfle 6 h hm padoTaTB, 
tojibko da h© padoTaTB® 

C<5jIH0^HaH ©H^prHfl 

odJiHeqHH© 

HOCTOpdHHH^ 

"Mh GHHMaeM KapTMHy* 

*MmH T© &M0HHO TaKO^ TMn" 

“^BOMHKKOB B XipHpOfl© H© 
dNBaeT" 

"BfijIMTaH HMKMTHHa * 

"Xoponro, ho h© noiiflST 1 

*ytieHH^ ©to ny gtj&hhhk b 
dojiBinoM ropo/*©" 

M IIO pa 3ft T© JIB HO© CXdflOTBOl* 

yTBepsflsCio 

Bocnpon^x) 

r*0H©p4jiBHaH ponerftijKfl 
"OHa onocddHaH?** 

"Mqhh npocTO yBdoiHT® 

rJiaBHaa pojib 

"B 3tom flejie Haflo paso-* 

6pdTBOfl" 

"y Bac omfido^Hoe np©ACTaBJi6- 

HM0 O HMKHTHHOft* 

®Pa3roBapHBa^T© 00 mh oii Ha bh 


• Everything is forbidden 

- "Hands up! 18 

- Wherever you work,the main thing 
is not to work. 

- solar energy 

- solar beams 

- outsider 

- We are making a picture 

- Look for exactly such a type 

- There are no duplicates in 
nature 

- She looks just like Nikitina 

- It*s good, but we can*t use it 

- A scientist is a hermit in a 
big city 

- What a striking similarity! 

- I approve 

- I disapprove 

- dress rehearsal 

- Does she have talent? 

- I will simply be fired 

- main role 

- We must look into this matter 

- You have a wrong idea of 
Nikitina 

* Don ! t be familiar with mo 


98 


(Film Unit VIII) 



Key words and Phrases (Cont*d) 




r? CynieHaH w 

tie nyxsC 

"Mena He ycTpdiiBaeT a tot 
cHGiiapHii n 

w XBaTa#Te oil, 

H BO3HT0 CIO£a 

I3 Bot n^TaHMqa. 

mi Jimi 6 n*aflB 

”Y6HpdilTGCB boh!" 

cko pan u5uoim,b 

W H coiuia c yid . tt 

n il flynajia, hto pesMccSpH 
6ojree Hadjuo^aTeJiBiiti w 


literally, 

~ " tho dried shark" (the nickname 
used by.Nikitina's subordinates and 
suggesting her stiffneckedness and 
stricktness) 

* fiddlesticks 

‘ This script does not suit me 


gettingI 

living space (here:apartment) 

Get out| 

ambulance 

I've gone out of my mind 

I thought that movie directors 
were more observant 


TanjfiTe b MamuHy- Grab her, shove her into your car 
and bring her her©. 

no Jiy tiaeT ch ! a - What a mixed-up mess we*re 


III, JEftCTByiOmME JI HIJA , 

Hpfnia HeTp6BHa HMKfe T MHa, msbgct na si ynenan (famous scientist) 
ApKa&HH MnisC mjiobmh Pip6mob. khho~p©hmc cgp (movie director ) 
Jjsijifi ero nOM6iHHHK ( his helper ) 

B6pa re6prH © BHa IiIaTp6Ba /B^ponKa /. apTftcTKa onep^TTH 

By6eHir,6B« pa66THMK MECTMTjrTa 

MaprapfiTa lBB6BHa ft KOMnaHB6nKa HiiKfi tmho^ 

Hb^h CoM^HQBitti P6mHH, penopTep 

npofl)6ccop M6 jibhiikob 

TeTH IT&roa, ero npucjtfra (housekeeper) 


- 93 - 


(Film Unit VIII) 












£©tt otb ylomne JiMija (npofloji HeHMe ) 

Accmct6ht KMHopesMocSpa 
rpMHMp6Bmni^i (make-up artist) 

,ZjHpeKTop TeaTpa Onep^TTH ( director of the Light Opera Theater) 
npHMafl6HHa onepeTTH 

KPATKOE COilEPMHKE . 

B Mookb©, b Hhctht^t© C6jihiib , paOoTaeT H3B6cTHaa 
( famous ) ytiSHaa HHKfeTMBa , KOTopaa fleJiaeT aKcnepMM^HTH 
c odJiHetiHoJ* 3H6prH©ft# KwHO-oT^Awa xotieT cfleJiaTb $hjibu 
o XM3HM TaKoS ytjgHoft«now6mHMK pexMccgpa, A«A* JIShh, 

Besfle mih©t ajih (piJibMa xenmHHy, noxoxyio ( resembling ) 

Ha HHKHTMHy# OHH SM0CT© ©AYT B MHCTMTyT nOGMOTp©TB Ha 
HHKHTMHy h e§ paboTy • PadoTa b Whothty t© oenp^THaa, M mm 
tojibko o 6oABmMM TpyA&i ( with great effort ) yAaSToa no- 
nacTB TyAa. £a a* JSHa 3 Ha kommt ca o By6©HX^6BHM f KOTopaii 
cxyxHT b xos^^otbqhho^ qacTM Mhc TMTy Ta ( Maintenance & Service 
Section )• BybeHQOB h© MHT©p©oy©Tca pa6oToft MhcTMT yTa 9 a 
xoqeT tojibko 3apa6aTHBaTB A©HBrn• Ero npftHmin - n rAe 6 h 

HM paOOTaTB, TOJIBKO &I H 0 pa60TaTB n « HT06 h 60 JIBIU© y3HaTB 
o HmkmTMH ofi f ahah 18hb np©AJJara©T By6eHn;oBy pa6oTy B 
KM HO • HMKMTMHa OtieHB H©A©BQJlBHa, WO no MHCTHTyTy XOAHT 
nocTop6HHM© • Ona h© jik)6mt km ho m h© MHT©p©oy©Tca KapTHHO# 

O CBO©ft 2EM3 HM« 

B kmho— cTyA mio npMxoAMT aKTpftca onep^TTH B6potiKa 
IlIaTp6Ba, yqQHftna aham JIShh. OHa xoubt nojiyqwTB pa6oTy 


- 94 - 


(Film Unit VIII) 



KpaTicoe co#©P&aHM0 (npoflo jik©hm© ) 


b km ho , noTOMy mt o y h e§ MaJio pa 6oth b TeaTpe* Pe&Hccep 
sanenaeT, qTO ona omqhb noxosa Ha Hmkm TMHy• E ft flaioT po jib 
Hmkhtmho^. CHaqajia pesHccepy KaseTca. trro ©Ha h© cmokgt 
ciirpaTB po jib« B cTymno npwxo^MT By6©Hn;oB* Oh nyp&eTCH 
BepoMKM, noTOMy hto flyMaeT, hto 3tq HMKMTMHa• Tor^a pe~ 
sHccep pomaeT, hto Beponna yoxe t wrpaTB* 

Ho b TeaTpe, Pfl© pa6oia©T BepoqKa » eft h© pa3pemaioT 
yXOflHTB B KM HO. ^HpeKTOp flaH© flaeT ©ft 60 JIBmyK) po jib • 

BepoqKa H© 3 Ha ©t , hto AeJiaTB* ona #ojn&Ha 6 htb b o^ho m 
to se bp©mh Ha pen© tmijhm b TeaTpe n b kmho. Ona mrUt 
k Hmkmtmho^ m rrpocHT ee noftTM bmgcto He 6 b kmho- cTya mid. 
HMKMTMHa corjianraeT CH ( agrees ) . 

B oTy^MM HMKMTMHa cn6pMT ( argues ) c pe&Hccgpou, 
noTOMy mto eft He Hpa hk tch cpeH&pHft. PemMCcUp corJiamaeTCH o 
Heft M peraaeT, hto b $mji:&m@ Haflo nonasa/TB jiio6obb. Hogji© 
pa^OTH ohm M#yT BMecTe ryjiHTB M Bjno5jMf iotch ( fall in love ) 
flpyr b $pyra« PesHccSp bcS bp©mh &yMa©T» hto ©to Beponna. 

B 3to bp©mh BepotiKa noeT b t©etjb m HMeeT 6ojiBinoft 
yonex® nocjie otopo ona e^eT Ha kB apTMpy k Hmkmtmho^ , ho 
T aM ee BOTpetiaeT penopT^p m otbosmt b tooth, Ky#a HM¬ 
KMTMHa odenjajia npMTTM.3 to #om rrpo&ecco pa , Pfle mhopo 
ynenHX, Korfla BepotiKa xomgt mttm flowoft, penopTep m^qt 

BM0GTO C H©ft* 0 HM BJIJ06 JIH10TCH #pyP B flpyP a. PenOpTUp 
BC& BpQMfl flyMaeT , HTO 3TO HMKMTMHa . 


- 95 “ 


(Film Unit VIII) 


KpaTKo 0 coflep«aHMQ (npoflOJi»QHHe ) 

MaprapftTa JIbb 6BHa, KOMnaHB6HKa HnKMTHHoft, BJiK)6jieHd 
( is in love) b By6©Hn;oBa „By6©Hi*OB cmaht y h©8 h nB^T iihbo • 
CJiyqdiiHO ( accidentally ) oh roBopuT, uto ©My Hyaena H© 

0Ha, a ©S »minjiomaflB*MaprapHTa npocHT By6©Hn;oBa yiiTH. 

Ho B ©TO Bp©MH npHXOflHT HHKWTMHa, h By 6 ©hi^ob npd- 
q©TCH ( hides ) b niKa$«, MaprapHTa H@ mo ace T y3 HaT B HHKHTHHy, 
KOTopan oxighb nep©M©HHjiaoL nocjie pa3roBopoB o jho6bm h 
nporyjiKH o p©acnco8poM. Bepo^na irpHXOflKT k Hhkhthho# nocjie 
cBoeft nporyjiKH c penopTgpoM. Korfla MaprapHTa npHHOcHT 
yTpOM 3a bt pa K, OHa BHflHT flByx OflMHaKOBHX ( identical ) 
seHmHH h flyMaeT, *ito OHa coioa c yua, Ha cjieflyiomjfft fl ©hb 
bc© ©flyT b MHOTHTyr CojiHija cmotp©tb Ha dojiBinoft ©Kcnepn- 
M©HT HHKHTHHOfc * HMKHTHHa XOiI©T KOHflSHCMpOBaT B COJIHQ^HyK) 
©Heprnio. 3KcnepMMQHT y#agTCH. By6©Hn;oB ynpaji (stole ) b 
jia6opaTopHM koha© hcj{ posaHHyio coJiHe^Hyio xftflKOCTB (liquid ) 
fljiH CBoeii aasHraJiKM, ho ©to y Hero iijioxo ko H^ia©T ch . 

HaKOHei^ boS o6bhchh©t ch . Peawcogp h penopTep no- 
HMMaiOT, B KOTO Ka«#Hft H3 HHX BJIK>6 hJICH • HUKH TKHa OOB©Ty©T 
pesnccSpy ^©JiaTB h© cepB€§3HHii $hjibm o Hhkwthho#, a b©~ 
cgjiyio ( gay) KapTHHy o tom, *ito c hhmh np 0 H 301 n.n 0 * $hjibm 
KOH tia©TOH necHeft o Beene. 


-96-* 


(Film Unit VIII) 


XV* BOHPOCH K ffMLMV* 

I a Kto Tanan HMKMTMiia m p#© ona pa 6oTa©T? 

3* T Ieii aaHMmoTCH Mhcthtyt CojiHija? 

3® qero pesucoep h 1©hh npM©xa.iH b 

Mho TMTyT? 

4, Kto Ta koh By6©HDiOB? 

5. Kto Tanaa BepoMKa m sa^ew oh a npmnJia b 

KMHO-CTy^HiO? 

6* ^to 3aM©tia©T pesnoogp, Kor#a B©pQMKa TaHnyeT? 

7® KaKMM flOJJSQH 6HTB yq^HEJM HO MH6HHI0 p©EHCCgpa? 

8® IIotieMy By6©Hi^OB HcnyraJicH BepoqKH? 

9. Hto flejiaeT flMpeKTop TeaTpa, Korfla oh yanaST, 
mto Bepo^na xoqeT patfoTaTB b kmho? 

10• noH©My Bepotnca h© mos©t noexaTB b KHHO-oTy^HK? 
Ha peneTsmHK)? 

II* 0 v&u BeponKa npocMT Hmkh TMHy ? 

12* Kto Tanan MaprapMTa JlBBOBHa? 

13 * B Koro BJUo6ji©Ha MaprapMTa? 

14* ^to Hmkh Tima roBopHT pe&Mccgpy o ero $hjibm©? 
15* Mto pesHccep flyMaoT o eg cjiOBax? 

16* to b a to bp©mh fleJiaeT b TeaTpe BepoqKa? 

17* Kan BepOMKa nona^aeT b tooth k npo<$oocopy? 

18* *Ito ona ,n©Jia©T b tocthx y npo$ecoopa ? 

19* ^to fleJiam* peatMcogp m HHKHTHHa nocji© pa6oTH? 
20* Koro OHM BCTpOTHJIM BO B p©Mfl npOTy^KH? 

21* Kto B KOTO BJII 06 MJICH 3T0ft HOXIBIO? 

22* Mto ^©JiaeT By6eHii,OB b KBapTHpe y Hhkmtmho2s ? 
23* Ky#a MaprapMTa npHM©T Ey6©HH;oBa? 


~97» 


(Film Unit VIII) 



BonpooH k ( npoflojiscomio ) 

24© IIoqeMy MaprapMTa flywaeT , xito OHa conuia c yMa? 

25• Kyfla ona 3bohmt no TGJie^OHy h hto OHa 
TOBOpHT? 

26, tlTO Ha cJieflyiomH^ fleHB nponcxoflHT b 
MHCTiiTyT 0 Cojnma? 

27, Kano# pe3yjiBTaT 3KcnepHM©HTa ? 

28 © Hto cJiyqif jiocb c By6eHH;oBHM? 

29, Kan pexnccSp m penopTSp yaHaroT, b *i§m fleJio? 

30, ^TO HHKM THHa COB ©Ty© T Cfl©JiaT£ C $MJIBMOM? 


mm jfiHa? 

ByEEHnOB s 


HHMTHHA t 

BYBEHItOB : 

mm jfiHgt 

HMKHTMHA. t 

mm 


y. JHAJOrH M 3 3 HJBMA© 

I, B Mhothtvt© 

IlTO 3 TO TaKOe? 

CBepxoeKrxg THan 

/K HHM nOflXOflHT HWKHTIlHa . 
Apnafluii MnxaiiJiOBtfq/ 

B flGJIO? 

Bor TH MO $ I . 


CojiHim . 


hit# qua I 

no TOM 


I) 


ToBapwn* HiiKHTMua , of\ny iw- 
HyTOTiny! ... 

noneuy bh nponycKaeT© no- 
CTOp6HHMX B Jia6opaT6pH10? 

4©JI0 B TOM, tiro a H0 no- 
CTOpOHHM^ , H nOMOmHMK p© ** 
EMCCgpa , 


HU KUTil HA t Tgm xyme rjisz pearwccepa© 

APKAHMH MM XAfijQBUHs Kano© cM© ii iH,6a h Hejr6noQ 

h e a o paa y ni) hh© . 27 


1) a super secret gadget 2) laughable and ridiculous misunderstanding 


—93** 


(Film Unit VIII) 


















^Jicuiorn M3 (npoflojisseHMa ) 


ARM ittm i 

HMKMT MHA 8 
APKAAMft MKX«t 

HMKMTMHA : 

APMilMUX,: 

HMKMTMHA s 


APKAfl MH MMX.: 

HMKMTMHA: 

APKAAMM MMX«: 

HMKMTMHA : 
APKAll MHX» t 


HMKMTMHAI 
APKAilMM MMX.: 


noK 6 piieftfli Q npomy iipmhmtb Hama 
rjiy 6 oKMe h3bmh4hhh« 3~1 

M 3 bmhghmh npftHHTH. TQnepB bc8? 

A KapTMHa ? HeyaceJiH OHa sac He 
MHTepecyeT? 

BMflMTQ JIM, H 60 IOCB , HTO y Bac 
M3 3TOrO HMqerO HG BH^GT# 

noqewy ? 

nOTOMy MTO HMMGrO Becejioro M 
paaBjreK&TeJiBHoro 4) B mo eft 

pa60T8 HGT « H AGJiaK) cepB- 
S3HO© flGJIO, 

Ho bg#b Hama KapTMiia tos© 
cepBesHO© fl©Jio« 

BMflQJia h BamM KapTMHH! BaM 
Hy&HH H© $aKTH, a 3$$6 kTH* H 
He no kji6 HHMixa km ho . 5) 

Omghb xopomo* 

He noHMMaio, m©M y bh paflyeTGCB? 

$gjio b tom, mto, pa6oTaa Ha A 
KapTMHoM , h coctAbmji ce6e 

HGKDTOPQO nPQfl CTaBJft^ HM© 6 ) 

o Bac, M si omghb pafl , hto bh 
OK aaajiMOB 7) mmghho TaKoft, 

MT O II HG ODIM6cH « 

Bcero xopomero! 

ByflBTG 3flOpOBHl 
/Hm KMT Pina yXOflMT/ 


3) My humble apologies 4) entertaining 5) movie fan 
6) formed an impression 7) turned out 


99 


(Film Unit VIII) 
























AnaJiori! M3 (npo/jo jisqhmb ) 


ilflilfl jffHflt Hy, Ka« ona Bac ycTpaHBaeT? 8) 

APKAiIMfl MKX« t OHa npenpacHa! Tanoft OHa flOJiXHa 

6htb* M^ht© Iimohho TanoJI thii# 
Hqm 6ojn>m© Hama repoftHH 6ya©T 
noxoxa Ha HwKMTMHy, t©m jryimr©# 

8) How vd.ll she do? 


t£th n aiha t 

MEJBHHKOBf ' 

TflTH IIAIA t 
KBAH CEMEHOBKHt 

MEJBHMKOB: 

MBAH CEMEHOBim 

MEIBHKKOBl 


MBAH CEM»! 

MEJLHMKOBl 

HBAH CEM»! 


MEJLHMKOB 1 


8* KBaPTHua nr> 0 (^eccopa MeJiBHHKOBa« 

MBaH HmkoJ ia ©bmh , 3BOHMJia UpfcHa 
II©Tp6BHa* OHa npM©xaTB h© MoxeT* 

Kan h© moh©t? IIoH©My? 

H© 3Ha». CKa3ajra. 

A BOT M Hi £o6pNft B©H©p! 

Hy, np©oca . I) Kan Boerfla, 
onaaflHBa©?« 

Hy, BHHOBaT ,»• 8) 

CKaXMT©, MBaH C©mShobmh, BU Ha 

ManiMH©? 3) Hy cflejiaftT©, 

ro jiy 6gHK 4),flo6po© flejio: npH- 

B03MT© MH0 UpMHy n©T pOBHy! 

HMKMTMHy? A OHa tiTO,H© npHexaJia? 

B TOM TO M flOJ O, 5) HT O HOT# 

OHa mh© caMOwy om©hb Hy*Ha• 
PefldKIJMH 6) HHT©pecy©TOH COJI- 
HetiHHMM oroiTaMM Ceiitiao 

npHB©3y # 

HoctoMt©, a bn aflpoc 3 Ha©T©? 


1) "th© press 1 * (Ivan Sera* is a reporter) 2) I*m sorry 
3) do you have your csr?4)my dear 5) that *3 it exactly 
6) (here) the newspaper 


-100- 


(Film Unit VIII) 
























^iiajrorM mb (npo^o jisenwe 5 


MBAH OEM.? 

Heft, HMKMTMHoii? H©t , h© anaio# 

MEJULHHKOBt 

Bh, KasQTca, ee y mqhh bma©jim? 

It BAH CEM.t 

npenpacHO iiomhid# 

MEILHMKOB t 

Hto 6h OHa hm roBopHJia, XBaT&ftTe 
eg 9 TamftTe b MamftHy m B©aftT© 
ciofla • 

APKAAMft MUX.: 

3# B KHHQ-CTyflMH* 

Hya ho noKa3aT£ ©S bh^tpqhhmm I) 

MMp, tlTO-TO JlfttlEO©? 

HMKMTMH& ? 

A a, ko H© o # # # Mua^e OHa 6 yfl©T 
MaH0l4 H# # • 

APKA^MM MMX.: 

^ony cthm?^mh noKaseM b KapTMH© 

©g . # # 

HMKMTMHA. t 

Hto? 

APEAJim MMX# t 

£a„ JIio6obb HmkmTMH ofi ! 3to ma&h! 
y^gHan a© jieesl jik>6htb, Moa©T 
^k)6mtb! Xb^tmt paccyHA^TBl 4) 
.ZlaBaftT© ndnpo6y©M # # # 

K irpMM@py, cKaieM. penJiMKyf 5) 

"H Bac joo6jiio w # * # 

HMKMTMHA i 

Kan? Tan cpaay! 

APKAJHH MMX.i 

Hv, mo&ho h© cpaav..#, Bsaoxh/it© ! 6) 
B&pa re6prM©BHa # BH,no~Moeny, h© 


COBC6M ITOHHMaST© y VLT O TaKO© JII06OBB 
TaTBHHa HBaHOBisa ^pjp y Bac MaTepiidjiH o jho6bm? 
IIpMHecMT© csofla ! 

ApKaflMft Mviwb.P uioBvm. TaeT ijMTaTy o jho6bm # 

1) inner 2) personal 3) Let’s assume 4) enough theorizing! 

5) cue 6) sigh 


- 101 - 


(Film Unit VIII) 




















AnajiorM M3 $HJiBMa (npoflOJiseHM© ) 


APKAilMK MUX.: 

Bot. bot! Bo BsrjiHiie 7) yse 
mto-to ecTt. ilasaiiTe 3aKoen6M 8) 
B3TJIHfl « 

CMOTpHT© Ha M0HH M 0 6 t>HC HH^T© CB 

MH9 B JII 06 af • B HMMaHM© ! npM- 

totobmjimcb! HaxiaJiM! 

HMUKTMHA: 

H h© wory 3T0, ApnaflMii MnxaftJiOBHti J 
K CO«aJI©HHJD, flJIH M©HH 3T0 0M©HB 

T pyfl HO• 

APKAilHfi MMX. s 

Hv. Toriia noirDo6vftT© Bfipa3HTB 9> 
OBOM MyBCTBa 6©3 CJIOB. ^BHS©- 
HMHMM ... ®6cTaMM • • . 10 ) 

B3rJIHflaMM 

HMKMTMHA. t 

HTO 3 TO ? 

APKAilHK MMX. t 

Ham© BpeMH oko h^hjiocb • 

HatiMHaeTCH fl-pyran CB^MKa* II) 

HMKMTMHA. t 

MOJKHO IIOCM0Tp©T B? 

APKAZIMfc UMX.t 

MOHHO, IIOCMOTpHT 0$, 3 TO BaM 

6 yfl©T otieHB nojr^3HO, IS) 

7) expression of eyes 

6) let*s keep 9) to express 

10) gestures 

11) they*re going to start to shoot 
another scene 

12) useful 



- 102 - 


(Film Unit VIII) 
















VI, 


ITECHH 0 BECHE 


sypqdTfc 

xyn 

T&HTB 

h©hb 

6©p^3Ka 

XHM 0 JIB 

ryfl^TB 

Tpe b 5 ra 
3a^6pHH^ 
cKBOp^n; /Plur* 
A©p6ry + Dat* 


JKyp^ t i>ytifc^ # jiqtAt Jiyqfa» 

M t&bt Ji'ep, 9 m o^pflije t£©t, 

H a&k© n©HB b anp£ jibc km# A©hb 
B epe3Kofi CH6Ba CTaT b m©^t^©t, 

BecSjTHft niM© jib ryflftT b©c 6 hhjoio Tp©B6ry, 
Kpwq^T 3afl6pHH© B©CgJIH© OKBOpi^, 
KpMxidT CKBOpigl BO BC 0 KO HB;6t 

**B©ch& HflgT, b©ch 4 flop6ry! w 


- to gurgle 

- beam 

- to melt 

* stump 

- birch - tree 

• bumble-bee 

- to hum, to sound 
~ alert 


** full of mirth 


CKBOpljft/ « starling 


*» make way for 


-103- (Film Unit VIII) 















FILM UNIT II 


TANIA 

/ cbetjn# nyn> / 


«104» 


(Film Unit II) 




I 


COMMENTS TO THE FILM* 


1) This is a pre-war film directed by Alexandrov (director of "Volga- 
Volga," "Springy etc*)* The star is Liubov Orlova, his wife, who also starred 

i in many other Soviet musicals* This film is an example of clumsy, and at 
times outright silly domestic Communist propaganda* It is one of the first 
attempts of the Soviet movie industry to glorify the Stakhanovite movement* 

This film freely follows the Cinderella theme, with the heroine as Cinderella, 
the engineer as Prince Charming, and the Communist party as the Good Fairy* 

2) The Stakhanovite movement in Soviet industry started in 1935® In 
that year the coalminer Alexei Stakhanov mined a record output of 102 tons 

of coal during one shift* This feat was given enormous publicity in the press, 
and the Communist party started a large-scale campaign in support of this 
movement* Many workers in other branches of industry followed the example 
of Stakhanov* 

The usual pattern was as follows: individual workers announced 
their decision to produce above the regular "norm*" They were strongly 
supported by the local Communist cells* The increase was achieved by the 
careful organization of the production process to utilize even a split- 
second and by attaching to the Stakhanovite a group of aides to do all 
of the auxiliary work* 

The Stakhanovite movement was,first of all, a means to increase 
the productivity of workers (industry was lagging behind the production 
goals set by the party)* It also divided the workers into regular workers 
and a Stakhanovite aristocracy with much higher wages,which strongly 
supported Soviet authorities* From the point of view of Marxist theory, 
the movement was declared by Stalin as the vanguard of a new era in which 
the difference between physical and intellectual work would be abolished* 
Stalin considered the Stakhanovites as the first examples of the new 
man of Socialism* In reality, the Stakhanovite movement created a difficult 
situation in industry* The increase in quantity brought about a drastic 
decrease in quality, and the "norms" for non-Stakhanovite workers were 
raised in line with the production of the Stakhanovites* Besides, in spite 
of all the publicity in the press the whole thing was often phony* The 
film itself, is probably a result of Stakhanovite work in movies with 
traces of haste, especially at the end* 

3) The film gives an interesting behind-the-scenes glimpse into the 
administration of Soviet industry* Notice the important part played in the 
life of the factory by the woman who is the Communist party cell chairman. 

The factory director becomes immediately cooperative and even obsequious 
when she speaks to him* She is in charge of " Jhk 6©3 " (contraction 
of " BesrpaMO ®dctmJ the liquidation of illiteracy) in 

the town, and it is she who sends Tanya to school. The meeting where 
Tanya's Stakhanovite plans are discussed is the regular feature of Soviet 
everyday factory life, the meeting of the professional committee 

( 3ac0flaHMe npo$KOMa)* 

The factory director, the Party boss, the engineers, the foremen 
discuss at such meetings problems of production, personnel, etc* Notice how 


G05- 


(Film Unit IX) 



Comments to the film (Cont'd) 


the factory director, who a minute before was reluctant to accept Tanya*a 
offer, changes completely after Tanya receives the telegram from Comrade 
Molotov himself* When Tanya, after getting a cleaning job at the factory 
goes around with the list, she is gathering data about the workers little 
children for May Day presents* It is interesting to note,too, that Tanya 
lives in the dormitory which was formerly a church, closed during the 
Soviet pre-war fight against religion* Tanya*s girl friends are typical, 
unglamorized examples of ordinary Soviet girls* When Tanya is being con¬ 
gratulated for her work on many machines, one can see in the background 
"The Board of Honor" for portraits of Stakhanovites and another board 
for portraits of " yflapHHKK " (" Shock* Workers) who also everfulfill 
their "nora", but not by enough to be considered Stakhanovites * 

4) The custom of throwing a person in the air is discussed in the 
comments to the film "Musical Story," § 8* 

5) When Tanya goes to the Kremlin, together with scientists, generals 
and others, she receives a medal for her good socialistic work (notice the 
reflection of the medalxn her face as if the medal were a magic jewel)* 

In a symbolic scene before the mirror the whole idea of the film is stated; 
Soviet reality is more extraordinary than any faiiy tale* Tanya sees in the 
mirror the stages of her life: a housemaid (it is riot quite clear who her 
mistress is, but obviously in the USSR of 1930 she couldn*t be a "Capita¬ 
list exploiter"! she is probably simply the wife of some Soviet big-shot), 
a weaver, and finally the fairy-tale Cinderella who modestly retreats 
before the more fantastic reality of Tanya*s real life* 

6) Tanya, at the beginning of the film, heavily stresses her un¬ 
stressed "0*s" like a peasant girls after becoming an engineer she loses this 
accent with fairy-tale like ease* Notice also that after her first Stakha^- 
novite success, friends call her Tatiana Ivanovna (her full name plus patro¬ 
nymic), instead of Tanya, in order to show their respect* 

7) The last scenes take place at the "All-Union Agricultural Exhibition" 
which was inaugurated in 1939 in Moscow. It is a kind of national fair where 
each region has its pavillion to demonstrate the best results of its main 
branches of agriculture* It was organized by the government for propaganda 
purposes and has become a permanent institution. Scenes of this Exhibition are 
also shown in the film "They Met in Moscow." 


- 106 - 


(Film Unit IX) 


II, 


KEY WORDS AND PHRASES. 


KHC-KHC-KNC! 

CaMOBdp nOCTaBMTB 

Tnppyl 

36jiyiHKa 

cd&a 

h6mqp 

aadpoHftpoBaTB 

"Mhg Ae^a h©t" 

BOjnn66Hima 

"Oh t©6h o6ftfl©.s?" 

rpduoTHaa 

/mh©/ c6b©otho 

KypHdcan 

otfpaadBaHHan 

CTOJlftlja 

y Bao HMtiero hqt 

no^MTaTB? 

npMcd*MBailT©CB 

"3aflaqKa h© bhxoaht" 

"Hy BOT HM o t6JI©*IKO * 

wi Ito 3afl^Majiaci»? 

"IIpaSM jikct dyMarn? 

no am© T&ti ! 


- Here, kitty, kitty| 

- put on the tea kettle 

- whoaj 

- Cinderella 

- soot 

- hotel room 

- to reserve 

- That 1 a not ray business 

- the Good Fairy 

- Did he offend you? 

-literate 

- (I feel) shy 

- pug-nosed 

- educated 

- capital 

- Have you anything to read? 

« caAHTQCB 

- The problem won't com© out 
« Not the least bit 

6yMam? 


0 th AyMaemfc? 

CKO^BKO CTOHT JHWCT 
« sweepl 


»y Bac ckojibko pe6aT?®« Ck©jibko y Bao A©T©ft? 


KHBI I 


- shooj 


I07- 


(Film Unit IX) 



Key word 3 and phrases (Cont*d) 


HiiiypKft 

0Ta«6K 

^to y Bac TaM? 

HGMCnpdBHH^ 

3aoTyndGTecB 

BCTpdqa HoBoro Tofla 

M Hy vl nycTB, nyoTBl" 

"C HOBHM ro^OM, C HOBUM 
CtiaCTBQ M ro 

"He Haflo! n 

TKa^iftxa 

CT axd HO BC KO 0 fiBHE^HK© 

MftTHHr 

W H TyT HenpHtiSM 1 * 

p© k 6 pfi&i 

a6ctPfl 

CT© HH JIOMaTB 

“Haw H©T nperpdfi hh b Mop©, 
hh Ha c^ine 19 

Koivtc om6j5bcK an opraHHsdijHH 
yfidpHMKH 

rocyfidpcTBo 

6pfi©H 

M Bojm$ ©tocb ?" 

Bceco/osHaH CeJiBCKOxo3^“ 
CTBSHHaH B^CTaBKa 

fienyTdT b B©px6bhh£ Cob6t 


- shoe laces 

- machine tool (heresloom) 

- What*s the matter over there? 

- defective 

- you*re taking (her) side 

- New Year 1 8 celebration 

- Let it be that wayS 

- Happy New Year ! 

- Don*tl 

- weaver (female) 

- Stakhanovite movement 

- rally 

- I had no part in it 

- records (performance) 

- nonsense 

- to tsar down walls 

« There are no obstacles for us 
on land or sea 

« Young Communists* organization 

- "shock" workers 

the state (government) 

« medal 

« Are you excited? 

- All-Union Agricultural Exhibition 

• deputy to the Supreme Soviet 


108 ' 


(Film Unit IX) 


in* F jJEMcTByK)ME JmiiA . 


T&hh MoT>6aoBa / T aTBHHa HsaHOBHa /, ReBymva. M3 $epe bhm, 

AoMpa 66 t irnii"”, (housemaid) 

no tom TKanfrxa, no tom mhjx© Hep 

AJ ienc&ft HMKQjdoBMn JSebefleB, MHxceHep t©kctmjibho# $a6pMKH 
TaJUxfrKHH, 3aB©flyioni;Mii rocT*fHMn;©ft (hotel manager) 

X O 3 H M Ka TaHM 

H6t)oxob« AMpeicrop la6pmai 
3y6k6b, waCTep ( foreman ) 

Arm&6na * c t a pa h TKanMxa 

Manfifl CeordeBHa IXt> 6HMHa« napTdpr ( the Party organizer at the 

factory) 

CeKpeTapna AHpaKroja, cecTpa xosh^km TaHM 

KjidBa ) 

Map^cn ) no^pyrn TaHM 

Bdpn ) 

Kf-pMKOB * ud C T©P 

KPATKOE CQUEPJKAHHE. 

TaHH Mopososa, AeBynma M3 flepesHM, pa6oTa©T #OMpa66T~ 
nun;©# ( housemaid ) b Ma jiqhbkom ropo&e b 1930 r. Eg xcsHMKa 
HMBgT B rOOTMHMH© "MaJIK# PpaHfl 0 T& JIB ** » 3aB©flyK)mHK 0T6JI©II 
yxaiHBaeT (courts ) 33, Tan©#* B ropGflOK npne3Ha©T MOJiofloft 
MHieHep J66©A©B padoTaTB Ha t©kctmjibho^ $a6pMK©. Oh ocTa- 
HaBJiMaaeT ch b roc tmhmh© m BCTpenaeTCH c TaHeft. Oh Ha3HBa©T 
ee 36jiyiiiKOM (Cinderella )• TaHH Bjno6jiAeT ch b Hero* 

X0 3HMK8 TaHM TOS6 Hpa BM TCH MOJIOflOK MH&©H©p ♦ 

HapTdpp ( the local party boss ) Mapnn CepreeBHa ysHaeT, 
HTO TaHH H© JM©©T ^IMTaTB M ITHC aT B 9 PI nOCHJia©T ©e B nrKOJiy* 


109- 


(Film Unit IX) 












KpaTKOG coflepsaHHe (npoflOJiffleHii© ) 

TaHH ynHTCH Jiytime bc©x* Xo3HiiKa peBH^eT ( is jealous ) k TaH0 
h BHroHHeT ©6 (throws out ) . IlapTopr nocHJiaeT Tamo pado- 

TaTB Ha (JadpPiKy. Tam? pa doa-aeT yddpmnn;©# (cleaning woman) 
h iMBeT c flpyrHMH /(© ByiuKa mh b o6 m;© emtiim « OHa xo^©t 6htb 
TK anrfxoft ( a weaver ) h mhoto yn pitch • Hano Hen; ona nojiynaeT 
padoTy TKaqwxM . Ho nepBH# fleiiB padoTH KoiraaeTCH Heyfla^HO 
( in a failure ) • MacTep flagT eft ruioxoft TKan;KMft OTaH6K (loom) 

a no tom aajiyeTCH, tjto oh a h© yM©©T padoTaTB# 

B 3Ty hohb b $adpMHHOM luiyde BCTpe^aioT HoBHft rofl* 

Taw dojiBnioft 6a ji Ha JiBfly. Tann ch#ht Ha CKaMeftne nepefl 
KJiydOM# Ee HaxoflHT ledefleB, pa3T0BappiBa©T c H©ft,TaHijyeT 
h HaKOHen; njenyeT ©8* Tana yderaeT m nja qeT, OHa flyMaeT,HTO 
Mesfly hmmh cjihuikom dojiBnian pa3 h pma t oh hhjk©h©p, a OHa 
npocTan padoTHwna* 

B ra3QT© n npaBfla" mnnyT o Hanajie cTax&HOBCKoro abh- 
h6hmh ( Stakhanovite movement ) • 

TaHH xoneT CTaTB CTax&HOBKoft ( female Stakhanovite ) 

OHa nmneT iihcbmo MojroTOBy, hto moxho padoTaTB cpaay Ha 
16 cTaHKax« Ho KOHcepBaTftBHHft #Hpe kt op He no3BOJiH©T eft. 
^MpeKTop npoTPiB TaHH, a 3a h© 8 - riapTopr* m4ct©p h hh~ 
atenep Jed©fl©B* Kor#a ohm cn6pHT f TaHH nojiyxiaeT Ten©** 
rpaMMy H3 KpeMJift: ot MojiOTOBa, r#e Mojtotob no a^paBJiHeT 
TaHBo c ycndxoM* /(Hp© kt op, kohqtiho, TenepB bcS nosBOJineT* 
Tan© flaioT HOByto KBapTHpy « OHa padoTaeT CHanajia Ha 30 


-IIO- 


(Film Unit IX) 


KpaTKO© oo ^©pacaHM© (npo&o jixqhh© ) 

m na kg non Ha 150 CTannax. IIocJieAHPrii 3 koii©phm6ht koh- 
r 4a9T0H ycnexoM, ho TaHH hh Taer b rasoTe* ^to flpyran 
TKa^Mxa padoTaeT Ha 800 cTannax m n.naq©T ot tofo* *it© h© 
ona n©pBan cA©jrajia 3 to • Mapm Cepreesna pyr&eT (scolds) 

@e aa aroftau u rosopiiT p hto OHa rqju&k a pa/tosaTBCH t no- 
to my hto bc© padoTaioT h© rjir c©6n f a ajih roey#&pcTBa* 

TaHH ©fl©T b MocKBy b KpoMJiB nojiynaTB opflen (medal) 
sa cbok) GTaxaHOBCKyro pa6oTy« OHa CTaHOBMTCH mhjk©h©pom 
m flerxyT&TOM b B©px6bhh^ Cob6t. 

B ko hii© (J)HJiBMa ona bct p© qa©T ch c J©6©fl©BNM* kotophM 
T©nepB flHpeKTop <£a6pMKsi h toi© mm©©t op^eH# 

TaHH BHXOflMT 3a Hero 3aMyx 0 

iy . BOnPOCH K SHJLMy. 

I* Pfl© CHaqajra paOoTaeT TaHH? 

8 * OTKy^a OHa? 

3 • KaKyio pa6oTy OHa flenaeT y X03h^kh? 

4« Kto Tano^i Je6e#©B m KaK oh BCTp©qa©TCH 
c TaH©#? 

5 • Kan TaHH nona#a©T b lunojiy? 

6« IIoq©My TaHH TepneT pa 6oTy y X03 h^kji? 

7 • Tfl© OHa pa6oTa©T nocne 3Toro? 

8» PIto OHa TaM cHaqaJia A©Jia©T? 

9« Tfl© TaHH TenepB smbSt? 

10* K©m ona xohgt cTaTB m hto OHa Ann otofo 
flejiaeT? 


-III- 


(Film Unit IX) 




BonpOCH K JIB My (npOflOJIH0HMe ) 

II* IIOHGMy nepBHM aghb ©8 patfoTH Ha ct aHKe 
KOH^aeTCH HeyflaHHO? 

12* HTO B 3Ty HOHB npOHCXOflMT B KJiy6©? 

13* Kan ona BCTpenaeTCH c J[ 06 efl©BHM B aTy hohb? 
14. IIOHGMy OHa xuraneT? 

15 . PaCCKa»HT0 , HTO TaKO© CTaXaHOBOKO© flBM»0HH0 ? 

16. KoMy TaHH nmn© t hmcbmo m xrro ona mm©T? 

17. ^to flyMa©T flnpeKTop o eg nJiaH©? 

18. Kto aamwmaeT Tanio? 

19. ^TO KOHqaGT MX flMC Ky C C HK>? 

20. *Ito mmreT Mojiotob b TGJierpaMMe? 

21. ^ITO TaHH rOBDpHT Ha MHTMHre? 

22. Kyfla TaHH ©a©t c BemaMU? 

23. lion© My JiOMaiOT ctghh he $a6pnK©? 

24. PaccKajKHT© , kek Tana paOoTajia Ha 150 OTaHKax? 

25. non ©My ona nocjre stoto iuraneT flOMa? 

26. ^to eft roBopuT Mapwn C©prG©BHa? 

27. 3atjQM Tehh g^gt b MocKBy? 

28. *lTO OHa BMflMT B S^pKaJIG? 

29. Keu CTajia TaHH Hopes hgckojibko jigt? 

30. ^[to TenepB #©JiaeT JletfeflGB? 

31. Kan m r^o ohm bctp©heiotch 7 

32. *I0M KOHHaGTCH C&MJIBM? 

33. Kto TaKan Sojiymna? 


*112 


(Film Unit IX) 


BonpOCH I< (npOflOJIK0IIH0 ) 


34. PaocKaaiiTo 3Ty cKasny. 

35* Htq bh MO3S0T© CKaaaTB o coBGTCKoii 3oJiyinKG? 

y * ilHAJIOrM M3 SMJLMA. 

I * yTPQ. PaflHQ„ 

BHMMaHK© • FoBOpMT Mockbe* IIhtb qacoB yTpa no 
MOCKOBCKQMy BpeM©H m• 4o6poe yTpo, TOBapMD^H« npMro~ 
tobmjimcb • . * HaqaJiM! 




S. Ha JiecTHMixe b rocTKiime* 

MAPMH 

CEPPEEBHA? 

Bh tjTO s mo Vl hom©p ho npn- 
6Mpd©T©? I) 

TAHH? 


A h b roc tiihmk,© h© pa6o*raso« H 
y mo eft xobhIikm pa6oTaio« 

MAPIH 

CEPrEEBHA? 

Th hto m 9 ^©pes^HCKaH? 

TAHHs 


Ara 0 

MAPMH 

CEPrEEBHA t 

rpdMQTHEH? 

TAHHS 


Hot* 

MAPMH 

CEPrEEBHA ? 

Hto a th h© yqHiEBCH? 

TAHHS 


C6b0cthd * 

MAPMH 

CEPPEEBHAS 

Hero cobqctho? 

TAHHs 


4a Ky^a h noft^y y^htbch? 

MAPHH 

CEPrEEBHA t 

XoqeinB h tg(5h Btiyqy? 

TAHHS 


Th tjTO s* Bcex ont3aH0Ji4©niB b 

MAPHH 

CEPPEEBHA: 

Hy* ho Bcex., 4 A bo t koto pH© 
KypHdcH©, t© x Mory onpa£©Ji&TB 


1) to clean 

2) sa no c Hit a 0 dib b niKOjry 


-313- 


(Film Unit IX) 



















^MaJiorw M3 (npoflonKeane) 


3 • C Ka Me mK a neoe/i kjiy6oM j, 


JIEEEJEB; 

TaHH! Bh hto Ty t fl©Jia©T©? 

TAH 515 

^ohAtdb Katjatjno, I) 

IEEEHEB: 

Ara. Mokho c Ba mh nocMfleTt? 

TAHH* 

Hy hto s, cKaMeMKa y m©hh 

H© K^IIJI© HHaH • 2) 

JIEEE.AEB j 

Tan* 

TAHHs 

Em§ Hero 0KaE©T©? 

JEEE.flEBa 

y Bac m b rocTMHim© TaKM© rjiaaa 
6hjih? 

TAHHS 

H©t t a to um Ha dba6pKK© BHitajHL.3 

JIEEEHEB: 

Ha cpadpnK© BaM m xapaKTep 

Apyroii flajiw. 

JEBEHEB: 

C Hobum ToflOM , TaHH I 

TAHtfg 

C HOBHM CHaCT B0M! 

JttetfejieB nejiteT 4) Taaio* Ona v6©ra©T ot Hero 
h o nJianeM npnderaeT b o6m©»MTH© 0 

noiipyrA * 

TaHH « TH H TO 3 TO ? 5) 


Hto 0 T0 6o&? 

TAHHs /nJianeT/ 

Oh..* Oh mohh noije jiob4ji « 

no npyTA j 

A oh-to t© 6© Hpa butch 7 

TAH 51 s 

KOHQHHO, HpaBMTOHl 

noAPyrAj 

Tan Hero x t©6©. flVpSxe. 


©m8 HYXHOl? 6) 

TAHHi 

Oh*h©66 ob , 7) hhk©h©p .o6r>a36~ 

BaHHUM H© JIOB ©K , a H KTO? 

1) I*an guarding a lamp-post 
3) It was issued 

2) He moh CKaMeMKa (h ©8 h© 

KynMJia) . 


4) kisses 5) what*s the matter with you? 6) what else do you need, 
7) you know you fool? 


- 114 - 


(Film Unit IX) 





























yi. IIECHH # 

B CTapoft CKaaKe roBOpHTCH 
npp I) b o Jiin 4 6 Hue e ja i 
Rvum™ 6hui if 3) flee cecTpMUH # 
Tp© tbh 36jiyniKa 6njia* 


1) « 0 2) magic 

3) once upon a time there lived 


- 115 - 






FILM UNIT X 


VILLAGE TEACHER 

/ CEIBCKAH y^HTEJIBHimA / 


•* 116 - 


(Film Unit X) 



I* COMMITS TO THE FILM* 


1) Tills film was released in 1947* It shows the career of an out** 
standing Soviet teacher* The main aim of the film is to contrast pre-Revo- 
lutionary Russia with the USSR, The comparison is, of course, in favor of 
the latter* The teacher starts her career in a remote, dirty, Siberian 
village where peasants live the life of savages: at the end of the film 
the same village is already a clean city with a small palace for a school* 
Before the Revolution, the way to higher education for peasants was closed, 
under the Soviets, the possibilities for them are unlimited * The war of 
1914 Is pictured as a meaningless massacre, while the War of 1941 - 45 
is filled with patriotism and high purpose* 

2) Both parts of the contrast are grossly exaggerated* Sometimes the 
situations shown in the film are completely false. The story of Prov, a 
brilliant boy hho successfully passed the exams at the city high school but 
was not admitted because of his peasant origin, is not plausible* On the 
other hand, almost everybody during the Soviet regime, gets a government 
medal sooner or later (even the janitor, who,nevertheless, remains a janitor)* 

3) The main part is played by one of the best actresses of the modern 
Russian theater. Miss Maretskaya* However, there i3 not much to play in 

it, and even Maretskaya cannot make a success out of nothing* 

4) The beginning of the film takes place in Petersburg* Many famous 
places in that city are shown, among them St. Isaac 1 3 cathedral, the canals, 
the Fortress of St Peter and Paul, Admiralty, and the monuments to 
Nicholas I and Peter I* While passing the monuments , the hero recites 
lines from Pushkin* s poem "The Bronze Rider o'’ 

5) At the graduation ball, the heroine sings the popular song 
"During the Ball," by Tchaikovsky* This melody is played throughout 
the entire film* 

6) The peasants in the village pronounce Russian words with a 
clear "O'" in an unstressed position* The pupil, Prov, even when he becomes 
a professor of geology, retains hi3 provincial " 6KanBe " (clear 
pronunciation of 0 in an unstressed position)* The speech of the peasants 
is generally in dialect and filled with proverbial expressions* 

7) The use of the exclamation "It*s Bitter" during the wedding is 
explained in the comments to the film "The Lucky Bride", § 6* 


- 117* 


(Film Unit X) 





II. 


KEY WORDS AND PHRASES, 


Bn ooBceM BspocJiaH 
Mh noxofiii xapai<TGpaMM 
yn pi Man 

AOdpOBOJIBHO 
we ut aT b 

ot tjfocToro cepflrp. 

"ByfleTe 6naTB no-cwdlipc km 

"Ecjim 6 fleBymia co rJia cwJiacB 
WTB flojirw© rojpj® 

,f Hafl©9IEBCfl? n 

TOIlilTB 

BOpTMTCH 

w noqeMy HWKTO H© 3aCT#TII!TCJI ?" 

"Btopo 6©3o6pdL3na h© no3BOJiK)" 

w Pa3roBapiiBaTB co cTap nhmm 
HystHO cToa" 

rpaMOTHHii 

M36a odBaJu&JiacB 

"Bot 3to no-Haniewy* 

H 0 po6^il 

otm&tkh 

cnood 6 hhJi 
cc&MKa 


- You are quite grown-up 
-We have similar characters 

- stubborn 

- voluntarily 

- to dream 

- with a pure heart 

- You will 3tross 0*3 like 
Siberians 

- If the girl agreed to wait 
long time 

- You still have hope? 

- to heat (a room) 

- it spins 

- Why doean*t anyone step in 
and help? 

- I won*t permit such a disprder 

- When you speak with your elders 
you must rise 

- literate 

- the roof caved in 

- That's our way! Now she io 
one of usj 

- don't be bashful 
« grades 

- talented 

- exile 


118 


(Film Unit X) 



Key words and phrases (cont*d) 


"3T M9HH KOHHHJ1CH Cp OK 
CCHJIKI1 n 


I’ve finished my term in 
exile 


»y Hero OTD;a yOHJiM* 


-His father Was killed 


nepQMOna 


CB03fl 


- change; recess (the janitor makes 

a pun upon this word*When asked if 
he interrupted the class for 
"nepeMena® (recess), he saysj n ^af 
nepeMGHa n meaning change of 
government )* 

Congress 


”MH emS yflMBflM MH P » _ We , u a3tonish the world som9 day 

P&H6H B 6ok> - wounded in battle 


3 apo 3 aTB 


- to kill with a knife 


KaKfiuM 
npo63^0M 
C 0*1 Hill Hlie 

w 2HHTB 3 HaHM T CJiy»HTB 
p6flHH© * 


- What brings you here? 

- on (ray) way 

- composition 

- To live means to serve one*s 
fatherland 


6pn 0 h JtteHHEa 


— The Order of Lenin 


3flop6so ! 


- hij 


III* HEIlCTByDmPiE JIHIIA. 

Bapadpa Bac^jBeBiia /B&pQHBKa /, y hht qji bh saga 

Cep r ^fi Jm^tpmqbk 1 ? MapTti hob « CTyzjeHT, noTOM Mys BapenBKH, 

KOMHCC&p* 

MdmeHBKa . cecTpa MapT&HOBa 

Er6p neTp6BHH« dik6jibhum cT6poa ( janitor ) 

B6pOHOB # KpeCTBHHMH 


-119- 


(Film Unit X) 








J\ei icTByiomiie jnnja (npofloji xeHJ© ) 

npo B, ero chh , ytieHMK , noTOM npo(£eccop reo.a6rnM 

( professor of geology ) 

JlfrHH 0cTp6r o Ba, yneHima, no tom ynuT oJibHMija 
EfrKOB^ 6oraTHft KpecTtn hhh 
Ero chh 

HanaJiBHHrija a^HCKoro HHCTwrfm (the director of the girl school) 
^Ba cHDJjHKa (two police agents) 

KPATKOE CO/IEPKAHHE . 

BunycKHOfi 6a ji ( graduation ball ) b »6hckom mhctk- 
TyT« b ropofle n©T©p6ypr© *0 p©bo jtioijhh .#©ByinKM MetjTaioT o 

SH3HH , KOTOpyK) OHM T©n©pi> HHMHyTo BipeHbKH XOqeT yMMTb 
KpecTBHHCKMX fl©T®&# Ha 6aJiy oh a BCTponaeTOH oo QTyflQHTOii 
Map-rtf ho bhm, 6paTOM ©8 noapyrw MameHbKM. Oh p©bojiidijhoh$p » 
m ©a hum Ha6jnofla©T no jihijhh ©Ohm bjix>6jihiotoh flpyr b flpyra 
m xotht z© hmtbqh p ho MapTHHOBa ap©oTOBHBaioT nepGfl oauoft 
CBaflB6o& (wedding )*Bap©HBKa ©&©t b asm &Kyio 0M6MpcKyx) 
fl©p©BHK). E8 b©3 8t bikoju>hh& ©T^pox (janitor ) Er6p II©- 
Tp6BMH . Oh ©ft TOBOpHT, MTO B flepeBH© H0 Hy XHH yqMT©JW f 
a HyxHH pa6oTHHm • Ha ho bom ii© ct © y n ht qji bHHija OHanaxa 
BCTpeHaeT MHOrO Tptf#HOCT©ft* H©KQTppH© Kp©C~TBHH© h© xotht 
nocHJiaTb fl©T©ft b mvo jry # IlBHHHft kp©otbhhhh 6je>8t (beats ) 
cbobo *©Hy Ha yjiHije, yxsiTejjbHM^a ocTaHaBJiMBaeT ©ro* Chh 
•Toro KpeCTBHHHHa, HpOB , nQTOM OJCaSHBa©TCH 0*40 Hb cno- 
o66hhm yxieHMKOM* Kor#a odsaa^Jiaci, ( caved in ) ua6a y 

-IBO- 


(Fila Unit X) 




KpaTKoe co^epjKaHMe (npoAOjmeHii©) 

06 yqQHMip ^yHM, Bapen LKa HfleT B rOCTM K 6 oraTOMy Kp©~ 
OTBHHHHy m Haqii HaeT c 6 op ( collection ) a©h©p Ha ho By© 

M 3 6 y e OHa yroBapHBaeT Hposa flepxaTB anaaMeH b ropofl- 
onyro nwHaamo ( secondary school ) • IIpoB oqeHB xoponio cfla^T 
9 K 3 aM 0 H, ho ero h© npMHHMa©T, no TOMy hto oh kp©ctbhhhh. 

OAHaa^H bo bp©mh ypona k BapeHBK© npiixo^HT MapTH- 
hob j, y KOToporo koh^hjich cpoK cc6jikm ( term of exile ) 

Ohm xoHflTCfl, ho b nepByro hohb nocjie cb^ab6h ©n? on«TB 
ap©OTy©T. HanKHaeTCH BO>ma I9I4-ro rofla, no tom $©BpajiB« 
cnafl p©boji©h;hh® MapTHHOB onflT b npneaxaeT b a©P©bh© k 
x6He« Oh TenepB 6ojiBineBHK w bm©ct© c Iqhhhhm totobht 
0KT«6pBOKy© peso ji©ii;h©® Oh ©a©t b n©T©p6ypp Ha nap~ 
tm^hh# obssa* BapBapa BacH jibobh a npoAO-nxaeT ocTaBaTBCH 
cejiBCKOxf yqMTeJTBHime^* Bo BpeMH rpaxflaHCKoH bo ii hh e§ 
yyx, kotophm Tenepfc cjiyxHT kommcc&pom b KpacHoft Apmmm* 
paHeH b 6o»« CoJiflaT npuBO 3 mt ero b a©P©bh© k BapBape 
BacHJiB©BH© « MapTHHOB yMMpaeT® B flepeBH© HanwHaeTCH 
KQ JIJ 1 © KTMBK3«tHHK • ByKOB M flpyrH© KyJiaK^ XOTflT y6HTB yqH- 
t©jibhH uy h cietiB mKOJiy®CHH BynoBa coo6m£eT ( informs ) 

©ft 06 a tom m OHa caMa ha© t k KyjiaK&M. E§ cnacaeT ( saves ) 
KpecT bhhmh B6poHOB. BpeMH BapBapa BacMJiBeBHa yxe 

CTapaa yqwTeJiBHJma.* M^JieHBKoe c©ji 6 cTajio roposow, a 
mKOJia TenepB - 6ojiBino© MHorooTascHoe sflanwe « B Heii pa™ 
6oTa©T yqMTeJiBHnn,©M TaKxe d^Bnian ( former ) yqeHima Bap* 
Bapa BacMJIB 0 BHH *",Z^yHH • B ropoA npnesaaeT Apyroft 6£bihhm 


181 - (Film Unit X) 


KpaTKO© coflepacaHMe (npoflo Ji&eHKe) 

ytieHMK BapBapa BacmiBeBHK-npoB ? KQTopnft TenepB npofteccop 
reojioruK® y^eHMKH BapBapa BacMABQBHH xotht oahh pa3 b rofl 
co6iipaTBCH y H©g, Ho na^iMHaeTcn BTopan MHpoBaji Boftna* Bo 
Bpo mh bo Pa hk Bapsapa BacpuiB©BHa npoAOJisaeT 6 htb yHHTejrB- 
hmx*©&* Ot cbohx 6&bihiix y^ieHMKOB ona nojiyqaeT nwcBMa oo bogx 
kohd;ob ot pa h h • OAHasflH yTpoM OHa cahuiht no paflwo, uto 
C0B6TCK0© npa Bpf t©jibc tbo HarpaflHJio ( awarded ) eg opfleHOM 
JleHMHa * Korfla BoitHa KOHtiaeTca , na BHnycKHO# daji b ©g 
mKOjie c&©3ataK>TCH ©g dHEniwe ytjeHHKM OTOBciofly# 

IY. BOnPOCH K c&KJtM7 1 
I* K©m dnjia BapenBKa B IleTepdypr©? 

8. Ftf© OHa BOTpOTHJiaCB 0 MapTHHOBHM? 

3 • Kto TaKoft MapTHHOB? 

4* K©m xoh©t 6htb BapeHBKa? 

5* nonewy ona xohqt exaTB b a©P@bhio? 

6 * Hto MapTHHOB h BapeHBKa fleJmioT nocjie dajia? 

7* IIoneMy BapeHBK© h© y^agTca bhSth aawy«? 

8• KaK BCTpenaioT ynuTejiBHimy b a®P©bh©? 

9* riQ^ewy KpecTBHH© h© noonjiaioT A©T©ii b HKOJiy? 

10® Paooi<aicHT© anwadA c hbhhhm kp©ctbhhmhom• 

II* Hto ojiytjM jiocb b c©mb© ^ynn? 

18* Kan yqnT©ji BH5im noMorAa mm? 

13* notieiiy doraTKft kpoctbhhmh zze t a©hbph? 

14* Kto caMHft Jiymmm ynemiK Bapsa pH Bacn ab©bkh? 


- 182 - 


(Piljit Unit X) 




Bonpocn k cIEm JiBMy (npoflow© iim© ) 

15. ^to ona coB©Ty ©t ©My floJiaTB? 

16* no^ewy Ilpona He npMHMMaioT b mMHa 3Hio? 

17. Kto npneasaeT k Bapsape Bacn jib©bh©? 

18. IlOH©My oh npwexaja? 

19. *Ito c jiyxiM jiocb nocjie cBa#B6H? 

20. ^to bckop© nocji© 3Toro npowaoinjio b ct paH©? 

21. Kan ohhtb BCTpeuaioTCH Bap©HBKa h MapTHHOB? 

22. Kto oh TeriepB u Kyfta. oh ©agt? 

23. Kan BapBapa BacjuteBHa BCTpenaeTCH c mvsqm 
b nocaieflHMii pa 3? 

24. Kan ona y3HaST, hto ©6 xotht y6HTB? 

25. *Ito ona Tor^a fleJiaeT? 

26. Kto cnacaeT ©8? 

27* KaK H8MGH MJIHCB ft © p© BHfl H JTIKOJia nocjie 
po BO JHOIJHM? 

28. ^to T©nepB fleJiaeT ytiemma Bapsapu Bacn jib©bhh 
/ lyHH? 

29. Keif CTaji ee yy©HMK IIpOB ? 

30. ^to co6npaioTCH fl©JiaTB KasflHM rofl ©g 
6HBUIH0 ytieHMKH? 

31. ^to HaHHHa ©t ch b 1941 rojty? 

32. ^To A©Jia©T BapBapa BacoB© bh a bo Bpewn bomhh? 

33 . ^to ona cjihuiht no pa/pio? 

34. ^©li KOHtiaQTCfl (&MJIBM? 


123 


(Film Unit X) 


y. MAJoni vq mihm 


MAPTHHOB t 

BAPEHBKA 1 

MAPTHHOBx 

BAPEHBKA x 

MAPTHHOB: 

BAPEHBKA X 

MAPTHHOB ; 

1) attentively 
U) Oh, come now 

MAPTHHOB x 

BAPEHBKA X 

MAPTHHOB t 

BAPEHBKA x 

1) criticized 


I. Ha 6aJiv. 

3flpaBCTByiiTe f BdpeHBKa! 

3flpaBCTBy#T©, Cepr^tf! Hto bh Ha 
Me hh TaK rrpftcT a jib ho I) cmotphtq? 

KaTH cKasajia, hto mm c Baun 
noxoatu 2) xapaKTepaMH. OHa 
roBopHT, uto bh TaKafl xe, KaK 
h,“ ynpHMaa* 

Moxgt 6htb # 

H 3Haio, bh e#eT© b flepeBH» 
yaJiTejiBOTBOBaTB* 

Bh pa3Be tox© 3 Ha ©to? . 

OcyiM 6TQ? 3) 

Htq bh! 4 ) Baum H a M6pemiH 
6jiarop6nHH 1 ... sj 


similar 3) disapprove 
5) Your intentions are noble 

2 • Ha (Sajiv. 

Kan bh xopomo nejiKl 

A MauieHBKa 6pa nftjiac©, I) 

^to a iijioxo rioio* 

Hto bh! ... Bh t h o g) 

nejm!.*. (CodHpaioTCH 

flOMOil), 

M KaK BH pesraeTecB exaTB b Cm6hp*,?! 
A paaBe Taw ruioxo? 


2) amazingly well 


-124- (Film Unit X) 

























/JuajiorM M3 $mjibm& (npoAOJi^eHMe ) 


MAPTHHOB: 

6APEHLKA t 


MAPTHHOB 2 


3) to exile 4) Ham 
5) serious crimes 

7) necessarily 
9 ) MH© HpaBMTCH 

EPOPl 
BAPEHBKAt 

EPOPg 

BAPEHBMS 

EPOPg 
BAPEHBKA 2 


H©t , otmgpo s© ! B©ab Ty#a ccHJiaioT 3) 
Hamero 6paTa 4) 3a t&ekmg rr>ex^» 5) 

A m flo6pon5 jibho • 3naMMT, bh 
cm JiBHaa. 

Hgt , mto bh! TaM omghb hyjkhh ytjH- 
TGJIH. M HMKTO Tyfla H© XOMGT . A fl 
MGMTaio. H 6yay ynMTB a©t©&. Bh 
3HaGTG, MH© KaxeTCfl, © C JIM H©~ 

JiOBeKy flojiro bhyhiAtb xopomee 6) 
m ^©JiaT b 3to ot MMCTOPO CepAPa, 
to Jiio6oft, flaac© caMHM mioxofi 
HGJI OB ©K 9 n©p©M©HMTCH « TOJIBKO 
HaflO Hen p © M^HHO 7) ot mmctoto 
cepflua • H© cm eii Te cbI 

H h© cmgiocb • Banra y6eaA§HHOCTB 8) 

MHe no ayme« 9) 


6paT (idiom) B peon!© like us 

6) to teach better things 
8) conviction 


3 « B uiKOJie* 

OfluaKo, Hafl©©niBCH? 

HafleiocB© 

Hy, HafleiiCH f HaflePicsI TonnTB,qTO 

JIM? 

Toiih* 

A, MD3K6T, He TOIIMTB? 

Erop IleTpoBMti! Kaacflo© yTpo th 
6yfleiuB toiimtb xi©hb« H otmqhio I) 
cBoe pac n opHKeHMe ^TQJiBKO b TpSx 
cjiynanx: Kor.ua He 6 yA©T apob, 

Kor^a HacTaHQ T 3) Becna mjim Kor^a* 

.a© Aaft Bor, cropMT mKOJia* 


1) cancel 2) ** npMKaa 

3)«npMA^T 


- 125 - 


(Film Unit X) 

























flMaJIorH M3 $MJI£Ma (npOflOJIH©HM© ) 


ErOP: 

BA PEH LKA i 


ETOPl 


/6e pST b py km rjiotfyc/ 3 to uto xe 
3a niTyna 4) Tanaa? 

3TO f Erop IleTpoBira, iMo6yo* 
Kaotipag^HM© 5) iuiaH ©tbi Hameft - 
3©MJm*""TH 3Ha©niB, aTO 3 qmjih 
H auia b©ptmtoh? 

M Kyfla m oh a b©ptmtoh? 


4) thing 5) representation 


* 


4. nepBH^t vp o k BaPBapH Bacmh- 

9BHH > 

BAPEHLKA t Tlpegfl© Bcero, fl©TH, a no3flpaBJiHK) 

Sao c HaaajiOM 3aHHTH$ • C c©~ 
roflHanrHero flag bh h© npooTO 
Ma JlhVlM HIKH M fl©BaOHKHt BH - 

yaeHMKM« Bh Hat^MTeoB aHTaTfc, 
nnoaTB, oaMTaTB l bh 6yfl©T© rpa- 

MOTHHWJ! • 

H paooKaxy Ban noaewy fl©Hj> qmq- 

HHQT I) HOab; KTO XHBST 3a 

MopaMM; noaewy fly ©t b©t©p; Kyfla 
T©KyT p©kh; a Hayay Bao weaTaTt •• 


1) follows 












FILM UNIT XX 


VOLGA-VOLGA 
/ BOJirA - BOJirA / 


( 


127 < 


(Film Unit XI) 



I 


COMMENTS TO THE FILM* 


1) This is a pre-war musical-comedy released in 1938* The film was 
directed by the famous Soviet director, Alexandrov, director of “Tanya," 

“The Spring," etc*, and, as is usual with his films, stars his wife, 

Liubov Orlova* The music for the film was composed by the Soviet “Irving 
Berlin," Dunayevsky and the lyrics by the Soviet "Oscar Hammerstein," 
Lebedev-Kuraach* This film was a great favorite of Stalin* 

2) Th© action starts in a typical small town in the Ural Region* Notice 
the primitive ferryboat and telephone, and the lack of a public water supply# 
The major industry of the town is the manufacture of musical instruments# 
Byvalov, the"villain" of the piece, is the director of the small handi¬ 
crafts industry ( KyoTnpou ) for the region* 

3) The part of Byvalov is played by Ilyinsky, a leading Soviet actor 
both on the stage and on the screen* He is a master of the techniques of 
his craft and was starred in many of the early Soviet movies in the 20 f s* 

He is very popular with the public in the USSR* The part of Etyvalov is a 
caricature of minor Communist officials. Such officials are assigned by 
the party to supervise activities with which in many cases they have no 
technical acquaintance. Thus Byvalov is in charge of production of 
musical instruments and is completely ignorant of music* Notice how in 
the film he constantly mispronounces the name cf the composer Schubert as 
Schulbert* His speech is filled with newspaper cliches and stock party 
phrases* This type of satire is common in Soviet life in movies and perio¬ 
dicals* However the criticism is always directed at minor officials and 
never at important officials or at the Communist party line. It appears 
near the end of the film that the producer feared that his criticism was 
too strong, for he inserts a line into the final song to the effect that 
people like Byvalov are seldom found* 

4) During the period in which this film was made, the Soviet 
government experimented with a six-day week* Thus to show the passage of 
time the phrase “first day of the six-day week" (shestidnyAvka) is used* 

5) The film shows a movement which was very-strongly supported by 
the government at that time, the “ caMOflQHTeJiBHOCXb" or seif-acti¬ 
vities movement* Through this movement people were encouraged to join 
"circles" for leisure-time activities, such as dramatics, painting,singing, 
etc# Local competitions for these amateurs were held, followed by regional 
competitions for the winners, culminating in a national Olympiad of Arti¬ 
stic Self-activities. In the picture two circles are shown, a classical- 
music - and a folk-music group. Both groups go to Moscow to participate in 
the Olympiad. 

6) The town in the Urals is located on an unnamed stream. The trip 
on the river (interestingly enough on an American river steamboat) takes 
them down the Chusovaya and Kama Rivers to the Volga and then up the 
Volga to the Moscow Sea and through the Moscow-Volga Canal to the capital. 
The Moscow canal and the newly created Moscow Sea were two of the proudest 


- 128 - 


(Film Unit XI) 



Comments to the film (cont*d) 

accomplishments of the Soviet regime during that period. Note how the film 
shows the newest types of steamboats, a barge with new cars, speed boats, 
and even a new dirigible during the passage to Moscow# 

7) In the early scene showing the heroine in the village on her 
bycicle, she tries to convince Byvalov that her “circle 1 * possesses 
talented people* In order to show him what they can do, she herself per¬ 
forms# She sings an aria from “Eugene Onegin 1 * by Tchaikovsky, dances a 
Georgian folk-dance the " JiearftHKa^ and recites from the ’'Demon* 5 by 
Lermontov* Byvalov does not understand the poem and thinks it may be 
subversive and directed towards him* 

8) There are several Russian puns in the film# An example is when 

Byvalov is asked near the end of the film " Bh ?" 

This verb may mean either compose or invent in the sense of make-up 
a story# Not realizing that he was asked whether he composed the song,he 
answers **No, I haven*t made up anything.'* 


•129* 


(Film Unit XI) 




II 


KEY WORDS AND PHRASES, 


nwc£MOH6cima a noMTaaiBdH 

ctj©TOBc5fl - bookkeeper 

TeJierpaMMa-M© jihms - urgent wire 

KyoTnp6M (the contraction of 

KycTapnan npoMHUUieHHOCTB)- Administration for the 


no a Bammi pyKoedACTBOM 

w IIpOOTO XOtJQTOH psaT £ H 
Me T^TB 19 

"KasAyro mm Hy tj ^Ay BH3 0Ba* 

MCnOJIH^T£ BO© TBOM S©JldHMH 
"Th odfiAe^aoB?® 

SaHMMaT BCH HyCTHK^MM 

m&ccobo© npoHBBd aotbo 

OOMMH&TB 

Kpys6n 

epyHA^ 

BOflOBtS 3 
nap6M saoTp^Ji 
Tnppy! 

xyA^KQCTBenHas caMO- 
A^HTOJ! BHOCT & 

COBepM^HH© ©eKp^THO 

COpeBHOBdHM© 

OTO$”TCTBH© 

H noses# 


Handicraft Industry 

- under your leadership 

- I am so mad I simply want to 
throw things 

- I am expecting a call any minute 

- to fulfill all your wishes 

- Are you offended? 

• to busy oneself with trifles 

• mass production 

« to compose (a song, a novel etc#) 

- circle 

- fiddlesticks 

- water carrier 

• the ferry is stuck 

- whoa! 

- amateur artistic activities 

•» top secret 

• competition, contest 

- lack 

** 1*11 take (you) 


-130 


(Film Unit XI) 



! 


ley words & phrases (Cont f d) 

napoxdA 
noJiHHii (xoaM 

SAeOB BG0 18$Jl M 3Ha» B 

P© 6 k*m S 

HecMxaHEOQ xyjiHr&HCTBO 

aanucaTB Ha h<5tk 

HOTH 

h6thsih 6yMdra 
"Cnaod^cH kto mos©t* 
h H 0M©A,I©HHO BH3BaTB ! M 
W H© Ta ftfn H \ " 

*np0H30UIJl6 AOCdAHO© 

Heflopasyi,^ Hue" 
w H©m§a«h©hho co3Ha:e^iiT©CB w 

ft iETopat" 

III. 

MB&H HB&HOBHq BhbAjIOB » 

C?T^ JKa 

A Jt'&rm, a 

J6mxaH (pilot) 

E4fiH Kfasu bo aob<5 3 

OX&n K MH, AB6pEHK 
S6 h MB&HOBHa» c©Kp©Tdpina 


steamboat 

full speed ahead! 

I know all sandbars her® 
fellows1 

an unheard-of hooliganism 
to write down the music 
sheet music; notes 
music-paper 
Run for your lives! 

Call without delay! 

A wrong Dunya! 

There’s been a regrettable mis¬ 
understanding 

Confess at one© 

Author! Author! 


{the local director 


lEfiCTByiOffiME JKIIA . 

AMp© kt op KycTnpoMa 

of the Handicraft Industry ) 
IIHCBMOHd CHQa /riOHTaJIBOH/ 

ctieTOBCfA ( bookkeeper ) 

{ water carrier ) 

( janitor ) 

EHBdjOBa 


-131- 


(Film Unit XI) 










fleftoTBywupie (npoAOJmei-nfe ) 

0 $jxn; ii an t 
HoBap& 

Jlecop/d ( Lumberjack) 

HaxiaJiBHMK nrra6a 0 ( The head of the board of judges at the 

Olympiad) 

KPATKOE COilEPJKAHME 

ropofl&K Mgjikob6ack. Ero shtgjim jik)(5ht MysHKy n TanijN. 
B ropo^KG ©ctb ABa My3 hK a ji biihx KpyscKd (circles )• Oahmm 
K pyHKdM pyKOBOA^lT (leads ) chgtqboa AJiSm, ApyrMM - 
nHCBMOHOciina CTpGJiKa • CTpeJiKa m AJiem jik > 6 ht APyr APyra, 
eo AJiema HpamTOH copBeanan wy gh Ka, a Ctpgjikg - jrSrKan, 

H OHK tiaCTO CCOpHTCH M3~3a 3 T OTO • CTpGJiKa COHMHflJia 
(wrote ) iiqchio, KOTopyio ona iioSt AJi^na . Ho ona ro bo put p 
trr o 3Ty nGCHio cotiMHMJia ee noApyra £yHH • AJieEG no chh h© 
HpaBMTCH* Ha'qajiBHiiK KycTnp6wa BHBa jiob chhT a gt og6h 
tfOJIBEIHM tieJiOBGKOM* Oh OHGHB HGAOBOJieH, HT O GMy npHXO- 
AKtch hhtl h pafioTaTB b Ma jigh&kom ropoAO . Oh HaA©0Tcn, 
i ito ero cKopo nepeBGAyT b MocKBy* 

Ms Mockbh npnxoAMT TGJiGrpaMiia • CTpGJiKa hg moso? ©g 
AooTaBMTB, noTOMy hto nap6u ocTaHOBHJicH Ha cepQA kho pa kh• 
BHBa jiob npHGSjm gt Ha Gepor p©kh. Oh /sy waoT, hto tgjio- 
rpaiiwa BH3HBa gt ero b MooKBy. Ho b t gji ©r pa mm© ero npo- 
OHT npHCJiaTB MyBHK&HTOB B MOCKBy Ha OJIMMmidAy XyA6~ 
soctbohhoS CaMOA^HTGJiBHOCTii (Finals of the National Amateurs* 
Contest)* 


-I3S- 


(Film Unit XI) 



KpaTKO© coflepaaHMe (npoflOJUseHM© } 

BHBa JIOB OTB©tia©T f MTQ B 3 TOM POpQ$© E0T M H© MQ*©T 6i£TJh 
HKKEKMX TaJldHTO® * CTpeJIKaj AJlSnia H $pyrM© 3KHT0.HM GTE* 
paraxon R oKasa tb BHBajBOBy, nxo b ropo^e mhofo j&ra$eit f 
koto pH© xopoiio no sot „ xaHXjyrax h Mpparax Ha MyaHKa jib*® 

HNX HHOT py Md HTaX« HO BHBaOIOB H© B©pHT« TOJIBKO AJE^SH® 
yfla&TCH yroBop^TB { persuade ) Bhbe jkobe * AJiima cjry«* 
qa^HO ( by accident ) &agx ©mj mhojib ( idea), qTO ok 9 BHBa— 

•»0B s MOH6T IIOB@3TM MX B MOOEBJ ® BHBaJIOB XipKKa 3HBa®f 
noqMHMTB CTapnil napoxo# (steamboat ) m e$©x b MocKBy o 
ohm$o HJiqecKMM opK^crpoM AjsSikh® Ho oh He xouqt 6 pax® o 
co 6 oft KpyaoK CTpexKk Cxpe jiks m eg ^pyssn sce-TaKM Ha- 
xo^ht on6co6 (a method ) toig noexaTB b MocKBy® Ho #opor© 
o o6©mmm rpyrmauH ojrynaer oh mhopo npHKJH &q©HMft (experiences) 
A««gma m CxpejiKa c^yqaMno m©hhk)tch napoxo$aMM® CxpejiKa 
no ex cbok> nocnra MysHKa stem chm^ohmugokopo opK©CTpa„ ho 
roBopHT, mto necHio oowinvuia ©§ no^pyra $jmh« Mm necHfl 

OM0HB Hpa BHTCH $ M OHM BanMCHBaiOT ©£ . TaK KEK J HMX H0T 

HOTHoii 6jua.ru f ohm nojiBayraxcn 6yMaroft Bhbejiob a • HaqHHaexon 

rposa . B©t©p ynocHT both® Jmcth nona^ajof k paaHHM jnoflaii® 

Kor$a KpyatKM Ctp©jikm h Aj:§hm npHeajEarax b Mockbj, tem bo© 

ya© 3 heiot m norax ©§ # CxpexKa h© moigt no hhtb»b 

$©jio « A ©g TOBapM^M ysepeira f WTO $yHH yKpajra (stole ) 

axy neciD# B Mockb©* ® nix a 6© 0 JiMMnMa^H $ jwjt asTopa necHM® 


-133 


(Film Unit XI) 


KpaTKO© co#©pxaHH@ (npo^ojiXQHMe) 


CHatjaJia AyMas>T 9 mo 3to Bhb ajicB, noTOMy *itq neoHH Hannoasa 
( is written ) na 6yMare © ero hm©h©m« IIotom hurtt #©BymKy 
o MueHeu AyHH » no to My tiTO CTpeJiKa Boerfla poBopH4a, mo 
neoHK co^MHHJia ©8 noapyra Ayna* HaKOEep; ysHa»T f eto asr op 
necHH - CTpejiKa* IleoHa no JiyttaeT nepBH# npH3« 


IY. BOnPOCH K $HJLMy « 

I* PaccKasMT©, Kan bhtjihajit ropofl* mo to pa 8 bh 

BMJD[9JK M B * 

8 * H©m sanimaioTca *ht©jih b ©tom ropo#©? 

3* KaKM© KpysKK ©ctb b repose? 

4 * Kto TaKoii Ehbbjsob? 

5* PaccKa iht © 9 Kan BHBajiOB paaroBapMsa©*? 
no TeaogfaHy? 

6* Kanaa patfoTa y CTpeJTKM? 

7a IIOtieMy OH& tiaCTO OCOpMTOH o A«a§ui©fi? 

8* ^TO OJiyxiMJIOOB c napoMOM? 

9a notieiay BHBaoioB nooxaji Ha p©Ky? 

10* non©My ero Tan HHTopecyieT TeoierpaMMa? 

IIa Kto TaKofi Kysn? 

18* r#e Bcerfla ocTanaBJiHBaeTOH ero JiomaflB? 

13« *Ito dimo b t©ji erpaMM©? 

14* ^to BHBajiOB OTB©qa©T Ha ©Ty TanerpaMMy? 

15• Hto CTpeJiKa OTapaeTca flOKa3aTB EHBaJiOBy? 

16 • PaocKaaHT©, nan ropofl noKaansaeT cboh 
T ajia htu BHBaJiOBy? 


134' 


(Film Unit XI) 



I 


Bonpocn k <£m JiBMy (npofloji scqhmo ) 

17* no^eiiy BHBaJiOB peuiaeT nocjiaTB b MocKBy 
KpyaoK AJieiiM? 

18* Ha xi8m ohm ©flyT b MocKBy? 

19® OnnniMT© otot napoxo/u 

SO• Kan ©a©t b MocKBy npy*OK Ctp©jikm? 

SI * PaocKasMT© f hto 6uro o o 6 ommh KpyxKauH 
b flopore? 

S3* IIOH©My oc TaHOBMJiMCB 06 a ctflHa (boats ) 

83* KaK CTp©JiKa m AJiena m©hhk>tch uecTaun? 

S4* Kto aanMCHBaeT ibchjo Ctpqjikm? 

85* Kto, iz > cJioBaM Ctpgjikm, HanMoaJi ©Ty necHio? 
86* Ha hb©& 6yMar© MyaHKa htw aanncHBaioT necH»? 
8 7 * Kan n© o hh no naJia b Moo KBy? 

88* Hoxiewy AJiem flyMaeT, hto $yHH yKpaJia necH»? 
89* Il 0 H©My BHBaJHOsa BHSBaaK b niTatf QjmmiMaflH? 
30* PaocKasMT©, Kan HCKaJSH aBTopa neoHH? 

31* H©M (JjMJIBM KOHHaeTCH? 


y* JHAJOra M3 $KILMA. 


AJflUIAg 


AifiniA 1 
OTPEJKAi 


CTPEIKAs 


CTPEJKAl 


I* Ha napoiiQ * 

CKasM, AJiSma f a t© 6© HHKor^a H© 
XOTQJIOOB COHHH&TB HT 0«HM6yflB OaUOU^? 

CaMOwt? HMKorfla! 

Ecjim 6 h h aHaJia wysHKy Tan, KaK 
th, h 6u ji©hb cohmhh jsa * 

y T© 6 h HMH0FO H© no JiyHHJSOCB* 

Ho^eiiy ? 


- 135« 


(Film Unit XI) 









AHaJIOrH M3 (jMJIBMa (npO/JOJIH 0 HIB ) 


AJlfiHIAl 


IIOTOiiy wo ra nMCBMOHocMija, 
a HO K0MII03&T0P* 

CTPEJIKAI 


Kan I Th cMMTaenrB, mto iihobiio- 
HOCMi^a HMqero He moxqt comm- 
HMTB? A BOT COMMHMJia! 

AJL filDA t 


Hto OOqMHMJia? 

CTPEJIKA 1 


riecHKo 

AJlfifflAl 


KTO? 

CTPEJIKAI 


IlM C BMO HO CM Uf& . 

AjfiBtAl 


Mory ce6e npeaoTaBHTi.1 I) 

Kto *e ©to? 

CTPEJIKAI 


M -m-m... Th eg He sHaentB* 

AJifim* 


3naio. SMHKa 3T0. 

CTPEJIKA 1 


HMKaKan He 3MHKa ! /[yHH » 

Iloflpyra mo a. 

ajiEiha* 


Mory ce6e npefi ot aBHTB! Xa-xa! 

CTPEJIKAI 


A th He cMeftca • Th cHaaajia 
coHMEgHMe nocjiyniaft, a hotom 

CM©M CH . 

AJfilBAl 


noaaxyftcTa I 


CTpeJina noST# 

CTPEJIKAI 

/ko hmmb/i 

Hy? 

AJtfilHA l 


Ilepeflaft cBoefi ^yHe f hto ona flypa. 

CTPEJIKA 1 


Hy, 3 Ha ©MB ... 8) 

AJlfilUA. 1 


H TenepB 3Haio, hto bh y o©6h b 
K pysK© epyHfl6# saHHKta ©t© cb . 3) 

1) imagine 

2) approx. 

;Well, X never ... 

3) You* re wasting your time 



-136- 























£iiaJi0PH pis (npo^ojisceHK© ) 


CTPEJKA t 


ajEhia t 


CTFSJKAt 


AJ filffA i 
CTPEJKA ? 

AJfilUA : 


CTPEJKAt 

AJ EEA : 


CTPEJKAt 


Epynfloft saHMMaeM ch ?£a y Hao 
Kysn Ha caMOffd jibho# 4) 
Tpy6© Jiyqme, hom th Ha no- 
Kynndfi 5) # wrpa©T* 

Ky3H Jiynm© m©hh wrpa©T? To&e 
mhq apTHCT Ha me jpg ! 6 ) 

ICojiJioKT iiB Hadpajra Kysn, 

tSth llama, a T©n©pB em;8 £yHH 
ko Hno3HTOp!XyA6isecTB©HHHii 
aHcdw6jiB "Kypaii h & cm©x! 7) 

KypaM na cm©x? Hy, ys ©cjih Ha 
HHCTOTf 8) rOBOpHTB, TO TaKOMy 
OpKOCTpy, KEK y t©6h, tojibko b 
mo ji 6-g ho fr ) nr pa tb , fla h to jiqtom! 

3to emS noneMy? 

Myx He 6y^©T: cj6xHyT . 10) 

Myx H© 6y^©T? A ot Bauer o xopa 
Myx h© 6yfl©T h caMoft mojiohhoS: 
h© 6yfl©T<> 

IIoneMy ? 

IIOTOMy HTO OT TaKMX TOJIOCOB 
MOJIOKO CKflCH0T » II) 

Mojioko cmchqt?. .. A***a..* 

/h© HaXOflMT cjiob/O 


4) home-made 5) boughten 6) Now you found me an artist, too 

7) (lit*: (contemp*) for chickens to laugh s ridiculous 

8) frankly 9) a MOJiOHHaH JiaBKa I0)ts yMpyT 
ll)wi31curdle 


-137 


(Film Unit XI) 





















^MajiorM M3 $MJi£Ma (npofloJixeHH©) 


£ t Ha 6epery» 


CTPEJIKA t 

ToBapMm BNBaJioB, bot Bail raaeTa* 
A T©Jierpaimy h nepeflaBaT* ot- 
KaSHBcUOOB * 

BHBAXOBI 

IIOMeMy? 

CTPEJIKA 1 

Bh eoero abb H6R9JIH, Ka< npnexajui 
a CenSTe Ha oe6a cmcaoctb X) 
roBopwTt, mto b Ham©ii ropo/je 

H©T TaJiaBTOB* 9 to HenpaB^a! 
Ta 4 aHTH y Hac ©ct s>* 

BHBAJOBt 

EBVHiia! 2) B ©tom rovoRe ae 
mo a©T 6htb TajiaB tob • 

1) you dare 

2) fiddlesticks 


3 • Ha naloxone * 

CTPE JTKAf 

noMHMim*, Tor^a Ha nap6iie a 
t©6© oflHy necHD neJta? 

AJfimu 

IlecHio? Kanyro necHio? 

CTPEJIKAi 

KoTopy® Rynsi oouMHMJia# 

AJEraAt 

^yHH? He noMH®* 

CTPEJIKA < 

Th eg ©mg fltpofc Hassaar* 

AXfilHA 1 

£ypoii? AI Tenep* BonoiiHHJU 

KaKOfi x© h 6hji Torfla flypinl 

CTPEJIKA* 

IIpaBMJIBHO! Kano# TH yMHH# f 

AJigniKal 

AJtfim t 

3 HaMMT - MMP? I) 

CTPEJIKA * 

HaBcerfla? 

Mill 

HaBcer/*a* 

CTPEJIKA S 

1) peace 

CJiymaft » no moth mh© 3?y necaio 
___^ Ha m th aanMoaTt* 


-I38« 


(Film Unit XI) 
























^Pfajsorn M3 (npo^ojimeHM© ) 


AJffUIAg 

CTPEJKA I 

AJfifflA l 


CTPEJKAI 

Ajfim i 

CTPEJKA t 

AJfiM t 


IIosajiy^cTa* y* h© $yMa©T© jkh bh 
©6 B MOCKBy B03TM? 

Hy fla* 

4a BH MTO, C YM& CO JIJIMl Sj 
B©AB BH 3T0fi ©I)VHil&% 3T B©CB 
Ham paftoH ocpaMgr©.4) 

K o tp6ckom irooBAjiMTecB! 5} 

Kan 6 h bh caMM h© n-poBajiHJMoB! 6} 

Hy 3T0 MK ©mg yBH ^MMjKTO M3 
Hao npoBdJiMTCfl* 

Bh hpobAjimt©cb5 

He npoBdJSMMCfl! 


2) you*ve goh© out of your mindl 3) nonsense 

4) wiUdisgrac© 5) you* 11 b© a terrible flop! 

6) Did you ever consider that you yourself might be a flop? 


-13 9 < 


(Film Unit XI) 















FILM UNIT XII 


ADVENTURE IN BOKHARA 
/ B03U3TTftTE.il> CnOKfifiCTBHfl / 


- 140 - 


(Film Unit XII) 



I 


COMMENTS TO THE FILM, 


1) This film was produced during the war in the Soviet studios in 
Tashkent, Uzbek SSR, not only because the action took place in Central 
Asia* but also because during the war it was impossible to make pictures 
in the areas overrun by the Germans* It was directed by the noted Soviet 
director, Protazanov* The heroine and parts of extras are played by people 
from Central Asia; however, the other starring roles are taken by Russians. 
The action takes place in the Emirate of Bokhara, an ancient princi¬ 
pality which occupied a part of the territory of the present Uzbek SSR* 

2) The story is based on a best-selling Soviet novel "The Disturber 
of the Peace,"which in turn was based on legends about Nasr-Eddin, the 
Moslem Robin Hood* These legends are told not only in Central Asia, but 
throughout the Moslem world* The Robin hood theme closely fits the Soviet 
propaganda aims, and the role of Nasr-Eddin as a defender of common people 
against the rich and powerful is stressed more in the film than in the 
legends, in which Nasr-Eddin is pictured simply as a clever fellow who 
outwits the stupid and the arrogant, regardless of what class they 

are from* 

3) The film is much more true to life than the average Hollywood 
movie about an Arab or Moslem theme* Note the heroine, who is typical of 
what is considered a beautiful girl in those.regions, but who to non-Oriental 
eyes looks rather strange and certainly not beautiful* The Russian dialogue 
is filled with translations from native speech such as "Most Gracious 
Emir," "Allah be praised," etc* In addition several non-Russian words 

are used, notably "ishak" (Russian " OcSji *«) donkey, and "tanga," 
a coin of the region. In the bazaar the hero, Nasr-Eddin ,is shown eating 
plov, a mixture of rice, mutton, and mutton fat, which is eaten with the 
fingers from a common bowl* 

4) The anger of the Moslem populace is finally aroused against the 
Enir when hi3 soldiers, having heard that Nasr-Eddin is masquerading as a 
woman, start unveiling all of the women on the street* 

5) Nasr-Eddin, as you will see in the film, is a clever fellow who 
delights in outwitting others. The following are some examples from the 
films 

a) Nasr-Eddin recites the following fable to the usurer, who 
thinks that within an hour he will have the heroine for a slave since her 
father cannot pay a debt* Once a jackal (the usurer) saw a berry (the 
heroine) on a tree, and tried to pick it* He tried and tried to climb 
the tree and finally after scratching himself and wearing himself out , 

a falcon (Nasr-Eddin) came along and snatched the prize out of his 
grasp. Later when the usurer caused the Emir to place the heroine in 
his harem, the usurer said it was not a falcon, but a lion who got the 
prize# 

b) After eluding the emir at will, and even living with him 
in disguise Nasr-Eddin finally gives himself up in order to spare 


-141' 


(Film Unit XII) 




Comments to the film (cont*d) 


the lives of hostages whom the Einir was about to execute* Before revealing 
himself, however, Nasr-Eddin (in disguise) exacts a public promise from the 
Emir , that he will free the hostages and execute the man who was shielding 
Nasr-Eddin# This of course is the Emir himself* 

c) Early in the film NasivEddin brings his donkey into the 
building * When asked why, he says it is no ordinary animal and knows 
how to read* He explains that the Emir, having heard that he is an 
excellent animal-trainer gave him money and ordered him to teach the beast 
to read under pain of losing his head# The crowd expresses regret that he 
will lose his head, but Nasr-Eddin explains that the Qnir gave him twenty 
years and adds that in that time either the donkey, the Bnir, or he hiifr* 
self will be dead# 

d) After Nasr-Eddin surrenders, the Emir debates how he should be 
killed* He wants to behead him, but Nasr-Eddin reminds him that he has 
already been beheaded by the Sultan of Turkey* The Emir thinks next of 
burning him alive, but Nasr-Eddin answers that the Khan of Khiva did that 
and finally they decide to tie him in a sack and drown him « He is taken 
out secretly in the sack by three guards to prevent his friends in the 
city from saving him* On the way he asks permission to say a prayer# The 
permission granted, he prays that the man who finds the money he buried 

in the cemetery will give a tenth to the mosque so that prayers may be 
said over his grave# The guards hear this and they leave to dig up the 
treasure § leaving him alone on the road tied in the sack# 

Seeing the usurer coming 

through a slit in the sack, Nasr-Eddin shouts what a lucky man he is# 

The usurer hears the voice and asks why© Nasr-Eddin shouts that it is a 
magic sack which belongs to an Arab and that he paid 600 tangas for the 
privilege of sitting in it four hours in order to cure all of his ills 
and that now, after only two hours, he is already cured© 

The usurer who is blind in one eye, hunchbacked, and lame 
begs to be allowed to sit in the sack for the remaining two hours in order 
that he too may be cured# Finally for 300 tangas Nasr*JEddin consents and 
they change places# Nasr-Eddin being careful that the usurer does not re¬ 
cognize him* The usurer then asks what he has to do and Nasr-Eddin tells 
him to sit still and no matter what happens to keep repeating the magic 
phrase: “The man with the copper shield has a copper head, kiss my 
donkey under the tail*" 

The guards, returning without the gold which of course 
did not exist, hear this and thinking the usurer is talking to them, 
at once dump him into the river# 


-142 


(Film Unit XII) 


XI® KEY WORDS AND PHRASES* 


nd in jim Ha 
Mina K 

flepsMT© oroS 

TaHtrsC 

jiHrfmKa 

t6h©t 

"Ha! ■ 

in^flpo BOSHarpaa# 

"Aopdry an6py!" 
ropme^HHK 
cp ok ynJ^TH 
OTCpdMKa 

nooTyndeT b pd 6c tbo 
TH^B aOTCH ( obsj • 0 ©p$MTCR 
OTpy66TB v6 JIQB V 
mSLK&JL 

c6koji 

Bfi HI EH 

Harpst #a 

66 jIBBjO 
CKpHB&©T OH 
MycyjiBM&H© 
flBop&i* 
rapdM 


- customs duty 

- donkey 

- Stop him! 

- (a monetary unit in Bokhara) 

- frog 

- is drowning 

- Here! Take it* 

- 1*11 reward you generously 

- Make way for Eknirl 

- pottery maker 

- deadline for payment 

- postponement 

- becomes a slave 

- to chop off /his/ head 

- jackal 

- falcon 

- cherry 

- reward 

* it hurts 

• is hiding 

- Moslems 

- palace 

- harem 


-143' 


(Film Unit XIX) 



Key words and phrases (Cont*d) 


MyAP<M 
b< 5 pti 
n<5«c 

o6*i&HmwK 

iriiTKa 

Ka 3HB 

Ka 3 h6tb 

"Cbo 6ofly ooy*A^HHBMl" 
TonftTB, yronftTB 
Me in 6 k 


- philosopher, sage 

• thieves 

- belt 

- deceiver 

• torture 

- to heal 

- execution 

- to execute 

- Freedom for the convictedl 

- to drown (somebody) 

- sack 


XXX. flEftCTByPlKE JMIIA. 

Hh£ 3« ropnieqHMK 
rM£c&p , ero flotjB 
Agafodp , pocTOBm^K ( usurer) 

3mht> EyxdpoKKft 
Bm36pb ( Grand Vizier ) 
ryocSftH ryojiKft , « MyAP^ ms BarA^Aa 
KyaHdij ( blacksmith ) 

KPATKOE CX) ilEPSAHHE . 

HacpaAA^H npneasaeT b rjiaBHHit ropoA Byxapfi 
CauapK^HA* B BopoTax y Hero xotht bshtb ndnuiHHy, no euy 
yAaercH npoexaTB 6ea A©Her. Oh SHaKOMHTca c AasyniKOft 


-144- 











KpaTKoe coflep&aHHe (npofloJnneHH©) 


TKJJiBcap, florapBio ropmeHHMKa©II otom oh cnacaoT 6oraToro qe~ 
JiOBOKa, KOTopuft toh® b npyfly (pound)* 

B ropofl©, Ha HaqHHa ©tch cyfl aMwpa. Bo© p©- 

cyfld - npoTHB 6 ©ahhx jnofle#. Topuietm hk Hhh 3 flOJiseH 
6oraTOMy /I&a(J)apy 400 TaHtra , ho h© moh©t 3amraT mtb bo- 
bpomh* CeroflHH - cpoK ynJiiaTH* Oh npocHT OTcpoqKM, ho no- 
Jiy^ae? tojibko ofliiH Mao* Ecjim oh h© samiaTHT n©p©3 Mae, oh 
caM h ero flora 6yflyT pa6&MH (slaves ) ^mactapa* HacpaflflMH 
co 6wpa ©t y cbohx flpyaoii ofl©acfly m pa3 hh© bq^h h npofla^T 
bo8 3to ^ma^apy 3a 400 TaHBra* /Isa(Jap h© 3Ha©T f hto stm 
fl©HBrw cnac^T ( will save ) ropue hh MKa h ©ro flora. Be© b 
ropofl© y3Ha&T, hto 3Ha m©hmth2i HacpsflflMH HaxoflHTCH 3fl©cB* 
BeflHH© jmflH paflH, 6oraTH© h©aobo jibhk*3mhp npMKa3HBa©T 
noiiMaTB HacpaflflHHa • /Ixatjap, KOTopowy h© yflaJiocB noJiyMHTB 
A©ByniKy b cbo# rap&M, xohot otomct^tb ( revenge ) HacpsflflM- 
ny h paccK&3HBaeT 3Mwpy o eg KpacoT©* 3 mhp npwKasHBaoT 
flocTaBHTB fl©ByniKy k h©M y bo flBopeij, HacpaflflHHa h© MoryT 
Ha^TM, 3 mmp o6bhbjih©t 6oJiBiiiyK> narpafly TOMy, kto noftwaoT 
©ro* JIioflH 3 mm pa xoflflT no ro pofly m muqt t HacpsflflMHa* Ohm 
y 3 Ha kjt, qTO HacpaflflMH nepeoflejscH b s©hoko© miaTB©, M 
HaraHaiDT npoB ©pHT b bc©x kohiumh* 

B 3 to bp©mh K 3MMpy ©fl©T M3 Barflafla 3HaMBHMTH^i 
Myflpoi* m Bpaq rycc^^H rycjTM^:, HacpaflfliiH ro bo pmt ©My, 
tiTo ©ro, rycce^Ha, MmyT, hto6h nocaflHTB b TiopBicy, 


145- 


KpaTKO© ooflepaaHJie (npoAooixQHMe ) 

noTOMy hto kto-to 0Ka3aai # wo uyApei* co6npa©TOH nonacTB 
b rapeM 8Mnpa» HacpaAAWH coBeTyeT eity nepeofleTBCH b 
XQHOK oe nJiaTBe m 6hctpo yexaTB mb ropo^a* rycceftH b©- 
pHT Haop©AAMHy H fla§T ©My obod ofl©xfly* y ropoflCKHX BopoT 
MyApei^ apecTOBHBaioT, noTOMy hto ffyuaiQT, vto ©to 
H acpaAflHH* HaopaAAHH b oa©xa© MyApei^i npHXQflHT K 8MHpy 
m opaay aanponjaeT ©My noflxoAMTB k xeHmuHaM, noTOMy *ito 
3bSbah (stars ) Ha h© 6© ceftqao H© noaBOJiHioT 3Toro. TaK OH 
xoq©T cnacTM obok> A©BymKy f KOTopan yxe HaxoAHTOH b ra¬ 
peM©. n©p©Ofl©THft HacpaAflMH oxighb hjb bhtch 3MHpy, noTOMy 
TITO OH HaXOAHT nOHO 3 MW pa f a nOTOM 6HOTPO BHJr©TIMBa©T 
(heals) dojiBHyio AOBynncy » KorAa xiphboaht apecTOBaHHoro 
TyocoitHa, 3MHp h© BepHT, wo oh HacTo^mnii MyAP©i*>H ot- 
flaST ero HaopaAAWHy Ha ntiTicy. Hohb» HacpsAAHH paooKaaH- 
Ba©T oojiAaTaM, hto 8Be 3 ah , KOTopne na^aiOT c h© 6a, cTa- 
HOBHTCH 30JI0TI$MH MOH^TaMH. IIOKa OHM WHjyT A©HBm f OH BH- 

boaht A©ByniKy ns Asopna. 

3mmp npnKa3HBa©T Ka shhtb bc©x Apy3©ft HacpoAAHHa 
aa TO, TITO OHM H© XOTHT OKasaTB, TA© OH HaXOAMTCH .TorAa 
HacpaAAMH OTKpHBaer o©6h. 3mmp pemaeT yronwTB HacpaAAW- 
Ha hotjbd, a HapoAy o6bhbjihh)t , wro nasHB 6yA©T yTpoM # 

KorAa HacpaAAMHa HecyT b MeniK©, oh ro bo put 9 wto oh 
saKorrdji ( burled ) 100 th caw TaHBra . JIioam 3MMpa ocTaBJinioT 
©ro oAHoro w 6eryT mc khtb A©HBrw* B sto bp©mh no Aopore 


-146 


(Film Unit XII) 


KpaTKoe ooflepKaHJia (npoflOjnecaHM© ) 


efleT ^sac^ap* HacpaflflMH pacoKaaneaeT ©My (JaHTacTMqecKyi) 
MCTopioo ( see Comments ) m yroBapMBaeT flsa$apa BHny cthtb 
©ro ms M©mKa m c©ctb b mqihok caMOMf ♦ £sa<£ap corjiamaeTca , 
m ©ro 6pocawT b bo fly bmocto HacpaflflMHa. 

HacpaflflMH m fl©BymKa y©3«aroT M3 CaMapKaHfla. 

iy. BonpocH k ggjBMy. 

I* Kto TaKOft HacpaflflMH? 

2. Koro HacpaflflMH bctp©H a©r y bo flu? 

3• Kan HacpaflflMH cnacaeT CoraToro H©JiOB©Ka, 

KOTOpHft TOHOT ? 

4. Kano© fl©Jio ( case) p©maK)T b cyfl©? 

5* Hto p©ma©T cyfl? 

6. KaK HacpaflflMH noMoraeT ropmeHHMKy m ©ro 
flotiepM? 

7 * HTO 3MM p npMKa3LIBa©T CflGJiaTB O HacpaflflMHOM? 

8# Kan aMMp y3Haji o fl©Bynri© HacpaflflMHa? 

9« Hto oh npMKa3HBa©T cfleMaTB c fleBymKoft? 

10. Il 0 H©My JiK>flM aMMpa h© MoryT HaftT m HacpaflflMHa? 

II* Hto npoMcxoflMT Ha 6aaapa? 

12* Kto b 3T0 bp©mh npM©33Ka©T b ropofl? 

13 * Hto ©My roBopMT HacpaflflMH? 

14 • non ©My Myflpei^a ap© ct OBHBa iot? 

15© Kan HacpaflflMH no naflaoT bo flBopeij? 

16* noH©My HacpaflflMH noHpaBMJicH aMMpy? 


- 147 - 


(Film Unit XII) 



BonpooH k (£w JiBMy (npo^ojiaeHii© } 

17* notieMy 3 mm p He b epMT HacTOfim©My Myapeiflr? 

18* Kan Hacp3flflMHy yaagTCH noroBopHTB c fleBymicoft? 

19* ^to fl©Jia©T HacpaflflHH c MyflpeijOM? 

80* KaK HacpaflflMHy yflagTCH oobo6oahtb fleBymKy? 

81 • IIOMeMy apyaeft Hacp3flflMHa xotht KaaHKTB? 

88* *ito Tor^a fleoiaeT Hacpa^AMH? 

83* Kan floJixHti Ka 3hmtb HacpaflflMHa? 

84« noqeMy ero xotht y toiihtb hombio? 

85* ^TO rOBOpMT HaopSflflMH JIJOflHU, KOTopue 
HeoyT ero? 

86* ^TO 3TM JIBOflM TOTfla fl©JiaiOT? 

87* Kto ©a©t b 3to Bp©MH no flopore? 

88* IIotieMy £aa<£ap xom©t iiomohhtboh ueoTaMH o 
HaopaflflMHOM? 

89* ^Ito fleJiax>T c ^aa^apoM? 

30* Hen KOimaeTOH $mjibm? 


7. MAJOrH K3 SHJLMA* 


I* y BOPOT. 


I-Hft CTRCflHHKt 

' guard ) 


/[epsftT© ©ro, a©P«mt©! 

3tot ohh ryex d I) 
h© sanJiaTMJi mh© hm oflHoro 
TaHBrdC. • * 


8-oft CTPA5CHHK > 


A OTKyfla th npHOHJi? 
3aq©M? 


1) son of sin 


-148- 


(Film Unit XII) 








fluajiorH M3 $MJiBMa (npoflo jisohms ) 


HA CP 3JUUiEt 

>Hfi CTPAKHHKt 

HACP3iLZIKHt 
3-oft CTPAJKHMK 1 


I-Hft CTPAKHHK t 

HACP3HHKH : 


2) illustrious 
5) throne 

HACP3ilflHHt 

riOJLCAP t 

HACP3MMH, 


l)shoo away 


H npwexaji mb flaM&cKa t o 
npecB&TJiH ft 2) rocnoflHH! 

3fl©0B b ByxapS sHByr mom 
pOflCTBGHHMKH. 

A-a! Paa th eflemB k pofl- 
cTBQHHMKaM» nJiaTM rocTGByto nom- 
JiMHy « 

Ho H ©fly K pOflCTBeHHMKail H© B 

rocTMo H ©fly no Ba&HOMy fl©Jiy# 

no fl©Jiy? Th m b roc th m no 
fl©jiy?** njiaTM rocT©ByK) nonurM- 
Hy m fleJiOB^io nonuiHHyi 

HaopaflflMH nJiaTHT fl©HBrn m xohgt 
npooxaTB* 

CToft I CToft! A kto 6yfl©T njiaTMTB 
noniJiMHy 3a TBoero Hmaicd? Eojii* 

TH ©fleniB B TOCTH K pOflCTBQHHMKaM, 
3HatIMT,TBOft Mma K TOS© ©fl©T B TOOTH 
K pOflCTB ©HHMKa M • njiaTM! 

Bepno, b©pho!.. # 0, M^jpHft 3) 
HanaJiBHMK, y uoero nmaKa, fl©ft" 
CTBMT0JIBHO, B ByXap© OtJOHB 
MHOrO pOflCTB ©HHM KOB 9 MHaH© 4.) 

3 mu p flasno noji©T©ji 6 h o Tp6na .5) 
a th nonaji 6 h hA koj 0 6) 


3) wise 4) otherwise 

6) you would be impaled 


2 * Ha 6 epery ve m « 

CToft, CToft! Th cnyrnSmB I) ©8 
Koro? 

nTimy . Boh Tau a Busy nTHijy 9 
npenpacHG© KOTopoft h©t b MMp©. 
Boh • »» boh Taw . bmambib? 


"149- 


(Film Unit XII) 
























^MaJIOrM M3 (frlJlhUa (npOflOJI K0H1B } 


TMlCAPl 

3 to s h© nTMijal 3 to Jinr^iUKa* 

HACP3HiIJlHf 

Hto?! InryinKa?! (Cmotpht sa 
OToaneHife 2) TiojiLoa’D b BO/ie) 
Ecjih 6 soe JiHryniKM hmqjih TaKHe 
qg-DEbie rjiaaa. tohkhg 6p6bh 3) 

H He SHH6 4) menu * to h h can 

6hx 6h HenT>6ta> 5) oTaTB xh- 
ryniKO&* H Buxy b boa© Kpaoa- 
Bmy, npenpaoneft KOTopofi hot 

B MKp© * 

PMBCPA * 

A H BHICy AByX HDiaKOB. Tojbko 

He ycnejia 3aMeTHTB, y kotopopo 
ymn flJSHHH^e# 

HACP3iLZIMHf 

y odonx ymw Kopoqe tbohx 
pe oh fare, 6) Kpao&BHixa* 

2) image 3) eyebrows 

4) tender 

5) willing 6) eye lashes 

3. Ha 6a3ape. 

ryccEftH rycunffit 

Kax um nonaoTB bo flBopdij? 

HACP3MMHt 

A 3a^©M Tede bo flBopeij? 

ryccEiiH ryaiiMii 

H 3HaM©HHTKft M y&V$U i) H UVVT 

exax oiofla ms Earflafla no npurxa- 
HeHHi? cawor6 3 mh pa. M@hh aoByv 
rycc&iiH TycxHft. 

HACPSMMHt 

A! ••• HeyaejiM m h ©otb tot 
caMH& ryccefta rycJiHH? 

ryccEiiH ryoiHfti 

Aa, tot caMuft* 

HACPajMHHt 

A! 01 HeO'iaoTHHfi! nponajia tboh 
roaidByniKa, 1 

ryccEiiH rycjuMt 

Hto? IIoqeMy? 


l) famous sage, philosopher 


-150' 


(Film Unit XII) 






















^MaJIOPJt M3 $!UlhU& CnpOAO^SGHR© J 


HACP3MKHI Tne 6ti cnp&TaTB te6g?l 8) 

(lipase t ero) 

ryCCEfiH ryCJKftt Hto cJiytJH jjocb? SatiQM th m®hh 

npaaeniB? 


HACP3iUIKHt 


ryccElte rycnKftt 


4o yin©# 3 mm pa flonuio* hto th* 
BH© 3 *aa ms Bar^a^a, noKjAjca 3 ) 
npoHfeKHyTB 4) b ero rapiic m 
0 6 e c a § c t mt b $ter o x6h 

H?1 Ho h use ©Tap! 3aa©M mh© 
b rapeM ?! * 


HACP3MMHI H© 3Haio* h© anaio® Ho 3MMp 3Ha©T f 

mto th npMexaJi b Byxapy h 
cKBHBaennbOH 6) Ha 6asape. 

0h nosejiejr t©6h QXBaTfiTB 7 ) 
m OTpydMTfc Te^e rojioByi" 


Z) Where should I hid# jmt 3) gave a pledge 4) • npo#TH 


5) to dishonor 


6) are hiding 


7) he ordered you to be seised. 


HACP3AZIHH I 


3MMP$ 


HACPSiLgHHt 

3MMPS 


4« Bo jxbot>h©» 

0! 0! XlycTB a mm p cnaieT mh© $ 
h© bxoamji m oh ceroflHH k 
S©H mMH©! nyCTB 3MMp OTB0TMT 

cBoewy m Gsf I I) 

CerQflEfi ? H©t ©mg® Mh co6npaJiMCB 9 

HO ©mg H© BXO^MJIM • 

Cxd Ba AJiJi^xy! CjiaBa AJiJiaxy ^ 

HTO H HpMSlgJI Bd“Bp©Mfl! 
nO,HOSAH f MH© H©nOHHTHO *»# 


1) slave 


-151- 


(Fdlm Unit XII) 





















/[najiorH H3 (jMJiBMa (npoAo JiseHi® ) 


HACP3flilMHt 


3MKPt 

HACPSflflHHt 


CerO^HH HOqBK) H yBM ReJlf ^TO 
3B^3^p •pacnoJio ftfa.ftK CB ynx>&&K>JAe 8) 
fljia a mm pa» M, noKa He msmIhhtoh 
pacnojion6HMe 3BS3A* awwp He 
AOJISGH BXOAWTB K s©Hin;KHe • MHat39 
rft6e.iB ero HeMKHnfem * 3) 

Ho KaK pas ceroflHH b Ham rapeu 

npwB©3 jim oAHy A©BymKy *»• 

O-o-o! 3a6yAB o Heft! HHa^e 
th uorftSHemB *4) 

(iUaxieT) 


3MHPt 


HACP3iUIIiHl 

3MHPt 

HACP3 M HH.! 


B^aroflapio t©6h* Mh bmamm, hto 
TH HaCTOfimM# MyAP©!;* (K cbomm 
MMHMOTpa m) A BH?I A BH tjTO CMO- 
TpMT©? 3a V.TO MH nJiaTMM BaM 
dojiBmo© stajOBaHBe ? Th xioomotph* 
nocMOTpM Ha pm x 9 rycceftH rycjiHH* 
Hto aa rjiyirwe posh! • •• 5) 

3tm KaK a Boy, h© otm£- 

gem ne^aTBio m^ j pooth, 6) 

BOT f4M0HH O, 7} H© OTM0tI0HH* 

CjinniMT©? Bo jib amt! 8) 

M H H© EMSy 3A©CB JIMIJ, OTUQ- 

tieHHHX neqaTBio ^6 ctho oth 9) 


3MHPt Bopn* Bo© BO pa* Th noBepumB $ 

PycceftH PycJimS , cero ahh y tpom 
mh 3 a 6 MM b ca^y Ham JootfMMHft 
noao, A Kor^a mh XBaTf jimcb *IO ) 
ero y&e tsm h© 6hjio *" (npM stmx 

CJIOBaX OAMH M3 MMHMCTpOB OSiy- 

cicaoT rjiaaa* HaopoAAWH iioaxo- 
amt k H©My m Haxo^MT y Hero 
none SMHpa)* 


2) are placed menacingly 3) his death is unavoidable 4) • yMpSmB 

5) mugs ( Jiftija ) 6) are not marked with the seal of wisdom 


7) That»s right 8) Fools 9) honesty 

10) missed 


158 - 


(FiZa Unit XII) 






















#najiorM ms cjMJiBMa. (npoflo jisoHMe ) 


HACP3HHHH* 

He 06 3 tom jm nonce roBopnji 
B 6 JIHKMM 3MMp? 

3MHPt 

Oh cawaii. Th, a© ftoTB^T© jibho 9 

Be jimkmm MyApei*, PyccefiH rycJiMit# 

3MHPt 

5* Bo abobh© * 

Kto th Taicoft? notieuy tk cnpH- 
BaJi ch no a seHCKofi OAesAoft? 

ryccEiiH rycuittij 

£ exaji k BejiMKOMy 3 im py m 

BCTpe T MJICH C tieJiOBeKOM, KOTOpH^ 

cKasaj 9 *r?o 3mm p xomqt ot- 
py 6 MTB mh© rojioBy* H n b 

CTtax© I) 6 essaji no a sencKoft 
oaqscao^i « 

3MHPt 

Kto th Tanoft? 

ryccEfiH rycjiHflt 

£ Pycce^H PycjiHff f wyApei* ms 

Bar AaAa* 

3MMP* 

Kan th bp 6 eibI 8 ) Bot Tycce^H 
PyccjiH^ * (IIoKa 3 Hsa ©t Ha Haopag"* 
AMia ) « ■ 

ryccEiiH ryciHflt 

Oh o 6 MaHmMK! Oh itpmcb 6 kji 3) 
ce 6 © moS mmh * 

HACP3ILZIHH* 

Oh rosopMT, nTo n f rycc&ftn 
PycjiMfl t npMCBOHJi ero hmh« 

Mo HOT 6 m ! L f OH CKaiGT, MTO H 
nPMCBOMJI M 3 TOT XaA^T? 4) 

ryccEftH rycjiffit 

KoHenHo! 3 to Mofi xajiaT# 

HACP3JIHHH? 

Bmamt©! Mojscqt 6 htb m ©Ta 
najiM^ 5) TBOat 

ryccEKH ryc.iM$tt 

Mon ! 

1) fear 2 ) lie 

3 ) he possessed himself of 

4 ) robe 5 ) turban 



-153 


(Film Unit XII) 




















/(HaJIOrM M3 (jHJIBMa 

(npo^oJiseHM© ) 

HACP3HHHH: 

Mosqt 6bitb m 3tot none toe© 

TBoft? (IIoKa3HBa ©t none 3MMpa)« 

ryccEfe rycjns!t 

Uoil I MOK ! 

HACP3MHH* 

BHflHTe! CeroflHfl otot cTapHK 
roBopMT, mto 3 tot none ero, a 
saBTpa oh cKaseT, mto 3tot ABopeu 
ero* 

3MHP* 

BepHO^MH BHflHM, HTO 3T0 OIiaCHH# 
oTapMK« y Hero b ro jiob© .mSphh© 
mhcjim« 6) Haao OTfleJt&TB *ero 
rooiOBy ot jroBMiua • 8) 

HACP3HHHH t 

Ha#o ysnaTB ©ro HacTOHmee mmh. 

3MMP: 

Bo3Bmh ero m V3 Ha# hoctkIzictboii 9) 

mJTOK, KT 0 OH TaKOft. 


6) ideas 7) separate 8) trunk (body) 

9) with the help 


HACPSilUHHt 

6# Hohb* KJidfl6nin© ( cemetery)* 

CJiam AJuraxy! CjiaBa AJUiaxy! 

JH3KA4AP* 

*I©JI OB ©K B m©ihk4?! 

HACP3HHMHI 

A HTO B 3 TOM YJOlMmTGJIBHOrO? I) 

iIHA*A P S 

Kan hto yAMBHTGJiBHoro?! 

3aneM th 3a6paJicH S) b m©h6k? 

HACP3iUWHl 

SnanHTf ny&HO, ecjin sa 6 pajic.q ! 

HEA^APs 

Mosqt 6 HTB 0 t©6h noca^Kjm b 

MGIIIOK HaClfjrBH®? 3) 


1) astonishing 2) got into 3) forcibly 


“ 154 ' 


(Film Unit XII) 
























^wajiorM mb $)MJiBMa (npoAQJix©HKe ) 


HACP3HHMHI 

HacMjiBHO? CTaji 6 h h 4) iuiaTHTB 
mecTBcoT Tantr^ , mto6h m©hh 
HOC aflMJIM B M 0 IHOK HaOHJIBHO* 

DIA$AP l 

HlecTBooT TaHBra?! 3a hto th 
ynJiaTiui Tanwe flDHBrM? 

HACP3HJIHH* 

3tot MenoK npMHa^jaeac mt oflHOMy 
ap&6y 5) m o6jiajideT My;i<§cHKM 
ck5Hctbom 6) moiiojihtb yp6- 
flCTBa 7) m 6ojre3HMo H 6 hji 
xpomhi . 8) ro p6a tnm 9) h 
kpmbIim 10 J na ojimh rjraa • Ho 
bot a npocHfle^ b MeHK0 flsa 
naca, m Mofi ropd II) Mcqes, 
rjiaa nposp&ji IS) .m ho ra 
B^nPHMMJiaOB . 13) 

UKASAP* 

3aMOM X© TH CM #HIHB B M0IHK© ? 

HACP3HHMH: 

/[OCif^MBaiO CBO# cp OK « 14) 
^eHBrM-TO a yruiaTJO Bee paBHO 

3a tjeTHP© qaca* H© nponaaaTB x© 

MM 3PH . 15) 

MA$APt 

HocJiyniaft. o xiejioB ©k,OM^ jtir,Mii 16) 
b m©ihk©* H tos 0 rop6aT, xpow m 
kpmb Ha ojimh rjias. H qx6tho 17) 
ynJiaxiy t© 6© TpMCTa TaHBra, 
mto6h npocMH©TB b M©mK© octAbuim- 
©ch 18) RBa m aca* 

HACP3HHMH1 

laflHOl 19) Ho t© 6© xipufleTCH 
ynJiaTKTB mh© ©tm fl©HBm 

BriepSfl • 


4) You think I would,,. 5) Arab 6) possesses miraculous qualities 

7) to cure deformities 8) lame 9) hunchbacked 

10) blind 11) hunch 12) « naqaji oxihtb bm/j©tb 

13) straightened 14) sitting ray time to the end 

15) should the money be wasted? 16) KOTOptift CHW 
17) willingly 18) KOTopne ocTajiMCB Xopoiuo! 


“ 155 ' 


(Film Unit XII) 




























^waJiorM M3 $HJii>Ma (npoflOjiaeHHe) 


,flKA$APt 


HACPSjLZIHHt 


20) (arch*) 
noTony tiTO 

23 ) to beat 


CorJiaceH* Ho He OyfleM t©phtb 
B peMeHM, h(5o 20) MHHy th MflyT, 
a TenepB ohm npMHaflJiosaT mho* 

(Ohm m©hhx>tch MecTawM)# Kan 
a© o©6h b©ctm ?2I) 

Ecj8H k t© 6© npMJieTHT Tpn Rnfi Ha *88) 
HaMHyT t©6h 6htb * 23) pyr&TB 24) 

M KyAa-HM6yflB noHecyT, th roBopM 
bojuuoOkh© cJiOBa: "Tot, kto hocht 
M 4j^HH% lgHT* 85) TOT HMeeT M©flHHl& 
jioO* Hoijejiyii Moero mm nofl 
XBOOT *• 


21)to behave 

22) Jinn 

24 ) to scold 

25) copper shield 


-156- 


(Film Unit XII) 









fhm unit mi. 


THEY MET IN MOSCOW* 
/ CBHHAPKA M HACT^X / 


•157 


(Film Unit XIII) 





I. COMMENTS TO THE FILM, 


1) This is a musical comedy filmed in Moscow and released just before 
the beginning of the Second World War. Not only the songs, but much of the 
ordinary dialogue is in verse* In common with all muscial comedies, a rather 
fanciful and unreal picture is painted (in this case, of a life on a 
Collective Farm#) 

The action takes place in three locations: The Far North, Moscow 
and Daghestan. 

2) Daghestan is a mountainous region located on the Northern slopes 
of the Caucasus Mountains. It is a very wild region and was one of the last 
to be brought under Soviet rule after the Revolution* The country is sparsely 
populated, and it is only natural that the heroine was unable to find anyone 
in her region who was able to translate the hero 8 s love letters into Russian. 
The attention of student*s is invited to the typical customs and songs of 
the region, which are shown in the film. 

3) The collective farm of the heroine is located in the northern sector 
of Russia near the White Sea. Notice the predominantly forested character of the 
region. Many typical Russian village customs are shown. First the "guly&nka". 
After work in the evening the village youth gather, either in the village square 
as shown in the film, or in cold weather in one of the buildings. Here they 
sing 4-line songs called "chast&shki", of which there are hundreds. They are 
usually accompanied on the concertina, which, more than the balalaika, is the 
typical instrument of the Russian village. The village musician is an important 
character, and the strutting antics of Kuzma are typical of his type. Notice 
the primitive "rukom6inik'j which is used for washing the hands and face. 

Also in the wedding scene, many customs are portrayed, for example: the bride 
cries before the wedding. Of course, in the film she has special reason for 
crying j however this is a custom* Also the bridegroom is shown bidding a 
formal and ceremonious good-bye to his bachelor buddies. Notice that the 
kolkhoz president is dressed for the part of best-man* He is shown wearing 
an embxidered towel around his waist. 

A) The scenes in Moscow show the permanent Agricultural Exposition 
(See comments to the film •'Tanya'* § 7*) Notice the portraits of leading 
farm "shock workers," which are prominently displayed at the exposition. 

5) The wager between Kuzma and uncle Vanya needs further explanation. 
Kuzma bets his concertina against uncle Vanya 8 s watch that he will marry 
the heroine before St Peter*s Day,ths 22nd of June. The watch is not an 
ordinary one, since it has a gold chain; which makes it a prized possession 
in the village. 

6) There is a very strange bit of propaganda included in the final 
song. The words suddenly leave the main theme of love and speak of the 
necessity of defending the motherland and Moscow against the tanks and 
planes of the enemy. 


-158- 


(Film Unit XIII) 



II, 


KEY WORDS AND PHRASES* 


fl&BKa 

n&peHB 

cbmhbA 

nopocftTa 

OBu;©B6fl 

KMHSdjl 

"H© OTCTaBdftT©!" 
B3TJiaHftT© 

noTop^jiaoB 

ctoji^ 

66poB 

3^op6Bo! 

CBH Hl£ pHHK 

"IIpocHn&ftca # # • 
npooHiideniBCfl?* • * 

npOOH^JICH * " 

6 bi$j 

rapM <5 hb (rapw6 mna ) 
CTaBJno 06 sami&fl 

TOGK^K) O H©ft 
CJIOBO B CJIOBO 
Opd^IHO© EtHOBMO 
yfldpHMEja 

Kr rpd6flT! IIOMorftT© ! * . » 
H©B6cTy yBdaHT!* 1 
cbiC fli> 6 a 
OdlldHHBaTB 


- girl ) 

) (village expressions) 

- fellow ) 

- pig 

- piglets (Sing# nopocSHOic) 

- sheep-herd 
~ dagger 

- Don*t lag behindj 
• IIO OMOTpHT© 

- got lost 

- capital 

- boar 

- hil 

- pigsty 

- Wake up • •• 

Are you waking up? 

You woke up* 

- sheep 

- concertina 

« I 1 11 bet (something) 

- I miss her 

- word for word 

- special delivery 

- M shock”-worker 

- I*m being robbedJ Help ### 
They are kidnapping the bridej 

- wedding 

- to deceive 


159- 


(Film Unit XIII) 



Ill* jlEfiCTBTOME JULIA 


rjrfm /rjrac^ipa AHJ^T)4eBHa H6BHK0Ba/ , c bm HapKa (swine-herd) 

ceBepHoro KOJixoaa 

Kv 3 bm£ , kohiox ( groom) 

Ba6ymKa PJia mu 

BaEH (HBaH MBa hobvpi ) * ko JixoaHHK 
Mvcafi6 TaTfeB* OBD;©B<5fl ns £arecT&Ha 
CTapHft naoT^x ( shepherd ) 

Ma ji bhii K-na ot f x 

BKCKypcoedfl Ha B^oTaBK© ( guide) 

IIpeflc©flaT©JiB KDJixosa 

Job6h Mnxaii xobjui , apMHHfin. 6y$6TiiHK Ha CTaHu;HH 

Armenian (barman at the station) 


KPATKOE COJIEPJKAHKE * 

rjiania - o bm Hapna b kojixo 3© Ha o©B©p© CCCP* E8 9 bmqot© 
o flpyrMMM ko JixoaHHKawM, nooHJiasoT b Moc KBy Ha Cojibcko- 
xo3jtftcTB©HHyio BficTaBKy* BadyniKa #a©T eft TeTpaflB h cobo- 
Ty©T sanucHBaTB bo§, hto ona yandeT Ha BHCTaBK© o obhhbhx* 
rjiama bgt p©ga ©t b Mockb© Mycanda , OBn;©BOfla c KaBKaaa# 

Ohm bjtk>6jihk>tc£ apyr b apyra m odemaioT g©p©3 ro« oiihtb 
BCT p©TMTBOH B MOCKB©* KOTRO. Tiiaina B0 3Bpama©TCH B fl©- 
P©bhio, OHa paooKaaHBa©T Ha oodpdHMM (meeting ) t KaKHX 
xoponiMX cBHH&ft OHa BH^ejia b ctojimd;©* OHa roBOpHT, *ito ©8 
obiIhbm MoryT 6 htb TaKMMH xs© xopomimn, ©cjih eft flaflyT 

T§nJ3HH CBMHapHMK* 


- 160 - 


(Film Unit XIII) 








KpaTKoe cofl©P®a«HM0 (npoAOJusoinia ) 

K6hiox { groom ) Kya&i&C, KOTopufr xoh©t &©hhtbch Ha Txaine, 
homo:s 9T HHuero paccKaaaTB, noTony hto b Moc kb© oh bcU 
Bpoufl xofliui no Mara3HHaM h noKynaji 0A©HAy« Zmioft r^ama 
m Mycan6 mhopo pa6oTaxvr m bo8 bp©mh AywaBDT flpyr o flpyro# 
Mycan6 nocJiaJi r^tame hmcbmo, rfl© oh roBopMT o cboo# 
jiid6bii ♦ Tjraina no Jiy mm Jia hhcbmo, ho hmkto h© mosst nponiiTaTB 
ero, noTOMy hto hiikto h© 3Ha©T stoto KaBKaacnoro H3HKa, 
KysBMa 6ep©T y h© 6 nnc lmo m o6©ma©T eft otb©3th hmcbmo 
k nep©BQflqifKy b ropo^a. Ho oh o6MaHNBa©T rjiamy m npii- 
B0 3HT nenpa bmjibhh^ nepoBOA* rjiama mm Ta ©t b 3T0M®n©pa- 
boa© % qTO Mycan6 s©hhjich na flpyroft flQBymK©* Ilocjre 3Toro 
Panama h© xomgt mm Ta tb flpyrjie nwcBMa My can 6a ♦ Mycand h© 
noJiyqaeT ots©T a it AywaeT, qio Tjiaraa 6ojibbi0 h© joo6iit ©ro* 
Cbmhbh rjianiH flaJiM MHoro nopocHT,M T©n©pB ©§ nopTpeT 
BHCHT B Moc KB© Ha G0JIBCK0X03H JlC TBGHH oft BHOTaBKO* Mycail6 
H© mo mo t ©§ Ha^TM b Moc kb© . HaKOHeu; oh ysnagT, qfo TJiama 
ooTajracB Aona m bhxo^ht saMyst sa KyaBiiy. Mycan6 ©a©t b 
A©p©bhk> k rjianr© m bc8 o6bhchh©t* TJiania bhxoamt aanym 
sa Hero© 


I3T. BOIIPOCH K o 

I* Kto Tai<an TJiaraa it ta© OHa hhb8t? 

2* KyAa ©8 nocnjiaiOT? 

3® Kto Ta ko# KysBMa? 

4» Hto 6a6ymK& coB©Ty©T TJiaw© A®^aT b b Moc kb©? 


-161' 


(Film Unit XIII) 



Boripocii K tfn ji buy (npoflOJixeHM© ) 


5* nopTpeT noKa3HBaK)T KOJixosHJiKay Ha BHOTaBKO? 

6* Kto Tanoft Mycawtf h OTKyfla oh? 

7# noTjewy I\ttaina y6@Ka.Ha ot cBoeft rpynnH? 

8• Kan oHa bct pef6 MycanSow? 

9. *Ito A©JEa©T b Mockb© Ky3 B^a ? 

10 • Hto o6em;ajDT apyr gpyry Mycaw6 h rjiama? 

II• *Jto roBOpHT rjiama Ha cotfpaHHK b #©p©BB ©? 

18# Ilone^y Kys BMa HHtiero He moxot cnaeaTB 
Ha oo 6paHHH? 

13# Kyfla Mycan6 h^St c co6aKoii? 

14# ^to cjiytiM jjocb c ero OBu;aMH? 

15# ^to flejaeT amioft TJiarn o nopooHTaMH? 

16# Kano© napn ( wager) aaiurntni jib flajpc Bana « KyaBMa? 
17# ^to nHnr©T Myoan6 b hhomi© rjiame? 

18# Honeuy hhkto h© moxqt npoHMTaTB iihcbmo? 

19# Kyfla Bam h rjiama ©Ayr Ha JtomaflH? 

80. Enjra jib yflaHHO# (successful )hx noeaflKa? 

81# Hvo KyaLMa o6©ma@T rjiame? 

88# Kano# nepeBojot oh npHBSa TJiame? 

83# Iloxjeuy na B&oTaBKe TenepB n OKa3 hb&k)T 

nopTpeT rJiamw? 

84# IToqewy rjiama noexaaia b MooKBy? 

85# Kan Mycan6 ysnagT, hto rjiama bhxoaht aauys? 



(Film Unit HII) 


Bonpooii k (npo^ojinenm } 

26 * notjewy rjiama, b kohh;© kohijob , h© bhxoaht 

3auy* aa KyaBuy? 

27 * IIoqeMy KyaBwa BoaBpanjaeT aha© BaH© tjacn? 

28* ^ to Renan? rjiama c KysBMoil? 

y. mkiorvi K3 skjlma* 

I* B KQjixoae* 

HEByiUKH t IIocJieflHee K3B@ c tm© J CTpanman 

hoboctb! T©6h nocHJiaiOT b 
Moc KBy, 


imam At 

B Moc KBy? 

HEByiUKH : 

B MocKBy Ha BficTaBKy! 

rjiama 

y6©ra©T • Ho Aopor© BCTpexia»T KyaBuy 

K3T3BMA t 

3ApaBCTByiiT0, rjiama* 

riAHiAt 

3ApaBCTByiiT0, KysBMi CepreeBHH 

Ky3LHA1 

B MocKBy ©a©t©? 

VIAMk i 

Ha. KasftcB. I) nocHJiaJOT* 

Ky3LKA t 

Hy, Tor^a bmqct© no©A©M* 

rJAniAt 

M BH? H BH TOB© ? 

Ky3LMAl 

A to KaK! M©hh nopBoro 
BfijIBMHVJin* 2) 

r.IAIIIAt 

Ha H7? 3) 

Ky3LMA« 

A to KaK! 4) 

I) (dial* ) KaiQTOfl 

2) called out 

3) Not really? 

4) What else! 


163 


(Film Unit XIII) 























^MaJiorw ns <$wjiBMa (npotfo jiseHM© ) 


8* Ha BfioTaBKe* 


MyCAMS: 

CKaaMT© t nDaa.ayftoTa # Kan Haan- 
BaeToa 3Ta obhhbA? 

r JIAIHA * 

3t o h© obhhbs, a 66pos* 

MyCAKB* 

npOOTHT©, a ©TOT 6opOB K©K 
Ha©HBaeToa? 

MAFIA 1 

A BOT ©TO - CBMHBH 9 a HQ 6opOB* 
A aosvT ©8 idoTOHKa* I) 

MyCAHB: 

Kano© xopome © mmh! 

MAIHA! 

Eft Tpjf ro#a, a bqcht OHa 

365 KKJiorpamioB • 

MyCAHBg 

Oft-oft-oft I 

2) Swallow 

3* If©T>eJl HOMOM Manni* 

M@,BAgU 

3x. KfaBKa. KtaBKa* T6 ^ocom th 

T^HOIUBj a BOT VM 6lf H© HOOT A- 

HeiHB#lJ H© no Ted© sT A©BKa. 

H© TH ©ft BO OH© CHftilIBCHo 

Ky3I>MAt 

ArA. Ho HMqero, HHnero* HBaH 
HBaHOBim* H© Ta km© H 0 BKM na uiqd 
KH flAjIHCB.3) BOT yBMUMUIB: K 
n©TpOBy flHK> H e©h&cb Ha rjiaiUK©* 
He BepMBiB? 

AKIM BAHHf 

Hn B »M3HB! 

Ky3BMA * 

Pap 140 HB OTaBJIfO Od 3aKJl£fl,HT0 
*©HK)OB Ha r^aiUKO I 

aaSSL,B.AMl 

3x1 HacaMM OTBexiaio, - h© 

ROHHTBCH T©6© Ha K3 ft ! 

KY3hm.t 

AHM BAHH* 

HaoaMM? Aral C nendtiKoft? 4) 

C uonotiKoftl CoimAcqhI 

1) « Th yMeemB neTB, 

2) Not your kind 

4) with chain? 

HO He MOseniB nojiynMTB fleByniKy 

3) Batter girls hang on my neck 


164' 


(Film Unit XIII) 


























¥1 


n E C H E» 

Xopoino Ha mock6bckom irpocT6-pe « I) 
CBGTHT BBSs^SI Kp©MJl6 B CHH6B^ 2) 
H,KaK pe KH BOTp© qaiOTCH B Mop©, 

Tan BCTpetjaioTCH Jiioflji b Mockb©» 

3) 

Hac BeceJiofi to andft OKpysftjia, 
IIo^cKasa^a 4) npocTfi© cjiob&, 
nosHaKOMHjra Hac, noznyysfejia 5) 

B 9TOT paflOCTHHft Betiep Moc KBa • 

M b KaKoft otopoh6 h hh 6vflv« 6) 

no Kanoft hh npoftfly h TpaB©, 

£pyra h Hunorfla hg 3adyfly, 

Ecjim o hhu noflpysftjracB b Moc kb© # 


1) expanse 2) Ha h© 6© 3) crowd 

4) whispered 5) made us friends 6) In whatever country I will be 


«l65» 


(Film Unit XIII) 










FILM UNIT XIV. 


THEY HAVE THEIR OWN COUNTRY 
/ R XOW BEPHJTLCfl flOMOfl /. 


- 166 - 


(Filo Unit XIV) 



I* COMMENTS TO THE FILM* 


1) The film, released in 1949, is a part of the anti**Westem propa- 
ganda campaign which was at that time in the USSR. It is a movie adaptation 
of the stage hit by Mikhalkov, one of the most well-known literary hacks 

(he is incidentally, the author of the words to the Soviet national anthem*) 
The music to the film was written by the fanous Aram Khachaturian, composer 
of"Th© Sabre Dance* " 

2) The story is the Soviet interpretation of the situation in Western 
Europe after World War II* At that time there were thousands of Displaced 
Persons in Germany, i*e*,people previously by force brought to the country 
by Germans or refugees from advancing Soviet troops during the last years of 
the war * Many of these people decided not to return to their native countries 
because of the Communist regime there* The allies, who at first adhered to 
the paragraphs of the Yalta agreement concerning mandatory repatriation of the 
Soviet citizens, soon became aware of the situation and ceased to return DPs 
against their will * The anti-Soviet minded DP*s with first-hand knowledge 

of Communism, at large in the free world, have always been a matter of grave 
concern to the Communists* Therefore the Communists tried to get them back 
by any means and sent trained secret police agents to Western Europe as re¬ 
patriation officers* Those attempts were, however, unsuccessful* 

3) The film is a good example of Soviet domestic propaganda* The 
general DP problem is wisely avoided. Instead, to make the film a sure-fire 
tear-jerker, the situation of DP orphan children is emphasized* It is needless 
to say that the orphanages, as the one shown in the film, are fictional* The 
children as pictured in the film are under surveillace of the British in¬ 
telligence, whose villainous plan is to make out of them people without na¬ 
tionality, cannon fodder for future wars* In the meantime, the children are 
hidden from public opinion and repatriation officers in orphanages on 
starvation rations and under prison discipline* Outside the walls of that 
prison, another prison. Is pictured^ Germany under occupation with drunken, 
black-marketeering soldiers who terrorize the population, a press filled with 
lies, horrible jazz music and"the opium of the people",a religion* In order 

to show Western Germany as an especially dismal place, most scenes were 
filmed in the rain* 

4) On "the good side" of the film there are the head of the Soviet 
repatriation mission who unswervingly fights for truth and justice against 
capitalistic lies, delaying tactics and legal red tape, and the Latvian 

DP girl who tells children about their native land "where all are equal, all 
are happy, where Stalin lives," the country whose "stars shine for the whole 
world*' 

5) Much propaganda in the film is simply funny to those who know the 
real situation,i*e«, the Germans patriotically refusing to smoke American 
cigarettes# 


a6?« 


(Film Unit UV) 



Comments to the film (Cont*d) 


6) The end of the film shows the loading of the children who were 
unable to escape on a boat, exactly in the same way as Nazi Germans loaded 
them in the beginning* However, hope is given in the speech of one of the 
DP boy*s mother, a Stakhanovite weaver, who tells a female audience of 
some Communist-sponsored Congress: "The fate of mankind lies in our hands"* 


• 168 . 


(Film Unit XIV) 


II, 


KEY WORDS AND PHRASES* 


CJip6TCKJlft npH&T 
nepeB©CT ii 
pond hmo 
p 6 a inn 

tldcTHH^ nOCT^nOK 
cnftcKii 

b njioxfxx ycji6BMflX 
OTjroafiTB 

cjiys66Hafl KOMaHflupdBKa 
KoiiTp-pa3B6flKa 
COBep W3$ HHO TO^HHii 
COBepmiHHO B&pHO 
CHpOTtl 

Kp^rJEH# CMpOTd 
Apd TBC5I 
MOJlflTBa 

"He 6ecnoK<5ftTecB" 
paCCMOTp^HH© 

3acefl&HII© 
pOflflMO© HHTEd 

HOT OCHOEdHJI# 

B 0TTiy CT flTO M0Hfl w 

KapTOxina 

npim^itnca 


- orphan asylum 

- to transfer 

- decision 
« homeland 

- honest deed 

- roster 

- in bad conditions 

- to delay 

~ business trip 

- counter-intelligence 

- absolutely accurate 
~ absolutely correct 

- orphan 

- complete orphan 

- to fight 

- prayer 

» "Don*t worry" 

« consideration of the case 
« session 

- birth-mark 

- no reasons 

- "Let me go" 

- photograph 

- habit 


169' 


(Film Unit XIV) 



Kenanf xsy 
msm6hhhk 
npea&TejiB 
OTKpOB^HHOCTB 

c6b©ctb 

tJGJIOB 6^0OTBO 


- I hate 

- traitor 

** traitor 

- frankness 
« conscience 
« mankind 


cjihmkom xopomafl -too good a memory 

II&MHTB 

oCMaHfjiM -deceived 

Bp4M8HHO -temporarily 

n y Hero He t t6*i- »He doesn’t have 
HHX CBiflGHHW 0 exact info mat ion” 

Hctie© -disappeared 


III. jlEHCTByDMHE llfflA « 

Km CoKQJi6Ba^ pyccKan flesoxiKa 
C&ma ByTf 3QB * pyccKHli Ma jib'hkk 

Ho6p&HHH «l) COBGTCKPlft HOJ1KOBHHK, Ha^aJIBHMK 

penaTpnaiiiHdHHoii uA cc hh • 

Eat>KJi h , anr jndi ckh# no jikobhhk 

GkOTT,S) aHTJIMflCKMft KaXIHTa H f HaxiaJIBHHK npnfcTa 
ynMaHiio» JiaT6:n (Latvian ) t ne pesd fliiHK npHsofa 
Cu&ftaa I&H£Maiu JiaT&niKa, cjiysa^afl npxooTa 
Kypt » HGMeij-in©$ep 


$pay Bypoy« Heuna, xos&siKa nKBHdft ( beer hall ) 

H&OHCQEU aHrjmiccKHft KanHTaH, o$jm;ep cb& 3M (liaison officer) 
Kyk« aHrjnriicKH^ jjo pff f npefloe^aTejn, komhcohh no pena- 

TpH&IJHK 

Mnco iloas,, awepnidHKa 9 noppecnoHfleKTKa sypHaJia * Life " 
Cop6KPiH a C0B8T CKMft Maftop, nOMOnjHHK Ao6lliHHHa 


1) derived from n #o6pH$ n (kind) 

2) this name sounds in Russian the same as " cko*c " (beast) 


170 


(Film Unit XIV) 

















.AeftcTByiDmHe Jiunja. (npoAojiseHM©) 


MaTB C&bim « TKamf xa ( weaver ) 

MaTB flt&i . bo 0 hhhH spati 

^Ba awepMKaHcKMX cojiAaTa 

KPATKOE CO HEP3KAH HE » 

Kan noKaaHBaeT (JauiBM, bo Bpewa bo^hh h©mii;h yBoamiM 
COB9TCKMX a© t© Vi b repMaHHio* ITocji© bokhh b 3dnaAHO# r©p- 
MaHHM MHOrne H3 3THX A©T©& nOnaJIM B OMpOTCKM© npMIOTH# 
CoBeTCKMii o$nn;ep £o6p&hhh 3aB©Ay©T penaTpHaijnetf. Oh 3Ha©T, 
O B npMJOTaX ©CTB 00B6TCKM© fl©TH, M OTapaeTCfl BepHyTB 
hx aa po^HHy f hd aHrjiHtiaH© MemaioT ©uy* KorAa ^odpHHHH 
yana^T, wo b oahom HeMeijKOM ropoAK§ Ha xoahtch Tano# 
npiooT, aHPjmtcKwft dojikobhmk BapKJiH 6hctpo nepeBOAHT 
npmoT b APyroft ropoA# Ho cob©t ckei# o^ep ysHaST m 
kobmk aAP©c* TorAa ewy tobopht, ^to a©t©:K h©jib3h BepHyTB 
6©s komiccm, KOTopan A©^SHa onps Renfrew ( determine ) 

MX HaHMOHaJIBHOCTB* 

JIbthu b npnioT© hhbStoh TpyA ho t ©Aa iuioxan, a ahcd;h- 
njiHHa CTporan ( strict )*CJiy&amaH npnioTa CM&JiAa, cob©t- 
cKafi naTpK6TKa„ xo^©t $ ^to6h a©tm BepnyjiPfCB Ha poAHHy, 
a cjiysan^H^ yimaHHc tojibkq bhiio ji hh ©t npHKa3H aHPJiHtiaH, 

KOTOpBI© XOTHT IIOTOM CA©*HaTB C©6© CO JIA&T H AMB©pC&HTOB 
( saboteurs ) K3 3TXiX A©?©*** IIpHiOTOM saB©Ay©T xfiTpuft h 
eg cT6Kiiii ( sly and cruel ) KanHTa h Chott© 

COBQTCKMft 0(|)Pmop npOCHT y nOJTKOBHMKa BapKXM 

-171- (Film Unit XIV) 





KpaTKoe coflepsaHK© (npoAo ji«©hm© ) 

paapemeHHH noexaTB b npiooT, ho BapiaH bc 6 BpeMH otk^&- 
AHsaeT ( delays ) paapemeHW© • 

y OOBQTCKHX fl©T©^ Mptl H CaiUH 80TB B CCCP p0flMT©4K f 
HO B npHIOT© HM TOBO pfiT f *ITQ OHH CJipdTH . ftpy OTflaDT XO- 
sh&k© nHBH6t (owner o f a beer-hall) $pay BypoT , y KOTOpoft 
fleBO^Ka MHoro pa6oTaTB® Cob©tckm^i o$hxs©p HaKOH©Q 

Ham©Ji npwioTj, ho ©My rosopHT, wo na^ajiBHHK b OTnycKy h 
6©s Hero noceTMTB npifx>T hqjib3H* OcJmii;©p xo^qt ©xaTB aa 
paspeiHQHH©* k an pjikFs oKOwy r©H©pajiy f ho r©H©pa.s to»© 
yj&eT©j[ b OTnycK b AHrjoao* 

Ha 3ac©flaHHH penaTpwaijHOHHoi’i kommoohh o$imep no- 
Ka©MBadT Cam© K^CpTO^Ky ero MaTepn, ho kommmoohh h© o*ih- 
Ta©T ©to flOKasaTQJBBOTBOM (proof ) * m Canry ootebjihiot b npHK>T« 
CMaft^a o6©ma©T cob © to Kowy o^Mixepy npMH© oth cnnoKK 

OOB0TOKHX fl©T©ii f KOTOpH© HaXOAHTCH B npHSOT© • ynMaHHO 

cjiHinpiT hx pasroBop h ro bo pHT 06 ©tom KanwTaHy CkoTT y• 

Ckott BH3HBaer k c©6© CwaftAy. B 3 to bp©mh ynwaHHo 
Hm©T cnHOKH y He© b KOMHaT©, EMy yAaeTOH na^TH on no kh • 
KorAa B©q©poM CMa^Aa ha^t k coB©TOKOMy o^umopy, yniiaHHO 
ydnsaoT ©8. Cama n ft pa bm©ot© 6eryT (flee )§ ho hx jiobht* 
Hep ©a TQM Kan CMaftAa nonuia b coBQTOKy kj mhcohio, ona yonexa 
nap© a^t& Konnso ciwckob a©t©^ mo$8py*HeMijy KypTy. KypT 
nep©Aa©T cnwoKH ooBeTCKowy o$&m©py # 


178 


(Film Unit XIV) 


KpaTKOG coflepxaHHe (npoAOJiKeHH© ) 

Ha 3ac©flaHiio komhccmm npM©3Kaer MaTB Mpu. TaK y/jagTOH 
flOKa3aTB, mto Hpa h© cMpoTa. Cama onnTB y6©ra©T M 3 npMioTa, 
Ha 3 tot paa ya&MHO ( successfully ) * Cobqtckmx #©T©ii Ha- 

KO H6IJ IipHBO 3flT B MoCKBy, Tfl© MX BCT p© Ma IOT pOflMTGJIM. 

ly * BOnPOCH K 

I* PaccKaJKMTe,KaK cobqtckmg a©tm nonamH b repwaHHio* 

2. Kan b Mockbq y3HaioT, *ito Hpa m Cama Haxo/jHTC h b 
npMiOT-9? 

3 0 Hto aHrjiMtiaHe flemaioT c npMioToii nocjie 3Toro 
coo 6m^ HSltf ( announcement)* 

4. Hto fl©jra©T b aHrjiMftcKOH 3 oh© cob©tckmM o$MD;ep? 

5* noti©My Tan TpyflHO HafiTM flem©#? 

6. Rjia qero aHrjrnqaHaM HysHH cobstckm© a©tm? 

7. Kan cobqtckmK o^Mijep yana^T , mto npMioT n©p©B©jiH? 

8* Kto TaKofi ynMaHMC? 

9. Kto Tanaa CMaftfla m wo OHa xomqt? 

10. Kan sMByT a©tm b npMioT© ? 

11. IIoq©My Ma jibmhkm flepyTCH (fight) bo spewfl o6©#a 

12. Saqeii $pay BypcT npnxoflMT b npMio^? 

13. 3aM©M npnxoflMT b npHK>T aMepMKaHCKan Koppecnon- 
flQHTKa ? 

14* Kan aHrJiMMaHaw y#a©TCH h© nycTMTB coBeTCKoro 
o<$>Mii;©pa b npmoT? 

15. Hto coBGTCKMii o#iiii;ep noKa3iiBa©T Cam© bo bp©mm 
3ac©#a mm ? 


-173 


(Film Unit XIV) 



BonpocH k (npoAOJinenne ) 

16. noxieiiy Caray ho oTnycnaioT Ha poflHHy? 

17. ^to CMattfla roBopuT 00 B©T 0 K 0 My oc^mjepy? 

18© KaK KanMTaH Ckott ysHaeT 06 stom? 

19. Mto CMaftfla hohbk> pacoKaaHBaeT Cam©? 

20. 3aq©w Cana haBt ho^bio b aaoi? 

81. ^to CMaftfla ^eJiaeT, Kor^a ©6 BHSHBaioT 

k Ha^ajiBHHKy? 

88 . Kan ynwaHHcy yaaSTCa b 3 htb cnwcKH A©Teft ot 
CM aftflH? 

83. noq©My CMaftA© h© yfla©TCH npHTTH, n coBeTCKOiiy 
o^imepy? 

84 . ^to A©JiaeT Hpa b nHBHO& $pay BypcT? 

85. Kto iipmxoaht b nMBHy©? 

26. KaK <£ssjibm m>5&3HBa©T aMepwKaHOKHX oojiAaT? 

87. ^to A©«aaioT Cama h Mpa 3T0ft ho %id? 

88. IIOHOMy KU H© yfla^OOB npHTTH K COBQTCKOMy 
o$MB;©py? 

29. KaK 00 B©T 0 KHft o$Hi;ep nojiyt^aoT chhckh fleTetf? 

30. OTKy^a no jry^mji hx KypT? 

31. KaK Mpa nonaflaoT Ha poflHHy? 

38, Kan Cama nonaaaeT Ha poAHny? 

33. Kan flQTeit BOTpenaioT b Moo kb©? 

34. 0 hSm ixaTB Camn roBopHT b kohu;© $HJiBHa? 

35. ^to AeaasoT aHrjiHqaKa o ApyrnuH aotbmh? 

36. *lTO BH MOK 0 T© OKE 3 ETB 0 OOBGTCKOtt npO- 
naraHA© b dtom (fruiBMe? 


174** 


(Film Unit XIV) 


V, MAI ortt M3 $MII>MA. 


I • B KatiMHeTe aHrjmTi okoto 

no JIKOBHHKa 


EAPKIM.: /b t©js9$oh/j IIojikobhiik BapiuiH cJiymaeT* 

£a* rocnoflMH reHepaji, MHTai • 

K coatajieHHJo, a^pec ynasaH co~ 
BQpHlQHHO TOtlHOo^a, me $ l) 

npMioTa 9 KanwTaH Ckott, y neHfl# 
Kyfla nepeBeoTM? CJiymaiocB, cap, 
/ BemaeT tpv6kv/ 2) HopT, ckojibko B03Hfi c sthmh 
IgeHKdMHl 3 ) 

non fl6jl%HOM BOCII MTtC HUH , 4 ) TO - 
CnOflMH nOJIKOBHHK, M3 9THX 
meHKOB BHpacTyT nenntfe non, 5) 

£a, bh npaBH, KanMTaH Ckott* 

HaM HyaHO flyMaTB o 6yflym©ii. 
npomy Bac, KanMTaH, npomy. 
/HOflXOflHT k KapT©/. 

n©p©B©^MT© Bam npMBOT M3 Ajibt©h» 
flop$a b KpMren6epr h nocTapaii- 
T0CB, KanMTaH, MT 06 h Ha 3TOT 
pa3 Bai aflpeo h© o6Hat>f «mjih , 0) 

CKOTT| BcS 6y^©T GflejiaHO, cap* 


1) ” HaqaiBHHK 2) hangup 

3) what a lot of trouble these pups arej 4) With the proper education 
5)watch-dogs 6) won*t be discovered 


CEPTTl 

BAPKIHt 


ynMAHHCi 


2• y flBepeft npMK?Ta» 

KypT, 3fl©CB HMKTO H© nOHBJinJICH? I) 


KyPTs 

ynMAHMc t 

CUA&M t 
yiMAHHC t 

1) showed up 


Hmkoto hq saueTKJi, rocnopH 
ynwaHMC, 

3obm! /Cwaftfla bhbo^mt fl 0 T© 8 /* 
C ko p©^ t cxo'peft! 

TocnoflKH ynwaHMc! 

Hy? 


-175' 


(Film Unit XIV) 


























^HaJIOTH M3 $MJIBMa (npOAOJIXQHMfc ) 


smM i 

ynuAHHC» 

cmfijAt 

yilMAHHC : 

cmaMja t 
ynMAHtc 8 

2) suddenly 

jlOBPHHHH: 

BAPKJJf* 

ilOBPHHJiH? 

BAP KIM I 
ilOEPHHJfH* 


1) to adhere 
3) strove 


Hto coiytiiiJiocB? noqeMy nepeBOA^T 

npMIOT? 

3to h© Hain© rgjio , CnaiiA&» 

Tan BHesanHO 8), ho^ibk) • 

A noHewy sto Bao HHTepeoyeT? 
CTpaHHO bc6 3to ... 

CaAMT© CB ? ) CU8& A& S /0TB©3»aK)T/ 

3) caAMT«OB b aBTodyc 


3 ♦ Ha 3ac©flaHMH> 

Hama c BaMU o6n3aHHOCTB, rocnoflHH 
no JIKOBHUK , H©yKJl6HHO npiiA^PSIi- 
BaT BCH I) p©HI©HMH COBGTa MMHMOTPOB 
MHQCTpaHHHx a©ji 2 ) o penaTpraaijiiH 
coB©TGKMX rpastflaH* 

PoonoAMH noAno jikobhhk » mh Bcerfla 
CT peiJlfiJIMCB 3) K BHnO jih6hhio 4) 

3 tmx pem©HMft« 

nponiy Bac rrpoBepMTB* 

Q6©maio # 

BJiaro^apK)* Kpone Toro, 6ojibiii 0 
rofla. to wy HaaaA aHrjiMHCKafl 
aflMiiHMCTpai^pifl HacTO^Jia Ha 
co3jaHHH 5 ) cnQijuaJiBHoii komhccmm 
no penaTpnaijHH cob©tckhx fleTeft* 
IIpaBAa, ajlh nac Bonpoc coB©pjn©HHO 
HC0H M 603 KOMMCCMMS COB 0 TCKH 0 
A©TK AOJIHHtI 6 HTB BO 3 Bpani 0 HH 
B COBOTCKMft COI 03 0 

without deviating 2) Council of Foreign Ministers 
4) fulfillment 5) insisted on the formation 


-176 


(Film Unit XIV) 


























J[via.JiovvL M3 (ftHJiBMa (npofloJIH©HM© ) 


EAPKJ Mt. 


ZfOEPHHHH* 


BAPKJMt 

flOEPraMHl 


EAPKJ.Ht 


HOEElHHHt 


EAPKJMt 


0 6© cTopoHH QA?inaKOBq> 6) 
3aMHT©p© CO Bel EH B C yflBdfo 7) 
fleT©#, O 603^6 JLQHEBIX BOifr HQ& >8) 

Ho, k comjieHHio, oto h©~ 

BO 3MOSHO 9) 6©3 KOMHCCMM, 

K Boc no Jl B3YI0CB 3THM BafflHM 
3a HB-flQ HM©M » mto6bi onydJiM~ 

KOBaTB ero caMH H iumpokhm 

^Ssoh^IOI B IIp0 CC0 • 

IIosajiy^cTa . 

. m TaKs© aa^aTB Bonpoct 
noMQMy ctojibko nr>OBQJi6HQK II) 

O dpHTaHCKO# OTOpOXIH B BH- 
no JIH 0 HMM MMM 3TOrO CBHIH6H- 
Horo a6.sra, 12) 

3TO BC§ $0 pMaJIBHO CTM . Mh, 
aHrJiHMaH© , •. Kan 3 to cKaaaTB..* 
HeMHOSKO dropoKpa th♦♦• 

Ha^eiocB, mto diopoKpaTMSM 
h© noM©ma©T mh© ceroflHH 
HaBeCTfXTB 13) CMpOTCKM^ 
npMioT b AJiBTeHflop(£e? 

AJTBTeHflop^)? CTpaHHO, a HHHero 
H© cJinniaji od 3 tom irpniOTe* 


UOEPHHHH: Pa3 p© mmt© mh© BcS-TaKM npo- 

©xaTB Tyfla* 

EAPKJMt 0x6tho«I4) Moft °$??eP cbhsm 

k BaigMM ycjitra M .15) 

6) alike 7) fate 8) victims of the war 9) impossible 

10) 1*11 give your statement the widest possible publicity, 

11) delays 12) sacred duty 13) to visit 


14) willingly 15) at your service 


-177- 


(Film Unit XIV) 




























^Majioril M3 (jHJIBMa (npofloJUKOHM© ) 


CKOTTi 

4 . B npinoT© * 

Bot otieHB xopomaa fl©BOMKa, 

❖pay BypcT* BMflMTe,KaKafl 
nocjrtfmHaa . i) 

$PAy BypcTi 

IIpOCTMT©, OHa MH© H© IIOflXOflMT. 
BojiBinoii anneTMT .. IIotom, a xo- 
T©Jia 6 h ro jiv6i5©^rjia3KM ... 

©CJIH MOSHD , KOH©MHO. 

CKOTTt 

Hy mto e© , a flyMaro, naftflgToa h 
c ro Jiy6 hmm • BotI 

$PAy BypcTt 

3tO TO, MTO MH0 HaflO. rjA3KM 
rojrydti©, KaK H©3a6tAKH .3 ) 

BcTaHB1 KaK t© 6 a 3 ob yT? 

MPA! 

Mpa CoKOJi6Ba* 

$PAy BypcTt 

Kan? 

MPA! 

Mpa # 

$PAy BypcT! 

Mpa. 3 to mosho 6 ya©T nep©fl©JiaTB 
b Mpua . KpacMBo 6y^©T: Mpiia BypcT• 
KpacMBO 6y^©T. Th 6 yfl©mB Moeii 
flOMKoii, Mpiia .A a 6y^y TBoeft 

Maw oil . OTKpofi po t ! Hap© l 3aKpo# 
TenepB!/BepgT ©8 aa uJie^o/ 

Oft, Kanaa xyjKla! 4) Kan *© 
a 6yfly BoenfeTHBaT B 5) ©6? 

E oto6bk cede pyKV. 6) 

CaHTaTB yM©emB? Ckojibko 6 yfl©T 
comb Ha Boceuff 

MPMA ! 

56. 

$PAy BypcT! 

A 8 na 9? 

MPUA* 

7B • 

$PAy BypcT! 

lA©TM, OHa npaBMJIBHO CMMTaeT? 

1) obedient 2) blue 

3) forget-me-nots 4) thin 5) to bring up 

6) 1*11 wear out my hand 


-178' 


(Film Unit XIV) 





















^HajIOrH M3 

(npoflojisceHM© ) 

4ETM: 

UpaBMJIBHO , 

$PAy BypcTt 

7) To f tiTO naJiM t© 6 © t 

He Haflo ocTaBJiHTB flpyrMM. 
IIOHMMaeiiiB? Kyfla th cMOTpmnB? 

MPA s 

3to Carnal 

$PAy BypcTj 

EmB M He CMOTBM no CTOPOH4 m!8) 

7) eat it all 

8) don*t look aroundi 

KYPTJ 

5 ♦ B rapam© « 

SflpaBCTBy^T© , CMaJifla! 

CMAHilA t 

H npMmjia c bemh npoc tmtbch « 

KypT* 

B u y©3saeTe? 

CMAMHAt 

H©T , HO YtD X© T TaK CJiyHHTBCH , HTO 
mh c BaMH CojiBine HMKorfla h© yBM- 
flMMCH. 

KYPTj 

^TO MOI0 T OJiytlMTBCH? BH TOBO" 

PMT© 3ard,ZIKaMM. I) 

CMA0M : 

H Mfly B OOBSTCKyiO MM C C MID« 

KyPT: 

H© fleJiaiiT© 3ToroJ 

cuaVim. 3 

CJiyna^T©* Kvpt. bh enftHCTB©HHHfi 8) 

H©21 OB ©K * KOTOPOMV H MO TV 210b6~ 
PMTB6H.3) 51 321© CB HMKOTO H© 

3 Ha 10* TaK BOT HTO| ©C JIM CO MHO ft 
MTO-HM6yflB CJiy^MTCH, TaK H Bac 

OH©HB itpohiv, Kvpt « coxpaHftT© 4) 
bot 3TM cnMCKM* B hmx cyflBea 

Bcex HamMX fl©T©ft. Bosbmmt©,K ypT« 

1) you speak in riddles 

2) the only 3) trust 

4) guard 



“ 179 ' 


(Film Unit XIV) 

























^waoiorM M3 $mii>ua (npoflo juk©hm©) 


6 . Ha JiecTHHge. 


KypTt 

rocnoflHH 0 $im©p! 


ilOEPHHHH t 

H Bao cjuymai)* 


KyPT: 

Bh TDOHftjiM 6yiiarM. I) 


ilOEPHHHH t 

Bh omM6a©T©ci>, h HMHoro 

HO pOHHJI 

KyPTt 

Hot, bh ypoHMJIM MX* 3 to 
B axHH© CyiiarM* 

OM0HB 

ilOEPHHHH: 

A OTKyfla ohm y Bac? 


KyPTl 

Ot CwaftflH JaHflcyaH* 3to 
nocji©AHHfl m)6cB6a*8) 

eg 

ilOEPHHHH t 

A BH KTO TaKOft? 


KypTt 

H OflMH M3 MHOrHX... H©M©IJ*** 

ilOEPHHHH 1 

Bh qeoTHHii m©jiob©k! CnacMCo! 


1) You dropped some papers. 

2) request 


- 180 - 


(Film Unit XIV) 
















FILM UNIT XV. 
#MF30-8656 

U.S.S.R. 

C.C.C.P. 

SIMPLIFIED VERSION. 


I. 

Poccmh om©hb dojiBman cTpaHa. OHa b hgckojibko pa 3 6ojiBme 

C1IIA, B 1917 roAy b Poccmm 6 ujiq . pgbojiioiimh m c tgx nop ©e 

CTajIM Ha3HBaTB COBGTCKMft C 0 f 03 MJIM CCCP. 

Poccmh: dojiBrnan vum MajiGHBKaH cTpana? 

Uto 6ojibm© Poccmh mjim CIL t A? 

Bo ckojibko pa3 Poccmh 6ojibiiig CD1A? 

Uto 6hjio b Poccmm b 1917 roAy? 

Kan Poccmk) cTajiM Ha3NBaTB nocji© pgbojiiomhm? 

II. 

TyHflpa - tundra 

Ta ^ ra - taiga (vast Siberian forests) 

IlycTHHH - desert 

Ha ceBep© Poccmm nonTM HMnero He pacTGT. 3Ty nacTB 
Ha3HBaioT TyHApa. noTOM HaqMHaeTCH Tafira. TaM MHoro 
jiocob • IIocji© TanrM MAyT boJiBnn-ie nojiH. 3 tm nojin Ha3HBa- 
jot CT©nM• Ha lor© Poccmm nycTHHM - TaM hmmgpo h©t, tojibko 
necoK. 


Hto pacT©T Ha c©Bepe Poccmm? 
Hto Tano© TyH&pa? 

Uto HanMHaeTCH nocjie TyHApn? 
Uto Tai<oe Taftra? 

Uto mAgt nocjie Tafirn? 

Uto Tano© cTont? 

Uto naxoAMTCH Ha lore Poccmm? 


181 


(Film Unit XV) 


III. 


Kojiokoji - bell 

r\naBHHfi ropoA CCCP MocKBa, 3 n;eHTp© Mockbh ctoht KpeMJiB 
h nepeA hum KpacHaa ruiomaAB. B KpeMji© ctoht oh©hb 6ojiBmofi, 
CTapnfi kojiokoji , KOTopufi Ha3tiBaioT Daps -Kojiokoji h ohqhb 6ojiBniaa 
h CTapaa nyniKa, KOTopyro Ha3HBaioT HapB-riyiiiKa. Ha KpacHoft njio- 
maAw bHBaioT napaAH. 

Ha30BMT© rjiaBHBiM ropoA CoB©TCKoro Coio3a. 

Hto ctoht b i^qhtp© Mockbh? 

TAe HaxoAHToa Kpacnaa njiomaAB? 

Hto ctoht b Kpewjie? 

Hto 6HBa©T Ha KpacHoft miomaAH? 

iy. 

B Mockb© MHoro T©aTpoB, Mara3HHOB, $a6pHK, 3aB0A0B, 
JiaCopaTOpHH. MoCKOBCKHfi yHHB©pCHTeT OAHH H3 JiyHIUHX B CCCP. 

Ectb b Mockb© h cnennajiBHu© bo©hhh© iiikojih, rAe ynaTca tojibko 
wajiBHHKH. PaHBm© b Mockb© 6hjio ohqhb MHoro ijepKB©ft. T©n©pB 
hx ocTajiocB Majio. B Mockb© nacTo 6HBaioT napTHiiHH© KOH$ep©Hri;HH. 

Hto ©ctb b Mockb©? 

HtO MOXHO CKa3aTB O MOCKOBCKOM yHHB©pCHT0T0? 

Kto yHHTca b cneijHajiBHHX boohhhx mnojiax? 

Ckojibko n©pKB©fi 6 hjio b Mockb© Ao p©bo jhoijhh ? 

Ckojibko cefttiac b Mockb© b©pkb©h? 

Hto aacTO 6HBa©T b Mockb©? 

V. 

JleHHHrpaA, XapBKOB, Kh©b, CbqpAjiobck - tok© oh©hb 6ojib- 
iHH© ropoAa. B Cobotckom Coio 3© MHoro «©Ji©3a h yrjia. JPeji© 3 a 
fiojibine Bcero Ha ypajio, a yrjia okojio p©kh £oh b AoHbacoe. 

B 3thx pa^oHax ohqhb MHoro $a6pHK h saBoAos. 


182 


(Film Unit XV) 


KaniiG 6 ojibihm© ropoAa b Cobqtckom Cok> 3 q bh 3 Ha©T©? 
PA© MHoro JKojte3a? 

Tag MHoro yrjiH? 

PA© MHoro 3>a6pMK m 3aeoAOB? 


H©(|)Tb 

VI. 

crude oil 

KepocMH 

kerosene 

B©H3MH 

- gas 

MaTepMH 

- fabric, cloth 


B C.C.C.P. MHoro h©$tm. M 3 h©$tm AeJiaroT KepocHH m 6©hsmh. 

ECTB MHoro T©KCTMJIBHHX $adpMK, Ha KOTOPHX A©JiaiOT pa3HH© MaTepHH. 

Bojibui© Bcero wa r r©pun AeJiaioT ms xjiortKa, KOTopnii pacTQT Ha ior©. 

^to A©JiaioT M3 h©$tm? 

CKOJIBKO B CCCP TQKCTMJIBHHX $a6pHK? 

Uto AeJiaioT Ha tgkctmjibhhx $adpMKax? 

M 3 *iero AeJiaioT naTepMM? 

Ta© paoTQT xjionoK? 


VII. 

IlpjiCTaHb - pier, dock 

Ppy3MTB - to load 

ToBapH - goods 

noABQMHHfi KpaH - crane 

OAHa M3 caMHX 6ojiBinHX pen - Bojira. no h©# xoAmt MHoro 

napoxoAoB. Ha Bojire MHoro npMCTaH©#. TaM Ha napoxoAH rpy3HT 

TOBapn noAB©MHHMM KpaHaMM. JK©JI©3HH© AoporM OM0HB IUIOXH© M MX 

OM0HB MajlO, XOTH CQfttiaC nOCTpOMJIM HOCKOJIBKO hobhx nyT©ft. 

KaKyio dojiBmyio p©Ky b Poccmm bh 3Ha©T©? 

Hto bh mos©t© cna3aTB 0 Bojir©? 

Hto AeJiaioT noABQMHH© KpaHH? 

Hto bh 3Ha©T© 0 K9JI03HHX Aoporax B CCCP? 


183 


(Film Unit XV) 


VIII 


CeflTB 


to saw 


Po*B 


rye 


IlnieHMi^a 


wheat 


IIOACOJIHOHHMK 


sunflower 


B AepeBHHx bc© pafSoTaioT b Kojixo3ax. B KOJixo3ax ua.no 
MaiUMH, HO, BCe-TaKH, Ha IIOJIHX MOXHO yBMAOTB TpaKTopu M kom- 
6a#HH. BojiBme Bcero ceioT po«b m nmeHMuy. Ha lore CCCP 
paCTQT MHOro IIOACOJlHeHHMKOB, M3 KOTOPHX AeJiaiOT MaCJlO. 


Hto bh uoaceT© CKa3aTB o A©p©bhhx b CCCP? 
EcTB JIM B KOJIX03aX MaiUMHH? 

RaKM© MainMHH mokho yBMAQTB Ha nojiflx? 

Hto ceioT b CCCP? 

Hto paoT©T Ha ror© CoBQTCKoro Coio3a? 

Hto AeJiaiOT M3 noAcojiHeHHMKOB? 


IX. 


to dress 


OAesaTBCH 


JIioAm b CCCP padoTaioT MHoro, ho acMByT njioxo. Ohm ohqhb 
njioxo oAeBaioTCH. B Mara3MHax nacTO HM^ero h© 6HBa©T. To, 
*jto mohcho KynMTB b Mara3MHax, oh©hb Aoporo. Ho apMMH b 
COBOTCKOM COIO30 OH 0 HB CMJIBHafl. B CCCP OH0HB XOpODIM© TaHKM 
M MHoro apTMJIJiepMM. 


Kan SMByT jiioAm b CCCP? 

Ran ohm oAeBaioTCH? 

Hto bh 3Ha©T© o coB©TCKMx wara3MHax? 
HTO BH 3Ha©T© O COBQTCKOfi apHMM? 


184 


(Film Unit XV) 


Film Unit XVI 
# HF 30-8656 
U. S • S »R. 

C • C . C • P. 

I. 

KoqesHyTB - to disappear 

Pocchh. CTapaa Poocna, Hanoi* oHa &o p©BO£X)- 

n; hh. B I9I7-om ro^y npoHsonuia peBOjnoijHH. K axacTK npn* 
hlsh 6ojii>meBHKK . Cjjobo Poochh Koq©3Jio c re orpa$HH© ckoS 
KapTH • IIOflBKXJfOB t*0THp© 6jKBM CGCP, GO^H GOB©TCKHX 
CocjHajiHCTiiqecKKx PeenyfixMK, 

B k&kom rofly 6HJia p©BOJS»n;Ka b Pocchk? 

Kto npmneji k BJiacTH b I9I7-om ro^y? 

Kan CTajia nagHBaTBca Poochh? 

II , 

nxos^a^B - territory ct©hb - steppe 

rys^pa - tundra nycTHHa « desert 

Taftra - taiga 

Cob©tckh# Cobo 3 - orpoMHas crpaHa. Era nxo^aflB b 
H 0CKOJIBKO pas 6ojiBine nxomaflH Co©ahh8hhhx IHTaroB. Ero 
apMKH O^Ha M3 CaMHX CHXBHHX B MHp© . COBe TCKHfi C0©3 MOS» 
HO pa3^0JIHTB Ha H0CKOJIBKO r 00 rpa$HH0 CKHX 30KS TyHflpa , 


185 



Taftra, ct©iib, nycTHHH. TyHApa - be3JiecHafl, bojioTMCTan 
MecTHocTB, jieaMT Ha ceBepe CCGP. 

COB©TCKMft C 0103 M©HBffl© CoSflMHeH HBI X UlTaTOB? 

reorpac|)MH0CKH Ha ckojibko nacreS moiho pa3fl©- 
JIMTB COB©TCKMM C0K)3? 

Tfl© jiqkmt TyHApa? 

B TyHflpe pacTQT mhoto a©p©bb©b? 

III. 

xBOMHHfi - coniferous 

3a TyHflpoS, flajiBine k lory, thhqtgh 30Ha xbo#hhx 
ji© coB t - Tawra. Eiu;e flajiBm© Ha ior M#yT cMemaHHH© Jieca. 
I0»h©9 ji© kmt 30Ha nojieM m cTeneL Kr aanaTCKoii qaoTM 
CoBeTCKoro Coio3a 3 aHMMaioT orpoMHH© ny cthhm IJeHTpajiB- 
HOfi A 3 MM. 

B 3anaflHoS nacTM GCCP HaxoflMTc h mqcthoctb, koto- 
pan Ha3HBaeTCfl "nojiocBe n . 3a©cb mhoto 03ep m 6ojiot. 

Kan Ha3HBae tca 30Ha, r^e pacTyT xboMhh© Jieca? 
CMeniaHHH© Jieca M#yT Ha c©B©p ot TaiirM? 

^TO HaXOflMTCH B a3MaTCKOft HaCTM CCGP? 

B KanoM na ctm CCGP MHoro 03ep m 6ojiot? 


I85a 


IV 


B,zjojib k)xho# rpaHPiijH CCCP THHyTCH ropH: KaBKaa, 
Ha&Jip m AjTaii , OTflejmioni,Me Cobqt CKMii C0103 ot Typr^mi, 
MpaHa, Ac^raHucTaHa m KMTaH. ypajBOKHe ropH H/jyT 0 
ceBepa Ha kf h ota©jhk>t ©BponeftcKyro qacTL CoBeTCKoro 
Coroaa ct ©ro asiiaTCKoii nacTK. 

KaKHQ ropH bh 3 Ha©T© Ha ©re CCCP? 

KaKH© rocyflapcTBa HaxoflHTca Ha lor ot sthx rop? 

B KaKOM HanpaBJiGHMH kryt ypajiBCKPie ropH? 

V. 

TaHTb - to melt (intrans.) 

3 HMa b Poochm flJiHHHaa h xojiOAHafl. Becnofi, Kor^a 
Ta©T oner, e 3,hhtb no floporau HejierKO, ho pi ocqhbk> s b 
nepnoA no floporaM Tpy^Ho nepeflBiiraTBCfi. H 0 - 

3TOMy TpaHcnopT Bcerfla hbjihjioh caunu 6ojibhhm mqctom b 
3KOHOMMK© CoBeTCKOTO CoK)3a. 

Kanafl 3Hiia b Poccmh? 

BecHoft h ocqhbio JierKO ©3flPiTB Taw no AoporaM? 

IIo^eMy? 

VI. 

BnaflaTB - to flow into 

Bo.rrBTTTPTHCTFO p©K B CCCP T9q9T B C3B9pH0M H lOXHOM 
HanpaBJi en khx « PJiaBHaH pona - BoJira, KOTopan Bna,n,a©T b 


186 


njqonr botxhrt 9000 asHiq'i SoH*a a*osa 

,* nc ;T P .apa S**'- >0 •***•■»"* : 

O'loaoToaoO t*pj3F orv*o^enoqfj© *t*R£,<9>ftTO ic* ,..{ jsqeaed 



fqOT XK?S TO 'la 4BH ROTRftpXiSE B roq^AYOOT 







^l V w - iOHOe.8 , 0BAC$ ox H aj£ • rlHA v*aaa< «. . Km •;■ 

’ 


j,^ 4 TS 7 M.e,i:eq#n OHftxqfT waaoqoa on , <$©A*o* fto^qen 


a lOToeu - ■" 



Movror N wonqf ieo a t per <1000 a -t: rp?nH»»w ( i« otf 

Ci. * ■ TIE R^SgOTOH ,J31HOQ ~ JBH©q K.'T ,Xft?Hejl.H£qrU:h 




KacnuftoKoe nope. OHa coe^HHaeTCH cMCTewoii KaHaji ob o 

flpyrHMM penaMH. TaKHM o6pa30M, Bojira coqamhhqt nop- 

TH ^gpHoro, KacnsiftcKoro m EajiTHftcKoro Mop@j5t 0 Ho H8fl 

kpoxoakt 6ooiBiiie hojiobkhh bcgto peqHoro Tp&HcnopTa. 

B KaKOM HanpaBJieHJiif tghSt 6ojn,maH qacTB 
p© K B GCCP? 

Kan HasHBaeTca rjiaBHaa pena CCCP? 

Kyfla OHa sna^aeT? 

Ckcxbko penHoro TpaHonopTa npoxo^HT no Boxre? 

VII. 

rpys - load 

KOJI 0 H « track 

neparpyaa-TB - to trans-ship 

CaMHfi BaxHH# TpaHcnopT b Cobqtckom Cojo 3 © - sfl- 

JI3 3HOAOpOIHHii . OKOJIO BOCBMMflQ CHTH HHT H npOE;©HTGB 

Bees rpysoB nep©B03HTCH no *©ji93Hhw Aoporau. Koxe* 

COB@T CKHI XGX83HHX AOpOT IHHp© , B ^BpOH©. ffoOTQMy, 

Ajeh OTnpaBKM rpys ob 3arpaHHn;y t hx Hyxno neperpyxaTB 

b ©BponeftcKwe Bar ohh • 06maa fljrnHa sejie3HHX Aopor b 

COBQTOKOft POCOH B 4 pa3a MQHBffl© flJIHHH flOpOT B CoQflH- 

kShhhx HTaTax. Bojibiiimhctbo i 0 ji© 3hhx Aopor dHJio no- 

OTpOQHO ©m;8 flO peBOJIKAMM. 

KaKoft caMHjft BaxHHii TpaHcnopT b GCCP? 

*lTO npHXOAHTCH A© JiaT B C rpysaMH jKOTOpH© SWT 

sarpanwny? 


187 


VIII 


rio^ewy? 

Tfle dojiBine x©ji©3Hhx flopor b CCCP mjim b CIUA? 

COB0TCKO0 npaBMT©JI BCTBO nOCTpOMJIO MHOTO H0JI03- 

HHX flopor? 

OKpaMHa - borderland c obp©m©h Hufi - contemporary 

oTCTaBaTB - to lag behind T0njioBO3 -"diesel 

IIO^TM BC 0 HOBH© Mar M C T paJIM npOJIOm©HH flJIH CBH3H 
OKpawH c npoMHnui ©hhhmh paiioHaMM cTpaHH. B kohd;© flBafl- 
n;aTHx roflOB 6 hjio 3aK0HH©H0 ctpomtqjibctbo "TypKcwda", 
TypK0CTaHO-Cll6lipCKOft £©JI03HOM flopom, CBH3aBIHQM TypK0- 
CTaH C IOKHOM CjldwpBIO. 

jK© JI 0 3HOflOpOKHHM TpaHCIIOpT B CoBQTCKOM COK)3 © T©X“ 
HM^IQCKM OTCTagT OT SanaflHHX CTpaH. OflHaKO, Ha H0KOTO- 
pHX floporax MOJKHO BMflQTB COBpQMeHHH© T©nJI0B03H. 

^to CBH3HBaioT HOBue m arMc t paJ1 M? 

Korfla 6 hjio saKOHqeHo CTpowTejiBCTBo "TypKCMda"? 

TexHM^eCKH K0Jie3HOAOpO)KHHM t paH cnopT B CCCP 
jrytime 9 qeM b 3anaflHHx CTpanax? 

EcTB TaM T0nJIOBO3H? 

IX. 

rpyHTOBaa #apora - unpaved highway 
npocejioHHaH flopora - country road 

IIIocceHHLix flopor b Cobotckom Cok)3© Majio, b agchtb 

pa3 m©hbhiq , qew b Cpe ^wHe hhhx UlTaTax. 

rpyHTOBBi© h npocejio^HH© floporw npwroAHH ajih TpaHc- 


188 


nopTa tojibko b xoponiyio norofly, 

BOGQMBflQCHT npOI^QHTOB npOMHUIJI© HHOCTM COBQTCKOrO 
COK>3a OOCpeflOTO^QHH B TpeyrOJIBHIlKQ , KOTOpHH JieaMT M9I- 
AY 3anafl hhmm rpaHMijaMM GGCP m 3ana#Hon Cm6mpbio. 

Tfle 6ojibih0 iuoocewHHX flopor, b GGCP mjim b CUIA? 
KaKM 0 ©me ©otb flopom b CCCP? 

Korfla mosho no hmm 03 flMTB? 

Ta© HaxoAMTCH n;0HTp npoMHiuie hhoctm CCCP? 

X. 

BB0CTM ~ to introduce 

HacpuiBCTB0HHo - by force 

Bojibih© no ji obmhli Bcero HacejiQHHfl 3 aHHTo cqjibckmm 

X033HCTB0M. Be© Kp© CTBHH0 padOTaiOT B K0JIX03aX. IIpM 
K0JIX03H0M CMCTOMe 3 ©mjih npnHafljieatMT rocy^apcTBy. 0Ta 
cmc T0Ma 6tuia BBe#©Ha b TpM#n;aTHX roflax, ajih Toro uto~ 

6h rOCyflapCTBO MOrJIO nOJIHOCTBIO KOHTpOJIMpOBaTB cejiBCKoe 
X03HMC T BO M ycneiUHO MCnO JIB3 0BaTB ManiMHH. 

Ho Kp© CTBflH© He 3aXOT0JIM pa 60 TaTB Ha HyjKOft 3©MJI© 
m CTajiM yxoflMTB b ropo#a. Torfla coBQTCKaa BJiacTB CTa- 
Jia npOBOflMTB K OJI JI© KTMBM3aHjMK) H.a.C M JI BCTB9HHO* KpeCTBHH 
h© nycnajiM b ropo#a, mm npMKa3HBaji m BCTynaTB b kojixo- 
3H, ot6 Mpaji m y hmx b 9 cb xJi©6. 

nepBHM p© 3 yJIBTaTOM KOJIJieKTMBM3an;MM 6nJI OTpaTTTHH# 


I88a 



XAotoi i^nrofTor a OHeUu Tqon 


■ 

' 












X<! ~ O K ; ’ © t? TO«£ It JT O J H 




' £ > V>ri' ...ft-'cc ■ :K o: .o 

v 

fioav e. ( d ■ S'podfcq ?,r , . s e« ©H to&Gy < 

■ • - .■ -• **. a - ■ * ■ A,< ' x- 









rojiofl t pMflijaTHx to^ob. 

KaKo© rJiaBHo© aaHHTM© Hacejie hmh CCCP? 

Tfl© pa6oTaK)T kpqctbhhq? 

Homy npMHafljieaMT 3 ©mjih b CCCP? 

3aq©w 6uJia BBe^eHa cwcTQMa kojixosob? 

KpQCTBHH© npifHHJIIl HOByiO CMOTQMy? 

KaKMM o6pa30M aacTaBJiHJiM kpqotbhh BCTynaT b 
B K0JIX03H? 

RaKOB 6 hJI p©3yjIBTaT K0JIJI©KTKBM3ai];MM? 

XI. 

mneHHija - wheat 

noflcojiHQ^HHKii - sunflowers 

SenmPiHH b KOJixo3ax pa6oTaioT Tana© thxqjio, nan m 

liyXUMHH. 

B losHoft nacTM CCCP ceioT, rJiaBHNM o6pa30M, mnQHHijy. 
C©JIBCKO© X03HMCTBO flaQT T3KS © Ta6aK, h6jiokh, flrOflH, 
pa3HH0 OBOHJ.M M $pyKTH, MhOTO riOJI©ft 3ac©HHO nOflOOJIH© HHM“ 
Ka mw, M3 kotophx noJiy^iaioT paCTMTeJIBHOQ MaCJIO. 

BOJIBIUMHCTBO padOT B K0JIX03ax npOM3BO#MTOH IipMMM" 
TMBHHMM CnOCo6aMM, HO BCS S© TpaKTOpH, K OM6 a#HH M flpy- 
rw© MaiBHHH MOKHO HQpQflKO BCTp© TMTB Ha K0JIX03HHX nOJIHX. 

JRQHmMHH b KOJixo3ax flejiaioT tojibko JiSrKyio pa6oTy? 
^TO flaeT CQJIBCKO© XJI3flftCTBO? I 

^ITO flQJiaiOT M3 nOflOOJIHQHHMKOB? 

B KOJixo3ax pa6oTaioT xaaniMHaMM? 


189 


XII 


cKOTOBOflCTBo - cattle breeding 
TBopor - cottage cheese 

CKOTOBOflCTBO B CCCP OTCTaeT, M CKOTa CGM^iaC M6HL- 

nie, qeM 6 bijio po peBOjnoijMM. Msca Majio, w oho ohqhb p o~ 

poro. To se caMoe mokho CKa3aTb o MOJioKe , MacJia , tbo- 

pore w Apyrwx mojiohhhx npoflyKTax. 

Bojibniyio qacTL cboqm npoAyKpMM kojixo3h cflaioT ro- 

cyflapcTBy. OcTa.TOK flejiKTCfl uejapy KOJixo3HMKaMM no hm- 

cjiy TpyflOflHew* 

£0 peBo.iioi];HPi 6 lijio MeHBine CKOTa, qeM TenepB? 
MhOTO Ha pLIHK© MHCa M MOJIOHHHX npOflyKTOB? 

HpHH Ha Bee 3 tm npoflyKTH flenieBne? 

%o ^ejiaioT KOJIX03HMKM co cbommh npoflyKTaww? 

A ny^a MfleT ocTaTOK? 

XIII. 

y^ejinTB BHMMaHwe - to pay attention 
BHCTaBKa - exhibition, fair 

^HCJIO TpyflOflHQH 3aBMCMT OT KBajI M^HKailjMHT pa 6 OTHHKa 
h KOjmnecTBa npopadoTaHHHX hm flHefr. TaKMM o 6 pa 30 M, 
cneu;MajiiicTH b KOJixu3ax: TpaKT ophcth, arpoHo mh, aflMMHw- 
cTpaTKBHne pa 6 oTHMKM, nojiynaioT b hqckojibko pa 3 6 ojn.me 

npOCTOrO KOJIX03HMKa, 

BojiBuroe BHHMaHH© ype jineTca nponaraHfle kojixo 3 Hhx 
MeTo^OB pa6oTH. C otom n;ejiBK3 qacTO ycTpaiiBaioT ch 


190 







CejIBCK0~X03HMCTBQHHBlQ BHC T aBKH * 

Ot qero 3a bm c mt hmcjio TpyflOflHefi? 

ripocToii K0JIX03KMK nojiynaeT 6 ojibiii© Bcex? 

^aCTO dHBaiOT CejIBCKO-XOSHMCTBeH HLie 
BHCTaBKM? 

xiy. 

MGKonaeMoe - mineral 
h;mhk - zinc 

mq^l - copper 

cBMHen; - lead 

TjiaBHBie ycwjiMfl cobbtgkoh bkohommkm HanpaB jiqhh na 
paaBMTMQ THHejioM npoMBinuie hhogtm . B Poocmh ohqhb MHoro 
no jiq 3 hhx MCKoriaeMHX: ®ejie3a, Mep, c BMHn;a , 30Ji0Ta m 
T an flajiee. HeMajio t©m Tanace kembhhoto yrjin. 0 co6qhho 
ero MHoro b /JoHdacc© m Kyadacce. 

HecMOTpfl Ha CTaxaHOBCKoe ABwaceHne, yrJiH b Cobqt- 
CKOM CoK>3e flOdHBaeTCfl HG^OGTaTOHHO • 

*Ito GTapaeTCH pas butb CGCP? 

B Poccm qctb noji@3HBia HCKonae mhq? ? 

r#e dojiBiue Bcero k aM ©hhoto yrjiH? 

/Iobojibho jm flo6HBaeTCH yrJiH b CCGP? 

XV. 

cLTpBe — row materials 

r jiaBHBi© npoMBiniJieHHHe paftoHBi oTpaHH jiesaT okojio 
ropo^oB: JTeHMHppafl, MocKBa, Kmqb, XapBKo b , ^BepflJioBCK. 


191 


B rrocjieflHQe Bpeun cobqtckos npaBMTQx bctbo nep©H0CHT 
npoMHinjieHHHe peHTpN Ha boctok, no 6 xnxe k 6 aaaM cbipBfl. 

Oco 6QHHO0 BHMMaHMQ Yfl©JIH9T CH pa3BHTMK5 T 8 X BHflOB 
IipOMHlHJIQ HH OCT JI , KOTOpH© MrpaKJT Ba*HyK> pOXB BO Bp©MH 
B Oft HH• 

TjiaBHaH m©t axxyprunecKan 6 a 3 a CoBGTCKoro Coroaa Ha 
xoamtch Ha ynpaKHe, b paftoHe /^ 0 H 6 acca h KpwBoro Pora. 

OneHB 6oxBinoe 3 Hane hh© muqqt Tanse MeTaxxyprnnecKaa 
npoMHmxeHHocTB ypaxa, 

TA© HaxofiflTCH rxaBHHQ npoMHnix© hhhq paftoHH? 

Ky^a TenepB CoB9Tcr<oe npaBWTex bc tbo CTapa ©tch 
nepeHQCTM npoMHinxe hhhq e,0htph? 

rionewy? 

KaKyro npoi/Hm jighhoctb cTapaioTcn pa3 bmtb 6oxBme 
Bcero? 

V Re rxaBHan we t axxypruneCKan 6a3a CoB©TCKoro 
Coiosa? 

XVI. 

nyryH - cast iron 

BunxaBXHTB - to melt 

TOBapti mnpoKoro noTpetfxeHHH- articles of mass consumption 
xSh - flax 

xxohok - cotton 

^yryHa h CTaxw b Cobqtckou Cok >39 BHnxaBxneTCH babo© 

M0HBIU© , neu B CoeflMHgHHHX UlTaTax .TOXBKG HQ3HanHTeXBHaH 

nacTB BHnxaBKH nyryHa m CTaxu ma^t Ha npoM 3 Bo^cTBo To^a- 

poB MpoKoro no t p ©6 jighmh« IIohtm BecB nyryH m bch CTa xb 


192 


m c no jib 3 yioT oh a jih a^jibho finer o pacnzpeHzn npoMLinjieHHooTz 
M RJ1H. BOQHHBIX HySfl . 

BaJKHyiO pO JIB B 3KOHOMMK0 CoBQTCKOrO C 0 K) 3 a MrpaQT 
-TQKOTMJIBHaH npOMHUUIQ HHO CT B • PaHBia TJiaBHHM CHpB^M 6HJIZ 
JieH z nepoTB. TenepB b tqkctzjib h o fi npoMunjieHHocTZ nz~ 
Poko zcnojiB3yeTcn TaKsce z XjionoK. XjionoK pa 3 boaht b 
CpeAHeft A 3 ZZ. 

Ky^a z a 8 t zyryH z OTajiB 6ojiBne Bcero? 

^to paHBme cjiyxzjio rjiaBHHM cnpBeM b tqkotzjib- 

ho$ npoMHnjie hhoctz? 

A hto TenepB nzpono ynoTped JineTCH? 

Ta© pa3 BOaht XjionoK? 

XVII. 

h©(|)tb - crude oil 

Hy®Aa - need 

CoBeTCKzft Cok) 3 6oraT ho^tbio. ^1,0 BTopoii MzpoBoii 
boIihh HecpTB AodHBajiacB, rjiaBHHM o6pa30M, Ha KaBKa 3 e , b 
paiioH© KacnzfioKoro wopn, TenepB He$TflHaa npoMHnjie hh oc tb 
pa3BZJiacB Tazie b hobhx odjiacTHx, ^exan^zx wesAy Bojirofi 
z ypajroM* 

B OTpaHe ecTB MHoro pen, KOTopne MoryT 6htb zc~ 
nojiB 30 BaHH p,jm nojiyzeHZH sjreKTposHeprzz. Cefinac b Co- 
B0TCKOM COK)3© 3 JI6KT pO 3H©prZZ H6 A O C T aT OH HO , XOTfl y»6 pa- 
6oTaeT MHoro KpynHHX rzAPo-sJieKTpocTaHuzii: AnenpooTpoft , 

\ 


I98a 


?; i ooKHeKiniiMoqn RK&eqKisoBq oaeiufteRciTUBh ha a ROTcr£edR.onoN 

Te.sq'Ui BeoroO ono i-toO ©hhiich: a noq oiYUXBa 

Kr,wd uSaquo uuksaili ©maHs*! «a to ohh © jihmm oqn rbh<.ik.ntoh©t 
- ma m TooHH©x.i m oqn ft oh d iln t o h © t e aqeneT .a r i qe» n h jf. 
a THRosK^q xonoxX *HonoRX n ©xhbt ROTeYea&otiQK o»oq 

.nksA tf©HA©qO 

?oqeoa ©waned aiusTO n HYnY* tSah ^AY* 

-dUNTOHOT a MSaqno iiHHQBxn ontf*Y*-o e ih q otF 

V a* oh n at .n xwot&-: tcm 

VW&mw&wiv6tttoaxa$nu ^mmem stf t 

V HO no AX ' 


IIo ebtrro - iT$en 

fioaoqNU ftoqoTfl oft .cidT^ea tbto5 eoioO ftNHOTaeoO 


a** io»K e ,x.iBHMoqn RfiHRT$8fl ^qene? .Rqfcy ^lOHoftxnoBH ©Hoft q 
Idrt'v M iP!*+u «KjMMte& , xR^Oaxn xfcift* of e*x*¥ dtfJOTjrtOfcSq 


-os A? rfd f*Y‘? 05 i jyqotoj ,: >q o^om itar ©H/sqvc fi « 


-Aq ©at "tox t ohrc j, toOa©r i«!nqBHCoqi?H0A€ ©eaoO mohotoc 
. ft iqT qr • Hft f r t>; ©If ■ - oq a#‘ * ! XUHRYqH o*iohm t ) 





BOJIXOBOTpOM , CBMpBCTpOIl m flpyrnQ, 

IIO^TH BCfi 3JI©KTp0 3H9prMH MfleT Ha Hy&flH npOMHIUJI© H - 
HOOTM. 

B COBQTCKOM 00103© ©OTB H©$TB? 

Ta q flobHBajiaoB h©(J)tb #o Btopom Mmpobom 

BOMHLI? 

A rfle noTOM HauuiM hqcJjtb? 

■^TO HOnOJIB3y0TCfl flJIH ITOJiyq0HMH 3Jr©KTpO3H0prilIl? 
ZlOCTaTO^HO 3JI© KTp03HeprHM B COB0TCKOM COIO 30 ? 

XVIII. 

oceTp - sturgeon 

nymHoft 3B©pB - fur bearing animal 

uex - fur 

B Mopnx m OKeaHax CoBeTCKoro Coi 03 a jtobht mhoto 
Ph6h. KaonwiicKoe Mope M3B©ctho cboiimm oceTpaMM. 

Cob©tck vlVl C 0103 boraT jiqcom. B ©BporiQftcKoii Haem 
CoBQTGKoro Coio3a MHoro Jieca yat© BHpybjieHo. B Cn6npM 
sanacH jreca orpoMHH, ho bbibo3mtb ©ro M3 3 thx paftoHOB 

OHQHB TpyflHO. 

B Po cc mm ©ctb MHoro nyiuHoro 3Bepn. Mexa HflyTT* b 
OGHOBHOM, Ha 9KCn0pT . BC© OXOTHMKM M pn6 OJIOBBI o6 r B©flMH©- 
HH B K0JIX03H. 

MHoro ph6h jiobht b CCCP? 

Ffl© b CCCP bojiBiue Bcero Jisca? 

Othqto ero Taw Majio pybHT? 

Ky#a MflyT wexa? 


193 


XIX. 


CoBQTCKaH nponaraHfla yTB©p«Aa©T, *ito b CCCP 6ec- 
MaccoBoe o6n©CTBO. Ha cawoM rqjiq , KJiaccN TaM qctb, & 
paaHwija Mea^y humk orpoMHa. K BHcmeMy KJiaocy npMHafljiexwT 
napTHftHafl BQpxymKa, BHcmuft KOMCOCTaB, bkahh© y^SHue m 
HH ienepH, H3BecTHH0 apTMCTH if flpyme pa6oTHWKH ucKycoTBa, 
3Ta HetfojiBinafl rpynna *mbSt Jiyam© ocTajiBHoro Hac© ji© hkh• 

Cji© flyiomnii KJiacc coCTa bjihiot : cp©flHHft KOMaHflHH^ cocTas, 
h cn©n;MajiifCTH bo bc©x o6jracTHX HayKH m tqxhhkw. 

OcBOBHan Macca oobqtckmx jnofleil - pa6o^n© k kgjixqb- 

HHKK - HK3HT 71 % KJiaCC COBQTCKOrO o6n^QCTBa. 

Hto yTBopxcflaeT coBeTCKaa nponaraH^a? 

3to B©pao? 

Kto npwHafljieaHT k BHcnreMy KJiaocy? 

3tm jijoak xoponro BHByT? 

Ha Koro coctokt cp©AKnti KJiacc? 

K naKOMy KJiaocy nppiHaAJiesaT kojixo3Hmkii h 
pa6 o*ih©? 


XX. 

Ha TQppifTOpjfM PoCCJfJf * JfBeT OK OJIO CTa BOCBUKAQ CflTH 
pa3jmqHHX Han;iioHajiBHtrx rpynn. CaMaa tfojiBmaa rpynna - 
pyccKM©. 3a hhmz MflyT ynpaMHi^H si 6©jropyccu.Ha c©B©p© utirsyT 


194 


3 CKMMOCN. B CpQflHeft A 3MM - TypKMQHH, T aflKMKM, Y360KM M 
KnprM3H. Ha KaBKa3e MByT rpy3MHH, apMHHe, m flpyrwe 
HapOflHOCTM. 

Bee pejnirMM b Cobqtckom Coio3e npecjis^yjoTOH. UjepK- 
bqm Majio. Ho bo BpeMH 6 or ooJiyace hz ft b i^epKBax mhoto jiio- 
flQii. 

Ckojibko HapoflHocTeii xwBeT b Poccmm? 

^anafl cawan dojiBnian rpynna? 

Kanwe flpyrwe HapoflHocTM bh 3 HaeTe? 

MHOrO EfGpKBGM b CCCP? 

A Hapofly b i^epKBax Majio? 

XXI, 

BOJIBIHOe BHWMaHMQ y#© JIH0 T Cfl o6yH0HMK) MOJTOflOrO nOKO- 
jieHMH. /[jth noflroTOBKM o$Mu;epcKMx Ka^poB cymecTByioT cne- 
rtnajiBHHe CyBopoBCKMe m HaxwMOBCKwe yqiuMma. 3 to saKparae 
yaedHH© 3 aBefl 6 HMH, ny^a, Kan npaeiuio, npMHMMaioTca tojib- 
ko fleTH oc|)Mri;epoB. G nepBoro ahh yaeHMH fleTeft npuyaaBOT k 
boqhhoM flMoii;MnjiMH0, 

B cTpaH© ecTB MHoro bhciumx yaodHHX 3 aB©fleHMft, Bee, 
OKOHaMBIUM© y H M B© pCHT0T MJIM MHCTMTyT, flOJIKHH exaTB Ha 

padoTy b to m©cto, ny^a mx Ha3Haaai0T, 

B KaKHX niKOJiax noflroTOBJiHiOTCH o^Hi^epcKwe 

KaflpBi? 

Kto Mom©T nonacTB b 3TM ytiwjmma? 


I94a 


n ; , •: . .a- ' • ,mh in vt 




. 

-©no 

•HTldq, o*t .**:& x*IT „ e^.^ayO 

—d H.OT RO 

x Taixsvywgn f©& rmio x : 






, 0C : .' • NV .... S'i XX::-: 'Oh"- FIOHS OKU 0© H TO 






' v 7 iif X > - an ,. ; . , 









MHOrO JIM BBTOIUMX y^eSHHX 3 aB 0 ,H 0 HMM B GCGP? 

Kyfla flojiKHH exaTL cTy#eHTti no oKOHnaH mm 
OO pa3OBaHHH? 

xxir. 

padcKMM - Slav© (adj.) 

Bee 3aBOflH, $a6pMKM n mqjikmq MacTQ pc km© npnHa#jie~ 

acaT rocyflapcTBy. Tpy^oBan flMcnjMnjfiMHa Ha 3aBOflax ohqhb 
noxosa Ha BoenHyio flMciiiMnjiMHy. 

IIpO(|)COI03H, $aKTM^9CKH , HQ MrpaiOT HMKaKOft pOJIH, 

Ha MHornx CTpoftnax ncnojiL3yQTCH pa6c kmm Tpyfl 3a« 
k jnone hhhx• Cothm koH ijjiarepe m pa36pocaHH no Been Tep- 
pMTOpMM COBQTCKOrO C0K)3a. HMCJIO 3 aK JIIOHe H HHX B 3TMX Jia~ 

repnx, no HeKOToptm cbqaqhmhm, floxo^MT flo I5-*tm mhjijim- 
ohob. PejKMM b jrarepnx cypoBHM, pa6o*ra THatejiaH, nMTanne 
HeflocTaTonHoe , ihjiiiiuhhq ycjioBMH njioxiie. 

Ho M BO BCeM COB9TCKOM GoK)3Q , flJIH OrpOMHOrO 60 JIB- 
mMHCTBa jnofleH, jkm3Hb waaio o tjim nae tch ot atM3HM b kohd;- 
jiarepe. 

Kowy npwHaflJieacaT Bee 3aBOflH m $a6pHKM 
b CCCP? 

npO$COK> 3 H MMQIOT dOJIBIHOQ 3 HaHG HM9 B CGCP? 

RaKMM Tpy^oM mhopo nojiB3yioTCH b GGCP? 

Ckojibko ko HijJiarepeM b CGCP? 

KaKOM pe hmm b 3tmx JiarepHx? 

A Hapo.n b CGCP shbgt mhoto jiynnie, new 
3aKjnoneHHLie b KOHpjiarepnx? 


195 


XXIII. 

pyKOBOflflmHM - leading 
noflflepjKHBaTB - to support 
no pa 6om;e Hue - subjugation 

B KOMMyHMOTnnecKoft napTwn CoBeTCKoro Coio3a okojio 

bo c bmm mmjijimohob hjiqhob. Ha BC9x pynoBo flnmiix nocTax 

CTOHT KOMMy HWCT H • OOBQTCKO0 npaBMT0 JIB CT B O HQ MO3K0T 

paocHHTHBaTB Ha to, hto Hapofl dyflQT noflflQpHCMBaTB cym,©- 
CTByioipfft peacwM. 

Bo BpeMH BTOpoM M MpOBOM BO&HH 3HaHMT ©JI BHaH HaCTB 
coBQTCKoro HacejieHiiH noMorajia H©Mu;aM, HaflenoB oobo6o" 
flHTBCH OT KOMMyHM3Ma. 

IJqjib KOMMyHH3Ma - nopadomeHwe Bcero MMpa. IIosto- 
My COB© T CK OQ npaBHTQJIBCTBO yfl©JIH0T OCo6o© BHHMUH H© 
CBOQfi BOQHHoJl MaiflMH© . 

Gkojibko hjiqhob BK.n.CCCP? 

COBQTCKM© JIIOAM CTOHT 3a CB06 npaBHTQJIBCTBO? 

Bo Bp© MH BTOpO H MHPOBOH BOilHH Hacejl© HM9 6 O'- 
POJIOCB C HQMDjaMM? 

KanaH ijojib KOMMyHM3Ma? 

xxiy. 

onupaTBCH - to rely on, to lean upon 

Pa3BMTH© cnopTa nrpa©T BascHyio pojib b nomroTOB- 
K© b oe h ntix KaflpoB. 

Cmra CoBQTCKoro Coio3a b ero apMHH, onnpaiomeMCH 
Ha C OBp© M© HHyiO TQXHMKy, 


196 


Cjia6ocTB CoBQTCKoro Coro3a - ruioxoft TpaHcnopT, hq- 
flOCTaTOK npOAOBOJIBCT BMH , OTCyTCTBHS 3a7HTep0CO- 

BaHHOOTM M H9 fl OBO JIB C T B O OpQflH HaCQ JI9H Mfl • 

TaKOB Cobqtckmm C0K)3 ceroflHH. 

B cnopr MrpaeT BaxHyro pojrt? 

B CMJia CoBQTCKoro Coi03a? 

HaO0JieHM9 flOBOJIBHO? 


197 






■ 

• • • 

' 





198 




Film Unit XVII 
// TF 8-1765 
SIMPLIFIED VERSION 


MEDICAL SERVICE OF THE AIRBORNE DIVISION 

PABOTA ME^MmiHCKMX HACTEM B nAPADUOTHO 
/JECAHTHOM 

A. KEY WORDS AND EXERCISES. 

I. 

doeBaH 3a^a^a- combat mission 


BUCaflHTBOH 

- to land 

THJI 

- rear 

3 aXBaTMTB 

- to capture 

CObpaTBCfl 

- to gather 

pa3pa6oTaTB 

- to work out 

oboysflaTB 

- to discuss 

flOTaJIM /PI./ 

- details 

BHoaflKa 

- landing 

Bpyrcean odqpcua 

- perimeter defense 

CBH3B / F./ 

- communication 

yonex 3 aBMCMT or 

- success depends on 


napamioTHO fleoaHTHafl ambhshh nojiy^mia doeByio 
3a,na^y - BHca#MTBCH b Thuiy npoTHBHHKa m aaxBaTHTB 
aapo/jpoii. 0$nn;epu ^hbhshh oodpajmcB y Ha^ajiBHMKa 

199 




mTaba, mto6h paspadoTaTB njiaH. Ohm odcyraflajiH Bee 
fleTajiM* Tfle 6yfleT BHca^na? Kan opraHM30BaTB Kpy- 
roByio o6opoHy? Kan 6y#eT padoTaTB cbh3B? Ot Boe- 
ro 3Toro saBHCMT ycnex onepaijMM. 

Kanyio doeByio 3 a#any nojiy^MJia 
napamioTHO flecaHTHaa ^mbm3Mh? 

Tfl© codpajiMCB o^Mijepn? 

3aH©M o$MijepH codpajiMOB? 

KaKM© BonpooH Ha^o 6 hjio 
peniMTB? 

*Ito 3aBM0MT ot npaBMJiBHoro 
peineHMH otmx BonpocoB? 


II. 


$M3M^Q0Kaa TpOHMpOBKa 

napannoTHan BHinKa 
HaoTonmiiii 
npM3 ©MJIHTBO H 
mioapB 


calisthenics 
mode tower 
real, trained 
to be landing 
clerk /mil./ 


B 3T0# #MBM3MM BO© OKOHHMJIM Cn©QMaJIBHH0 DIKOJIH 
flora napamioTMCTOB. TaM ohm mhoto 3aHMMajiHCB $M3M- 
vqokoVl TpoHMpoBKoii (no^roTOBKoii) . Ohm npnrajiM c 
napannoTHoft bhuikm. HacTOHinHii napamioTHCT flOJiaeH yue tb 
xoponio npnraTB m iipm3©mjihtbch # yM©TB npnraTB floju&eH 
KasflHii, HaHMHaa ot rmcapH. 


200 


HtO OKOHUMJIH COJI^aTH H 
0(J)HIi;©pHI ©Toil AM BH3MH? 


^QM OHM MHOrO aaHMMaJIMCJb 
B 3T0ft lirKOJIO? 

OTKyfla ohm npurajiM? 

^TO AOJIS0H y M0TB Kara^Hii 

napaiuioTMCT? 

Kto aojikoh yweTB npnraTB 
c napamioTOM? 


Ill* 

nocaflKa 

BBIJIGT 

C paCOBQTOM 
Tpy3MTB 
boenpnnacH 
opyacw© 

npni];en /npMhenKa/ 

MMy^eCTBO 

TIOK 

yKjraAHBaTB/yjrosMTB 

HOCHJIKM 

M©pKaM 0 HTH 

6mht 

6eJiHft xajiaT (med.) 
rpy 3 

HaiMMaTB KHonny 

zOl 


loading 

take off 

with the daybreak 

to load 

ammunition 

weapons 

trailer 

supply 

pack, bundle 
to pack 
stretcher 
medical supplies 
bandage 
white coat 
cargo, freight 
to press a button 


Hombio HauajiacB noca^na na cawo ji e th • Bliji©t 
flOJI&eH 6 hTB POBHO B 2.00, G paCCBGTOM flOJTKHO Ha- 
^aTLCH HacTymreHne. B caMojieTU norpy3MJ!iM 6oenpn- 
nacH, opyEMe, ajicmiih c npnii;enKaMM, tiokm c MeflHi^MHO kmm 
HM ynjecTBOM m T.n. B tiokm yjioiKMJiM hochjikm, ueflUKa- 
MeHflH, 6 mhth flJiH nep©BH30K, MaTpacH, o^eflJia, 6 ©jih 0 
xajiaTH flJiH Bpa^eii. Bo BpeMa BHcapH rpy3H cdpacHBa- 
iotch aBTOMaTMMecKM• IImjiot HajKMMa©T KHonny, m rpy- 
3H cnycKaioTCfl Ha napamioTax. 


Kor^a HaaajiacB noca^Ka? 


Kor^a aojikoh 6htb bhji©t? 


Kor^a flojiKHO 6 htb nacTyiureiiHe? 

Hto norpy3HJiM b caMoji© th? 

*lTO HaXOflM^OCB b TioKax? 

Kan cdpaoHBaioT rpy3H? 

^to ^©jra©T rouroT, hto 6 n 
c6poCMTB rpy3H? 


iy 


OpMGHTMpOBaTBCa 


nepBHM A 0 JIOM 


- the first thing 

- to orientate oneself 


tiyscaa 


- foreign 

- injured 


noc TpaflaBnme 


Ha moot© 

06c Jiy^MBaTB 


HeyflauHo 


cpoHHo 


- unsuccessfully 

- urgently 

- on the spot 

- to take care of 


202 


IlOCJie BHCaflKW lia^O OpIlQHTHpOBaTBCH • OpiiGHTJtpo 
BaTBCH Ha Hy)KO i\ 3QUJIO B TQMHOT0 OHQHB Tpy^HO. yjK© 
npn BHca^K© 6ujm nocTpa^aBiuw©, KOTopne Heyflaano 
npn3©MJimiMO b• Mm na#o cpoano flaTB nepByK) noMoip>. 
MX Ha M9CT© 060 JiyjKMBaJIM caHMTapH. 

^to Haflo 6 hjto c^ejiaTB nepBHM 

fleJiOM? 

Korfla Tpy^HO opMeHTHpoBaTBca? 

HtO CJiyHMJIOCB npM BHCaflK©? 

IIoH©My 6 hjim nocTpaflaBiune? 

KoMy 6 HJia HyKHa riepBaa nouomB? 

Pfle 06 cjryiKHBajiM nocTpa#aBnnix 

caHMTapH? 

y. 

cneniHTB - to b© in a hurry 

npn6jiMJKaTBCfl - to come close, approach 

ycneniHaa - successful 

Bee oueHB cneniMJiM npwro tobhtboh k bora, noTO- 
My a to npnb JiMjKajioH paccseT. Ilocjie the e jio ro boa flu 
BM 3 MH 3axBaTMJia aapoflpoM. Onepan,iifl 6mra ycneninoJi. 

IIoaeMy Bee oughb cnemmiH? 

*Ito c^ejiajia ^mbhshh? 

Kano# bHJia onepai^Mfl? 


203 




FILM UNIT XVIII 


HAPPY SAILING 
/CHACTJHBOrO IUABAHBH ! / 


204 


(Film Unit XVIII) 


I. COMMENTS TO THE FILM 


1) The movie takes place at the Nakhimov Navy School 
on the Island of Kronstadt, just outside the harbor of Le¬ 
ningrad. Nakhimov was a famous Russian admiral of the time 
of the Crimean War. In November of 1853, he was in command 
of the Russian naval force which destroyed the Turkish 
fleet on the Black Sea. During the Crimean War, he was en¬ 
trusted with the defense of the City of Sebastopol, and was 
killed in action in July, 1855* while commanding the he¬ 
roic defense of the fortress. 

Kronstadt has long been a naval stronghold of Rus¬ 
sia. Several times this naval base has been a seat of re¬ 
bellion, notably in 1905-6 against the Czar, and again in 
1921 against the Bolsheviks. 


2) In most Soviet films, some kind of propaganda is 
found, either for some cause or against some cause. The 
cause in this film is the establishment of the Soviet Navy 
as a world force. At the time the movie was produced (the 
late 1940*s), there was much All-Union propaganda and agi¬ 
tation for the building of a strong navy. Many epithets 
used for the Soviet Army are here employed to describe the 
projected navy (invincible, glorious, etc.). The present 
size of the Soviet Navy bears witness to the effectiveness 
of that drive. 

The film emphasizes that all young people, no mat¬ 
ter what their age, can participate in the strengthening 
and defense of their country. 


3) The main character of the film is a boy of about 
12 - Sergei Stolitsyn. Sergei is presented as an example 
for all young people*s emulation. During the War he joined 
the Soviet Navy and became a national hero. Throughout the 
film Sergei is portrayed as having all the finer traits of 
character - diligence and intelligence (shown by his class¬ 
room work), military bearing, honesty and true comradeship. 
Note in particular the two instances in which he is falsely 
accused. 


205 


(Film Unit XVIII) 


4) In conjunction with the basic theme we are shown 
the glorification of the Soviet leader as personified by 
the Company Commander, Captain Levatov. Here is the all¬ 
wise, all-seeing father and judge - the human understand¬ 
ing and comradeship of a father for his boys and the 
stern justice and discipline of a true leader. This part 
is played by Cherkassov, the famous Soviet movie actor 
(not to be confused with the famous Moscow actor of the 
same name, who plays the lead in "Suvorov”). 


5) Although generally understandable, the trend of 
the dialogue is sometimes lost in the colloquialisms used 
by the boys. These colloquial expressions are not peculiar 
to Soviet military schools, but are found in general use 
throughout the Soviet Union. 


* * * * * * * 


206 


(Film Unit XVIII) 


n. fl-^icTByioMi] jdiha 


Ha*iajiBHifK iekojih (aflMMpaji) 

KowaHflMp 5-oft poth, KaniiTaH Ill-ro paHra 

( Captain 3rd class ) JleBaTOB 

CTapniMHa KopKMH 
Mn^maH ByjiaT 

BocmiTaHHMKM (students ) JeHiiHrpaflcKoro HaxMMOBCKoro 
y^njinma ( school): 


Cepreft C«rojiMri;HH 
Bopwo JIaBpoB 
3a^QB ( M Ma*iTa n ) 
Chqsckob 
M apaT KepwMOB 

IlMOHep ( boy scout ) C-rena Ckobopoakmh 


KPATKOE COUBPJKAHKE . 

^0HCTBM9 npOMCXOflMT B HaXMMOBCKOM (BOQHHO- 
MopcKOii) y^njiMme b KpoHmTaATQ. (KpoHinTaflT - KpenooTB 
Ha ocTpoBe b $hhckom 3ajmB© okojio JI©Hj!Hrpa#a) • 

Tepoii $HJiBMa - MajiBTO IS JT9T - Ceproii Ctojiiiii;hh . 
Bo Bp9MH s-ofl MwpOBOft BOifHH, HQCMOTpH Ha CBOfi MaJIO~ 
JlQTHPlil BOSpaCT, CtOJEHI^HH yiiaCTBOBajI B BO0HHHX flQftCTBH 
hx CoBSTCKoro $JioTa b Bqjiom Mope. 3a otjihhm© ( dis¬ 
tinction ) b 6ok> h npoHBJieHHyio xpa6pocTB (bravery) oh 
6hji HarpaxfleH (awarded ) hockojibkmmm m© #aji hum h opflQHa 
im . 


20 7 


(Film Unit XVIII) 




Ilo OKOH^aHMH B-ropoft Mmpobo# bo$hh Ctojimijhh 6hji 
nocjiaH b HaxMMOBCKO© yanjiMm©. B oto bp©mh b iukoji© 
oscMflajiooB npudHTiie aoKaflpeHHoro MHHOHocija (destroyer ) 
"AflMMpaji HaxMMOB 0 . Tpynna BocmiTaHHMKOB 5-oft poth, 
npaftH© 3anHT©p©coBaHHafl stmm oo6htm©m ( event) , pa3pa- 
doTaaa TaftHLiS (secret ) nJiaH "pa3B©flKH ropMsoHTa". 
MajiB^iHKH CTapajiMCB nepBBTMM odHapyxMTB (to discover ) 
noHBJi© hm© KopadjiH n aojiosmtb 06 stom HaaajiBCTBy, Ha- 
A©acB, TaKMu o6pa30M, nepBNMM nonacTB b rmaBaHne. 

Ohm nocBHTHJiM CTOjiMi];HHa b cboio TaftHy (they let Stolitsyn 
into the secret)* 

"TjiaBHHft UlTad 3a^oBopI^KKOB ,, ( conspirators ) Ha- 
xoflHJicH b daniH© (tower) innojiBHoro 3flaHMH. OTciofla ohm 
BejiM CMrHajrM3au;Hio c Blin (BeperoBoii HadjnoflaTejiBHHft 
nyHKT) , 3aB©flyK)in;MM KOToporo 6hji nMOHep CT^na Ckobo- 
poflKMH• Ha daniH© Tans© mm©jich BaxTQHHHft aypHaji (log ), 

B KOTOpH# MajIBHMKM ©StQflH©BHO 3aH0CMJIM BC© HadjIIOfl© HMH • 

CTapoiMHa 5-oft poth ysHaji od 3tom 3aroBop© (plot ) 
m flojiojKMji o hcIm KOMaHflnpy poTH, KanHTaHy IXI-ro paHra 
leBaTOBy. nocjreflHMii npMKa3aji sanetiaTaTB ( to seal) 
daniHio, 3aroBopmMKM dmiM y b© p© hh t hto mx npeflaji (be¬ 
trayed ) Ctojimd;hh. 


208 


(Film Unit XVIII) 


Ha cjieflyiomMM askb bo BpeMH ypona b KJiacc©, 
BoonuTaHHMK JIaBpoB ycjiBinraji cwrHaji CtSiih. Hapyman 
( violating ) flncii;jrajiMHy, bqcb KJiacc dpocnjicH ( rush ) 
k OKHy, Ha^eacB yBM#©TB oxtMflaoMHii KopadjiB. Ho oi<a- 
3ajiocB, tiTO b nopT npwdHJi H8 3CMMH9H;, a Bouuia dapma 
o yrjiew. B HaKa3aHPie 3a HapyinoHPi© flnci];jin.JiHHH b 
KJiacce, bca 5-aa po r ra dHJia Ha3HaqeHa Ha cnen;HajiBHHe 
padoTH. 

Ytpom Ha ojieflyiomMM a©hb na p©frfl© iiohbhjich ac- 
MHHen "AflMHpaJI HaXMMOB" , B TIQCTB ( honour) npMdHTHH 
KopadjiH b ihkoji© dmi yo t po© h napafl m imiiono^HNe tohkm 
( boat races ). 

Be^iepoM 5-aa poTa codpajtacB b CBoeM noMenje hmh 
Ha Kopadji©. CTapnft mophk, MMHMaH ByjiaT , pacoi<aaH- 
Baji MajiBHMKaM o obokx n©p© sHBaHHHx ( experience ) bo 

Bp©MH BOftHBI H O CBO0M KOMaHflMpe , KaMTaH© JIaBpOB© , 
nomdniOM b doro (who fell in battle ) Ha 3tom »© ko- 
padJi©. 

Bo BpeMH paccKaaa MM’iMaHa, chh norubmero Kann- 
Tana JIaBpoBa, BocnHTaHHHK dikojik, Bophc laBpoB, thxo 
noKMHyji noMomoHM© m oTnpaBMJicH b doeByio pydny 
(conning tower ) . 3a©cb oh HanrSjr BaxTOHHBifi acypHaji ko- 


209 


(Film Unit XVIII) 


padjin. IIpotiMTaB b scypHa.jie o$nu;jiajiBHyio 3anncB (record) 
o mdejiM CBoero OTu;a, Bopno nojioscHJi »ypnaji Ha mocto. 
Ho npji 3T0M oh cJiynaiiHo 3 afl©ji ( touched) punar flJifl no- 
flann TpQBom (alarm ) w no scowy cy^Hy pasflajicn cur- 
Haji: "BoeBaa TpeBora" ("battle stations”). HcnyraBmHOB, 
JIaBpoB yde«aji hhkqm He saMQtiOHHHft (unnoticed ). 

BOOnHTaHHHKM CHHTajIH H8 JaBpOBa, a CTOJIJmHHa, 
KOTopnii b 3TO BpeMH 6 hji Ha BaxTe (watch), bmhobhhm b 
noflaqe jioaHoft ( false) Tp©BorH h otkphto BHpaxajm cboS 
npe3peHne (contempt ) k H©My 3 a to, hto oh h© xotqji 
npH3HaTBcn b cBoeii bhh© ( to plead guilty). Ho Ctojih- 
Uhh Kiojina Topneji bc© oduflH (insults ) TOBapjimeft h h© 
BHflaBaji (to give away) JTaBpOBa, 

Ha odm©M codpaHHM komcomojibh;©b y^HJinma JaBpoB, 
b kohh;© kohijob, npM3HajicH b tom, ^to h© Ctojimi];hh, a oh 
oaM no^HHJi TpQBory Ha Kopadjie. nocjr© codpaHHH JIaBpoB 
nonpOCHJI I13BMH0HMH y CTOJTPmHHa , M MQJKfly HMMH OnHTB 
BonapwjiMCB (was restored ) *'mhp h apyxda". 

+ + + ++ + + 


210 


(Film Unit XVIII) 


III. flMAJOrH M3 MJLMA. 


(C nOHOHMTQJIBHHM TeKCTCM ) 


pa 3 flajI 0 H B 3 PHB 

MQJIBKHyjI 

OCKOJTOK 

Hajie«ry cxBaTMJi 
Bot 3to nape hb! 

He pacTepjijicH 
OTJIMUMJICtf 
MOpHK 
$pOHTOBHK 

C hum He nponaflemB! 
ne paflyftcfl! 
none noflTHHH! 

MHe ^ot Hero nonajio 

M3MHTH& BOPOTHMK 


- a blast w a s heard 

- flashed 

- fragment 

- caught in the air 

- That's a real guy! 

- didn't lose his head 

- distinguished himself 

- sailor 

- front-line soldier 

- He won't let you down! 

- don't rejoicej 

- tighten your belt! 

- he bawled me out 

- rumpled collar 


B BeoTM6iojie ytmjmma rpynna bo cnuT&HHWKOB 

tIMTaeT CT3TBK) O CTOJIHhHHe. 


n Pa3flajrcH B3PHB 11 . B B 03 flyxe MejiBKHyj c6mthm ockqji - 
kom $jjar . PnonyH »M3Hbio, Ctojuu^hh dpocwjiCH Bnepefl 
m HajieTy cxBaTMJi ero," 

Bot 3to napeHB ! 

He -pacTepflJiCH ! 

HacTOHmiiiM repoft! 

OTJiMUMJrcH! 


CTOJIlinHH npMQflQT yHHTBCff K HaM. 
Kto CKa3aji? 

OTKyfla th 3 HaeiiiB? 


211 


(Film Unit XVIII) 










H HanHcaji euy rri/rCBMo n ot mmshm poth npurjia- 
opiji ero b Hanie HaxMMOBCKoe yujfjwme. Kan bh 
c^MTaeTe? 

IIpaBMJILHO Boprac - MOPHK HaM Hy»0H . 

Gtojimhihh $pohtobhk , repoii. C hum He npona - 

BHMMaHwe ! BHWMaHH©! IIocjieflHee hsbo ct Me ! 

%0 CJiy^MJIOCB? 

K HaM npH6HJI HOBH& KOMaHflHp POTH. 

HaKOH©i];-TO I Ypa! ! ! 

£a, th He pa^ytcH, Ma^Ta! ly^nie none nofl - 
thhm ! 

MHe yae ot Hero nonajio 3a msmathh bopothkk . 
3HaHMT, 6 o©bom. 

IIoniJiM, ManTa, iiocmotpmm! 


npoMcniecTBMe 
^ernypHLifi 
Bojibho ! 

Tan tohho! 
pemwTejiBHHft 
o6pa3D;6Boe BHirojiHe'HM© 
3aflaHMH 
BOOBaJI 


- incident 

- C.Q. 

- At easel 

- Yes, Sir! 

- selfconfident 

- superior performance in 

fullfilling the assignment 

- fought 


MuHMaH ByjiaT npwBOflMT CTOjmii;HHa • 

BcKope noHBjraeTCH aflMMpaji - HanajiBHHK 
fllKOJIH. 

PAI10PT £E3KyPH0r0 : ToBapwm; AflMMpaji! Bo BpeMH fleayp- 
ctB a HMKaKMX ripoiicme ctbhM He cjiy- 
tiHJiocB. IloMomEiiK fleaypHoro no 
y^HJiHiny BHi];e-CTapinnHa I-oft po¬ 
th £y6oB. Bojibho I 


212 


(Film Unit XVIII) 














A£MMPA Jl: 

MntiMaH ByjiaT? 

M MUM AH ByjIAT : 

Tai< to^ho! H© 3a6NJiM. TOBapum auMimaji? 
A H BOT nonOJIHQHM© K BaM npMPg^I. 

AUMMPAJI: 

OTKy/!,a? 

CTOIMHHH: 

M 3 o©B©pHoro $jioTa, pHflOBoft Copreft Cto- 
jrwniHH. 

A^MMPAl: 

AflMMpajioM peiiimi ctstl? Cmotpm, nano# 
p©inMT©jiBHHM ! A MQ^ajiB HaxKMOBa sa 
hto nojiytimi? 

CTO JMIXHH: 

3a o6pa3n;oBo© bliiiojih©hm© saflaHHfl ko- 
MaHflOBaHKfl. 

A^MMPAl: 

BoeBaji th o6pa3noBO - 3HaHMT, ynuTBOH 
Haflo o6pa3n;oBO. Hy, HMHero - BOQBaTB 
Bce-TaKM TpyflH©©... 

c© Be pHOMopen; 

- North Sea sailor 


h© cjiHxaji npo Tanoro - never heard of him 

AflMHpaji m MMtiMaH yxoflHT. Ctojimphh ocTa- 
STOH M OCMaTpMBaQT nOM©m©HM© . K HQMy 
noflxoflHT flpyrw© BocnMTaHHMKM. 


OTOJTHIXHH: 

K HaM npwdHJi? 

B HaXHMOBCKO©• 

Pa3 B HaXHMOBCKO©, 3HaniiT, k Haw. 
C©b©phomop©ij;! A th CoprQfl Ct ojumuHa 

3 HaeuiB? PepoH c TopneflHoro naTepa? 

CT01MITHH: 

H©T , H© 3HaiO. 

3x th! A ©m§ cesepHOMopen;! 

0 HeM flasc© e raseTax nmnyT. 

CTOJIHUHH: 

H© cjiHxaji npo Tanoro. 


213 


(Film Unit XVIII) 




















- PedtfTa, fla oh h© mophk! 

- IIpOBQpHM, KaKOft OH MOpHK! 

- 3aKpoM rjia3a. A T©nepB cKa*n: ckojib- 
KO Ha TBOSm BOpOTHMK© dejinx nojioo? 

CTOIKHHH : Ctojibko e©, okojibko Ha tboSm. Tpn. 


4# 


nooBHmaeT CTOjniijHHa b 

Ta^Hy 

jraflHO 

kop46jib 

acM^Heij (acKaflpQHHHft 
MM ho ho' cqd; ) 

TOpKOOTBQHHaH BOTpQHa 
mjironKa 

(uuironoHHHe tohkm) 

AOJIOHMTB O nOMBJldHMM 

Kopad jiA 


- let Stolitsyn Into 
the secret 

- O.K. 

- seagoing vessel 

- destroyer (med.size) 

- gala reception 

- row-boat 

(boat races) 

- to report the (sighting) 
appearance of the ship 


Bo BpQMff 3aHtfTMft B KJiaCC© KOMaHflMp POTH 
npwBOAMT Cto jiMUtHHa m np©ACTaBJiHOT ero, 
BOOnMTaHHMKM tojibko TonepB y3HaiOT, 0 K©M 
ohm pa3roBapMBajiM b b©ctm6k)ji©, riocji© 
ypoKa rpynna BocnMTaHHMKOB nocBHmaeT 
CTOJIMnHHa B CBOK) TafiHy . 


CjiymaM, tojibko 06 otom HMKOMy hm ojioBa! 
06oma©THB? BoQHHaa TaftHa. C©Kp©T. 


CTOJIflltJH : Odemaio. JHaaHo . 

- IIoHMMaeiiiB, HaniQMy yHMjiMmy flaior boqhhh# 

KQpadJIB , 3CKaflP©HHH% MMHOHOCen "AflMMpaji 
HaXMMOB". 


- ByA©T T0pa©0TB9HHaH BOTpena . daji, mono - 
nOHHH© rOHKM . 

CTOIKIIHH ; Korfla oh npMdHBaQT? 

- Kaputt a©hb kaSm. Tan bot - mh p©ihmjih 

B0CTM HadJIK)A©HM© 3a MOpQM M IIQpBHMM AQJTQ - 
SMTB Ha^iaJIBHMKy O nOHBJIQ HMM KOpadjTH , H 
Torfla mh nepBHMM "nofifleM b njiaBaHB© • 


214 


(Film Unit XVIII) 
















CTgmgag 


IIOHHTHO 


Hy, noDijm! 


Bot n ^AodpajincB! 
3aH©0HT9 B BaXT0HHHM 
jicypnaji. 

3aKJiK>ueH AoroBop 
naji ^cmq'ptbk) xpadpHX 
^ero oh TaM MarneT? 
pa3 6wpaTi>cii 
Ilopa 6 h yMQTB pa36n- 
paTBOH b curHajiax. 
Kopa6jiB npo3©BaomB 
JIHAOP 

OTOpOJXeBOM KOpa6XB 
th ^HanyTaji 

njIOXO TH B CHJtySTaX 
pa36iipa0niBCH. 


Well, we made it! 

Enter into the log, 

a pledge was made 
He died the death of the brave. 
Why is he waving? 
to know, to be familiar with 
One should know the 
signals, 

one can miss the ship 
destroyer (large size) 
coast-guard vessel 
you messed things up 
You are not very familiar 
with silhouettes. 


TOBa-pumw bo a yT CTOJiMijBiHa b damHieo yHM- 
jinma. 

BOCIDiTAHHMK : Bot m AQ^pajuioB l 

IIpHB© jim , TOBapim HanajiBHiiK! 
CTOJMUHH : Ax, sto th HanajiBHifK?! 

JABPOB ; Aasaft no3HaKOMMMCfl• Bopno JIaBpoB, 


- 3aH0CMTe B BaXTQHHHM aypHajr , 

A©BHToro ceHTHdpn saKJiioqeH Aoro~ 
Bop o Mwpe M Apy>s 60 . 

CTOIMBIH ; A bh tohho 3Ha©T©, hto 3cmhh©ij 

M AAMMpaji HaxMMOB" npwA 0 T? 

« TOtIHO. 

Otoe; Bopiioa 6 biji nepB hm KOMaHAM- 
pOM 3TOTO Kopafijin, 


215 


(Film Unit XVIII) 











CTOJIKIIHH; 

OTOJOHIHH t 

OTOJMHHH : 

CTOJHUHH : 

JABPOB : 

CTOIHIIHH : 


A rfle oh ceftMac? 

norw6, naji cmbptbio xpadpux . 

BHII CHTHaJIHT l 
A HTO 3 T 0 TaKOQ? 

BeperoBOw Ha6jne>flaT0jiBHHft nyHKT. 

Hero oh Tan MainQT? 

IIohhtb HQ MOry. 

Ilopa 6 bi yMQTB pasgMpaTBoa b cMrHajrax . 

Tan c BaMM m KopadJiB npo30BaeiiiB . 

- K-a r-o-p-n- 3 -o-H-T-e 6-9-3 

n-e-p-Q-M- 0 -H. 

UvimvL : HQTHpe jugepa , flBa otqpo« e bhx 
K opa6 Jin . 

C jiMflepaMH th, no-MoeMy, HanyTaji . 
^GTHpe MMHOHOCpa, a .JIMflQpOB HHKaKM X 
H8T, IIjIOXO TH, 6paT, B OHJiySTaX 
pa 36 MpaeniLOH. 


TaftHH# 3aroBop - secret plot 

BnnojiHflftTe! - Carry out (the order)] 

CTapniMHa Kopkmh ysHaji o TaftHOM aaroBope 
BO CIIKT aHHMKO B M flOKJiaflHBaQT 06 3 T 0 U KO” 
MaHflHpy POTH. 


CTAPMHA. 


KAIIMTAH: 


Bot, TOBapwm KanwTaH 3 -ro paHra,(KJia- 
fleT Ha ctoji 6mhokjib m BaxTeHHtift ayp- 
Haji) ; 3TO a b 6amH0 Hameji. BocnuTaH- 
hmkob laBpoaa m 3 awri;eBa a BHfieji cbo- 
mmm rjia3aMJi - cnycnajiHCB no jiecTHHije. 
npMKaat©T 9 K BaM BH 3 BaTB? 

He HyxtHo. Oth0cht0 Bee 3to odpaTHo 
H nOJIO»MT 0 Ha M 0 CTO, BHnOJIHH^T 0 . 
TOBapnm Kopkpih! 


216 


(Film Unit XVIII) 






















7 


. M9HH THHyjIO Ha liQpflaKM 

KO.HOKOJIBHH 

M©qTajI 

BHnopOJI (M9HH ) 
OOBOpni©HCTBO 


I was attracted by- 

attics 

bell tower 

hoped (dreamed about) 
gave (me) a spanking 
perfection 


B Ka6nH9T0 HatiaJIBHHKa mKOJIH. 


KAIIMTAH; 


MMMM 1 

KAIIMTAH; 


fi,ojis.eu CKaaaTB, *ito mqhh b aqtctb© 
tojk© thhyjio Ha gepaann m kpnmm, a 

C KOJIOKOJIBHM , HanpMM© p 9 H M9 HTaj 
yBMflOTB ATJiaHTHXieCKH^ 0 K 9 aH • 

y^aJiooB? 

Ctopoh noMemaji - BHnopoji ! 


KAIIMTAH; 


AilMMPA I : 


y Hac He 6 hjio hm BaxT ©hhofo acypHa- 
Jia, HM CMTHaJIBHOM CJiyJKbH. 9TO fl9- 
jio T9nepB flocTH tjio coBopmeHCTBa. 

Hy, mtojk! Bee hcho. Bam© npefljios:©- 
hm© npaBM jibho • HanraeM npMKa3. 


8 . 6aniHfl 3 aneqaTaHa 

n0fl03p©HM9 
BHCJiyxMTBCH nepefl 
HanajiBCTBOM 


the tower is sealed 
suspicion 

to curry favour of 
superiors 


BegepoM 3 aroBopmMKM ysHaioT o tom, hto 
mx baniHH saneqaTaHa , Mx nofl03peHM© 
naflaeT Ha CTOJiMijHHa. 

Bo BpeMfl B9H©pHMX 3aHHTMM (BOCIIMTaHHMKM 
Meatfly coboii): 

BOT BaM M nOCJIQAHflH HOBOCTBl 
A BH He B©pMJIM! 

Hbh sq 3T0 paboTa? 


217 


(Film Unit XVIII) 















Ubh! Kohqvho , CTOJiMii;HHa! Aojiokmji 

KOMaHflMpy pOTH M pQUIMJI BHC JIYKMTBOH 

neyeg Ha^ajiBOTBOM . 


9, He npnKM^HBawcfll 

TH flOHSc 

Tan Bau m Haflo! 

nepexBaTMM 

He noABe^gT 

He CBOflw o Mopa rjias! 


n 3aroBopmnKH 
B0CIU1TAHHMKH: 3to th? 


- Don*t pretend! 

- you reported (squealed) 

- You deserve It! 

- (we) will intercept 

- won’t let you down 

- Keep your eyes on the 
sea! 


IIOflXOflHT K CTOJIMI3;HHy 


OTOJIKUHH : ff 

Mh TaK H 3HaJIW, HTO 3T0 TH. 

CTOJIHIIHH : Bh o HeM? 

He npMKHflHBaMCfl , roBopw npflMo : th o 
6amHe flOHec ? BamHio M3 3 a Te6a aane- 
tiaTajiM? 


CTOIMHHH : 3 anetia.TajiH? TaK Ban m Haflo ! HayHH- 

T 60 B oHaqajia b Kopa 6 jtax pa 36 MpaTBCH* 

(CTOJIMIi;HH BHXOflMT M3 KOMHaTH ) 
BQCnHTAHHPKH :KaK me mh TenepB 3 cmmh@ij nepexBa - 

TKM? 


OcTaeTCfl oflHo: AaTB sa^aHwe BHII. 
CT^nna nac hq noflBeflgT ! 


Tosapumii nMmyT npMKa 3 CT^nne, HatiajiBHMKy 
BHII: 


"Kamy 6amHio 3 aneqaTajiM. Ben Haflea^a 
na to6h. He cboam c Mopg rjia 3 l Kan 
yBMAMniB Ham Kopa 6 jiB, cnrHaji 

HOMep 3 n • 


218 


(Film Unit XVIII) 
















10. jimhkop ^ (JIMH0IIHHM ko pa6 jib )- battle ship 

dpoHeHooeii; . <» »« 

npwjiaraTB ycwjiMH - to make an effort 

nopa3MTB ^ ^ - to hit 

HawOojieQ yH3BMMoe mgoto - the most vulnerable spot 
kotjih - boilers 

noTepHQT xofl - will slow down 

Tornil - sink! 


3aHHTWH b KJiaooe Ha cjie^yiomHft aqhb. 

KOMAH^MP POTH : 3#paBCTByiiTQ, BOcnHTaHHMKM! 

BOCnffTAHHMKM : 3flpaBHH xejiaeM, TOBapnm KamiTaH 

3-ro paHrai 

KOMAHjlHP POTH : Bojibho! Cqctb! 

CTOIHUHH : KpoM© opyflMft rjiaBHoro najiH6pa, 

JIHHKOP MM99T OpyflMH CpQflHQrO 
Kajm6pa. 

KQMAHjlMP POTH : Kan Ha3HBajmcB jimhkoph paHBine? 

3HaGT0? KTO OTBeTMT? 

XABPOB: PaHBme Tanwe Kopa6jm Ha3HBajiMCB 

6poHeHocuaMM . 

KOMAHilllP POTH : BopoTBCtt c OpoHiipoBaHHHMH Kopab jihmm 
OHQHB TpyflHO. B 6 OK) npMXOflMTCfl 
npHJiaraTB ycmiKfl t hto6h nopa3KTB 
BpaxecKW# Kopa6jiB b Han6ojiQ8 yg3BH ~ 
MH9 MecTa . Kaniie 3 Hae tQ? 

Mh 3Toro hq npoxoflMjm. 


HyacHo nopaataTB BpaxecKH# KopabJiB 
b paw oh r JiaBHHX mq xaHM3MOB hjim 
kqtjiob . II oTepneT xoa , TyT yx ero 
paocTpejiMBaii h toiih! 


knocking 
Attention! 
About face! 
barge 


JABPOB : 
CTOIMUHH : 


II. CTYK 

OMHpHO! 

K^yrow! 

6apxa 


219 


(Film Unit XVIII) 






















CjrHineH otyk . 3to CTSna fla§T cwrHaji 
HOMSp 3. 

BQQHMAHHKKH t HflST! "AflMHpaji HaxuMOB" KflgTl 

KOHAHAMP POTH : Cmhpho I RpyroM l no MQCTaM! ... 

CqotbI HJoxo Bama cHrHajiBHa& oxyada 
patfoTaeT! Eapaa npjimjia, dapaa o 
yrJi©M. IIpiiflSTOfl Bao HayqwTB OTJiJfuaTB 
acMHHeii; ot SapatM ... 


IS. Hapym^Hne 

nq,rp^3Ka frJisi 

ByflBT© JHOddsHH! 

ped^Ta 

ooaaflSHHHft 

npopBajr^oB 

doft rpewisT 

HenpepHBHO 

^aftT© "Bos^yx"! 

npMBHK 

noTynno 38 3a®nrajioK- 


violation 
loading of coal 
Be kind enough£ 
fellows 
beleaguered 
broke through 

the battle is at its height 

continuously 

Give the (air) 

(I) accustomed 

(I) put out 38 incendiary 

bombs 


3a HapymeHno AMcuwnjiwHH b KJiaooe 5-aa 
poTa HaaHaqaeTCH Ha norpy3Ky yrJia. 

OTAPIIIMHAs BoonifTaHHMK 3aMi*eB! Aejia He BHay! 

EyflBTe jho503Hh . BO3BUHT0 jionaTy, nona- 
eht© npuMep! 

KOMAHiIMP ToBapwm KopKHH, a bh Korfla-HPfdyAfe yroaiB 

POTH : rpy3HJiM? CodepwT© mhq poTy! CKyunaa 

padoTa, pedHTa l CKyHHan* M©AJieHHaH f 
rpfl3Haa.HynaK Ha h eft oTJUiunmBOH? 
Cmotpmj nope a HatiM deper ocaajdHHoro 
CeBacTonoJ!#. K Haw npo pb ajao b 6 ap~sa 
c yrjreM, oh Hy«©H CeBacronoji©, Kan 
oHapaAH, nan B03Ayx, Kaa xji© 6. Bonpyr 
rpeMHT dofl . HenpepHBHO npiuieTaBT Bpa- 
seoKH© ormojiSth, a mh padoTaeM ... 


220 


(Film Unit XVIII) 


















Hop© 3 H©KOTopoe bpqmh 


KOMAHj^HP POTBI : /[a%TQ M B 03 flyx n ! 

CTAPIIIMHA: "Boaflyx!" 


BocnilTaHHMKM MflyT B ynpHTM© OT 
"6om6". ripMXOflMT Hay aJIBHMK IHKOJTH. 


AilMHPA J : 

3 A HHEB : 


AJIMMPAJI ; 

3AMIIEB : 


ToBapiira; 3atjE;eB, notiewy bh h© b 
yKpHTHM? Me 6 oht©cb? 

npwBHK , TOBapwm a^Mupaji. B JTqhjih- 
rpafl© bo bp©mh ^JioKaflH noTymm 
38 3a%iirajioK . Pa3peniMT© npoflo juxaTB? 

IIpoflOJimaMT© ! 

Ectb npoflojiaaTB! 


. 3 apnfl 6 o©b6# 

3ajin! 

3 flopoBo nojiywiiJiocB! 
norofla noflxoflflmafl 
noroAa HQ^ypHa 
He cflaflyT 
6HBaJIH^ 
napyca 

^TO ngHyHHJIH? 

Hapyca flojioft I 
BdcJia Ha BOfly! 

3aHHTHfl Ha KopaSji©. 

- K 6010! no mh ho ho on;y! Ilpimeji 60 , 

UQjib 410 . CHapnfl $yracHN&. 3 apna 
6 o©bo Vi . 3am! 

3flopoBo nojiytmjiocB , pedHTa! 

KOMAHUMP POTH: A norofla rjisi nac noflxoAflinafl . Kan bh 
’ flyMaQT©, TOBapnm cTapraHa? 

CTAPIIIMHA: IToro^a HGflypHa . 


- live ammo 
« Firel 

- SwellI 

- the weather is just right 

- the weathey is not bad 

- (they) won t give up 

- experienced 

- sails 

- What makes you so quiet? 

» Strike sails! 

- Drop oars! 


221 


(Film Unit XVIII) 




















KOMAHOTP POTH: 

PeOflTa He caaflyT? 

CTAPJHMHA: 

He c/jaflyT. 3 to Tanoft Hapo#! A no- 
TOM, paHO MJIM n03flH0, HaHHHaTB Haflo 

KOMAHJIMP POTH: 

*Iepe3 AeoaTB MMHyT odop Ha noca^Ky. 

BOCIIHTAHHWKH: 

PetfHTa, nocjieAHHe H3B0 otmh: nepes 
flecHTB MHHy t nocaflKa, 

- 

IIOCaflKa? Hq MOJK9T 6iJT BI HTOPM BOflB 
HaHHHaeTCH. Kanag TyT nocapa? 

- 

A HQTBgpTaH poTa nonua AOMoii. 


CKa3aji tojkq! y hhx ate KOMaHflwp BQflb 

($HBajIHft MOPHK, C TaKMM M B IUTOPM H0 
cTpaniHo, He to, hto Ham! 

BoenMTaHHMKM CaflHTCH B IHJHOIIKIf. 

CTAP1HHA: 

Tosapum KanMTaH 3-ro paHra, booiih" 
TaHHMKM BC© HajIMIJO ! 

KOMAHUHP POTH: 

Otxoawm! 

CTAPMHA: 

IIoflHflTB napyca! 

- 

CnacTJUtBoro ruiaBaHBH! 

KOMAHUMP POTH: 

HTO IiPJiyHHJIH. TOBaPMffiM MOPHKM? 

CKyHHo 6©3 Aejia? 

CTAPMHA : 

£a, pa6oTeHKa HaM hq noMeiaeT, 

Cpa3y ayaia 3anoeT. 

KOMAHiWP POTH: 

Ilapyca AOJioiU 

- 

Ectb "Ilapyca rojioR 1" 

KOMAHMP POTH: 

BScjis Ha BO/iyI 


222 


(Film Unit XVIII) 



















14. Enje 6n! 
A0JI0*HT9 
TpajiBmMK 

- Sure! 

- Report 

- trawler, minesweeper 


Ilocjie nuiiono^Horo yqQHMfl BocnHTaHHHKH 
bo 3 BpamaioTC h b niKOJiy. CTapuiMHa bo^st 
poTy Ha Sarnmo. K BO©o6mewy yflHBJieHHio 
3 to noMemjeHMQ npeBpameno b HacTonmnii 
Ha6jiioflaT©JiBHBiM nyHKT . 


CTAPUIMHA: 

Hy *ITO, HpaBHTCH? 

A KTO 3 TO CflQJiajI? 

CTAPUIMHA: 

no npMKa3y KOHTpaflMHpajia. 

A Ham KOMaHflMp y^iacTBOBaji? 

CTAPUIMHA: 

Eme 6 h! KanwTaH 3-ro panra m no- 
BepHyjI 3TO flQJIO Ha npaBMJIBHNW 

Kypc. 

BXOflHT 

KOMaHflMp pOTH. 

KOMAHUMP POTH: 

BoonMTaHHMK JlaBOOB, flOJIOHHT0 06 - 
cTaHOBKy Ha peftfl©. 

JIABPOB: 

Ha pewfle 3 cToposseBHX Kopa 6 jiH, 

2 ToajiBiUMKa. Ha ropw 3 OHT 0 nona- 
3 ajicfl KopadjiB. 

KOMAHilHP POTH: 

KaKMM KypCOM HflgT? 

JIABPOB : 

45. 

KOMAHilHP POTH: 

Rjiacc Kopa 6 jiH? 

JIABPOB: 

Kjiaco KOpadjin - acMMHen;. 

KOMAHilHP POTH: 

npaBMJIBHO • 3CKaflp0HHHft MMHOHOC0D; 
"AflMMpaji HaxMMOB" , 1c>t c aMHM Kopa6jiB, 
kotophm KOMaHflOBaji Bam OTen;. 


223 


(Film Unit XVIII) 















15. MH KJLHHeMCH 
OTHMSIia 
npe^aHHo 


we swear 

fatherland 

devotedly 


IIo ojiy^aio npndHTMH aci/HHi^a " AAMMpajia 
HaxMMOBa" b uiKOJie ycTpaMBaeTOH napa#. 

PEUL HAUAJLHKKA npnHMMan KopadjiB, KOTopnft hocmt 
IIIKOIH : floporoo nameMy Hapofly mmh Aamm- 

pajia HaxMMOBa, mh KJiHHeMOfl , *ito 
dyflew cjiyacwTB othm 3H© Tanac© 
npe^aHHo , KaK cjiyanji ©ft HaxMMOB. 
HaKBPOfiH BejIMKOft Ot©H©CTB©H- 
HOM BO^HH CJiyJKMJIM ©M r©pOM 
3Toro cjiaBHoro scMMHpa, ero 
MaTpocH m o$Hij;epH, ero nepBH# 
KOMaHflwp - KanMTaH I-ro paHra 
JlaspoB. 

CnacTJiHBoro ruiaBaHBtf, 

HaXHMOBBjH ! 


16. 3pMT©JIB 
pyjlQBO^ 

BHfiHBaeT M3 CTpOH 
B3rjiflHyji # 

BO# B6 0TM flO nOJIHOTO - 
nopaaoHMH npo tmbhmk a! 


spectator 
helmsman (pilot) 
is out of action 
glanced 

Carry on the battle till the 
final defeat of the enemy! 


nocjie napafla Ha peftfle ripoBOAHTOtf hijiio- 

nOtlHH© TOHKM. r JiaBHBTMM (JiaBOpMTaMM CMMTa- 

iotch 4-an m 5-aH poth . Bo bp©mh cocTH3a- 
hmh opH M3 3PMT©Jie^ “ CTeria - naflaeT b 
BOfly M HaHMHaQT TOHyTB. CTOJIMUHH, dVflyHM 
pyjieBH M "nHTdpKM", 3aMetia©T 3 TO. Oh noBopa- 
^MBaQT "ImnoriKy m cnaniMT TOBapnmy Ha noMoujB. 
3 tmm 5-an pora undHBaeT mb ctpoh m "neTBepKa" 
npMXOflMT Ha (pMHMiu nepBoli. 

Ha ojie/jyioniMM flSHL aaHHTKH npoBOAflTCH Ha ac- 
mmhb;© "AflMMpaji IlaxwoB" . BanepoM, nocjio 3a- 
HHTMft, BOCnMTaHHMKM OCTaiOTOK Ha 6opTy KO- 
padjin. MMHMaH Byjiar paccKa3HBa©T mm o cbomx 
napajKMBa hmhx bo bpqmji bomhh m o tom, nan 
nornd KOMaHA^p "AAMMpajia HaxMMOBa". 


224 


(Film Unit XVIII) 










MHHMAH ByjIAT : 


MTOAH EyjAT: 


.... m Bflpyr oflMH cuapHfl yflapwji 
y caMOM py6KH. B3rjiHHyj r h na 
Ajighcgh HeTpoBM^a - noHHJi - paH©H 
Ham KOMaHflwp. 0$nn;ep noflXBaTMJi 
ero Ha pyKH. llpomma, HaEQpHoe, 
MHHyTa, h a oHOBa yojiBimaji tojioc 
A jieKCQfl IleTpoBMHa. 3 to 6hji ero 
noojie^HHii npKKa3 . 

KaKOM npiiKaa? 

”0 OMepTM KOMaHflHpa JTMHHOMy OOCTa 
By hg coo6m;aTB. Boil Beo TM ao tioji 
Horo nopa3F.eHMH npoTMBHMKa I " 


n 6o©Bafl TpeBora" - "battle stations" 

T©pmiT - tolerates 


Chh nom6inero KanwTaHa laBpoBa,, Eopnc JlaB- . 
poB, too ofleBaQTCH h noKH^aeT noMe^Hne. 

Oh HanpaBJiHGTCH b 6o©Byio py6Ky. 3fl©cB oh 
H axOflMT BaXTQHHBlM KypHajI KOpabJIH. IIpOHHTaB 
b HGM o^MDjiiajiBHyio 3anwcB o rwbejiH cBoero 
OTi^a, Bopiic KJiafleT sypHaji Ha mqcto. IIpw 
a tom oh cjiynaMHo 3a,ni©Ba0T pnnar ajih noflanw 
TpeBorw, m no BceMy cy^Hy paa^aeTCH cnrHaji: 
"EoeBafl TpeBora!" Bopwc nocnomHo noKMflaeT 
6o©Byio py6ny w 6©2 kwt Ha CBoe MecTo. IIo^o- 
3 P©hmq b nofla^e jio&Hoft TpeBorw naflaeT Ha 
CTOJiMn;HHa, ho tot, xoponio 3Han, kto b 3tom 
bmhobgh, hg BHAaeT CBoero TOBapnnja m MOJina 
TepmiT Bee o6mah. JIaBpoB hcho bmamt, hto 
Ctojimi];bih CTpa^aeT, ho 6ohtch npw3HaTBCH, 

TaK Kan AyMa©T, hto TOBapHm.ii 6y^yT HaA hum 

0M9HTBCH, 

Ha cjiep,yiomw.^ a @ hb b mKOJie ycTpawBaeTCH 6ajr. 
Bo© eo oriHTaHHMKM, KpoM© Cto jnnjBiHa , irony hhjim 
6mji©tbi• Oh ocTaeTca oahh b cbo©m noMemsinm. . 


22 ? 


(Film Unit XVIII) 











18. no3aBMflOBaTB 

BHHOBHHK ^ 

MH flOJIKHH B03fl©p3KaTB 
O^MaHHBaTB 

Tpyc 

cnpHTajiofl 


-to envy 

- the guilty one 

- we should refrain from 

- to deceive, to cheat, 

to betray 

- coward 

- (he) hid 


Ha komcomojibckom COdpaHHH. 


Bnorpa(|mH y CTOjnnpHHa xopoman. 
TaKoft 6worpa$MH KaatflHfi KOMCOMOJiei]; 
M019T n03aBMJ0BaTB . Ho 51 CUMTaiO, 
nona HO BHflCHHTCfl MCTOpHH C Tp©~ 
Boroft, Bonpoc o iipuSMe CTOJimpiHa 
B KOMCOMOJI MH flOJiaCHH OT JIOSCMTB • 

npaBMJIBHO! 

KOMAHAHP POTH : TyT a©jio He b TpeBore, BOcnHTaH- 
HMK TpOMOB. 

rPOMOB: CoBepnieHHo eepno, TOBapwm KanMTaH 

3-ro paHra. A©Jio b noBQflQHUH bm - 

HQBHHKa Tp 0 BOm. H 03 T 0 My fl M 0^1!- 

Taio, noaa BMHa naflaer Ha OTOJiwmj- 
Ha, ot npif^Ma ero b komoomojt mh 

flOJiailH BQ 3 AepiaTBOH . 

nPEJQ, CERATE JIB : Cjiobo mm©©t bociimt aHHHK Ch6*kob, 

CHEPKOB : H, koh©hho, cjioBa peiiiaiomero h© 

MM9K) • He flopoc ©m§ . MeHH b komco- 
moji 6y,n;eT0 npMHMMaTB b 6yflym©M 
rofly. H ctiMTaio, uto npwHHTB Ctojih- 
nHHa b komcomoji Ha^o . CTOjrnn;HH 06 - 
MaHHBaTB Hac H© 6yfl©T. Oh o $JiOTa 
npwmeji, cMepTH b rjia3a cMOTpeji . 
Ecjm 6h Ct ojmn;HH 6hji BHHOBaT, oh 
6h npM3HajicH. H ©My Bepio, a flona- 
3aTB He Mory. A oKaxuTQ, kto H 3 
Bac npo30BeT CTOjiHunHa tpyoom ? ... 
Hgt TaKwx• A Toro, kto ycTponji 
TpeBory m cnpaTajica 3 a criHHy TOBa- 
pK^eft, Kai< mh Ha30Beu? 

JABPOB ; Hgt, hgt, h h© Tpyc I... Ctojiwijnh 

h© BPTHOBaT! TpQBorv Ha nopadji© 
o6t.hbhji h ... cjiyqa^Ho . .. 

82 2-ARMY - A L S -PM. CAL IF.JUL 59 -1000 

226 (Film Unit XVIII) 














































































































































































































































































































































































































































































































































































































































































































































































































































































































































































































































































































































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PreservationTechnologies 

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